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Institute of International Visual Arts (Iniva)

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Journal Article
Nka (2014) 2014 (35): 22–31.
Published: 01 November 2014
...Gilane Tawadros Three works made up the exhibition Scat—Sonia Boyce: Sound and Collaboration , presented by Sonia Boyce and the Institute of International Visual Arts (Iniva) at Rivington Place in London from June through July 2013. The three works use image and sound in strikingly different...
Journal Article
Nka (2008) 2008 (22-23): 60–79.
Published: 01 May 2008
... Institute of International Visual Arts, 2003), pp. 139-50. Bheki Peterson, "Clifford Charles and the Pleasures of tramps have neither a history nor a memory. But 9...
Journal Article
Nka (2014) 2014 (34): 98–108.
Published: 01 May 2014
...-­Salahi 100 • Nka Journal of Contemporary African Art • 34 • Spring 2014 The Last Sound, 1964. Collection of Abdulmagid A. Breish. © Ibrahim El-­Salahi ported by London’s International Institute of Visual and other MAA staff; continued research at Cor- Art (INIVA) and its director, Gilane...
Journal Article
Nka (1995) 1995 (2): 8–11.
Published: 01 May 1995
... Gerardo Mosquera pointed to in "Global Visions towards a new interna• tionalism in visual arts," when he wrote: "By all means...
Journal Article
Nka (2008) 2008 (22-23): 152–188.
Published: 01 May 2008
... that so years during which I ran the London-based arts attempted to tussle with the disappointment of organization INIVA (Institute of International postcolonial Utopias and the impact that this has Visual Arts), and wrote articles, published books, had both in Africa...
Journal Article
Nka (1998) 1998 (8): 58–61.
Published: 01 May 1998
... and Walker Evans, Carl Van Vechten, Winold International Visual Art (INIVA) opened at African discourse. Through their indispens• Reiss, Jean Renoir, Eugene O'Neil and Doris the Hayward Gallery and has made stops in able writings, artistic...
Journal Article
Nka (2019) 2019 (45): 8–17.
Published: 01 November 2019
... of the Arts Council-sponsored Institute of International Visual Arts, more commonly known by its acro- nym, INIVA, the letters being presented in varying assortments of upper and/or lower-case characters. Such developments can, in some respects, be seen as providing a backdrop or context for this current...
Journal Article
Nka (2017) 2017 (40): 44–55.
Published: 01 June 2017
... encounters, and enhances ated rhythms of highly urbanized capitalist societies photographically, a possibility of rest from the urban are also discernible through attention to the bodily, chaos of Luanda in post–Cold War, post-Marxist, almost performative, and far from solely visual and post–civil war...
Journal Article
Nka (2019) 2019 (45): 34–47.
Published: 01 November 2019
..., Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj, in Hall and Maharaj, Modernity and Difference, ed. Sarah Campbell (London: Institute of International Visual Arts, 2001), 36 37. Issue alerts are a great way to stay current on all the cutting-edge scholarship from your...
Journal Article
Nka (2021) 2021 (48): 70–95.
Published: 01 May 2021
...-scale art institution in London that embod- awareness that unlike every earlier period, the world population ied the growing interest for working at the intersection between needs to find our futures entirely within the resources available academia and curatorship: Institute of International Visual...
Journal Article
Nka (2020) 2020 (46): 8–26.
Published: 01 May 2020
... and criticism have start- ed to emerge. The critical historical role of ongoing African-based biennials such as those in Dakar, Cairo, Cape Town, and Johannesburg (the latter two are now defunct) should be acknowledged. The seri- ous lack of publications, periodicals, and magazines on the visual arts...
Journal Article
Nka (2002) 2002 (16-17): 108.
Published: 01 May 2002
.... INIVA & Routledge, Such unfashionability here cyberculture infiltrated the art- She favours art that reveals the Publishers, 2002 becomes a strength; it allows world, offering virtual dreams...
Journal Article
Nka (2012) 2012 (31): 46–111.
Published: 01 November 2012
... may find that partnering with art and design the October, InIva, the Beardsmore, the Brunei at institutions may be of great mutual benefit to visit- the School of Oriental and African Studies, and ing artists and students. SCAD’s collection is by no Gasworks Studios, all in London, as well...