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Institute of International Visual Arts (Iniva)

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Journal Article
Nka Journal of Contemporary African Art (1 November 2014) 2014 (35): 22–31.
Published: 01 November 2014
...Gilane Tawadros Three works made up the exhibition Scat—Sonia Boyce: Sound and Collaboration , presented by Sonia Boyce and the Institute of International Visual Arts (Iniva) at Rivington Place in London from June through July 2013. The three works use image and sound in strikingly different but...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 60–79.
Published: 01 May 2008
... that and all major roads and bridges in the city. At 7:00 articulated itself in a heightened political con• A.M. on July 23, the first announcement was made sciousness but also in new forms of visual and to the public over Cairo radio by Anwar al-Sadat. architectural practices. These new...
Journal Article
Nka Journal of Contemporary African Art (1 June 2017) 2017 (40): 44–55.
Published: 01 June 2017
... encounters, and enhances ated rhythms of highly urbanized capitalist societies photographically, a possibility of rest from the urban are also discernible through attention to the bodily, chaos of Luanda in post–Cold War, post-Marxist, almost performative, and far from solely visual and post–civil war...
Journal Article
Nka Journal of Contemporary African Art (1 May 2014) 2014 (34): 98–108.
Published: 01 May 2014
...-­Portrait of Suffering, 1961. Iwalewa-­Haus, University of Bayreuth, Germany. © Ibrahim El-­Salahi 100 • Nka Journal of Contemporary African Art • 34 • Spring 2014 The Last Sound, 1964. Collection of Abdulmagid A. Breish. © Ibrahim El-­Salahi ported by London’s International Institute of Visual...
Journal Article
Nka Journal of Contemporary African Art (1 November 2012) 2012 (31): 46–111.
Published: 01 November 2012
... visual to remedy this situation, rather than using it as a practices might more likely be included or excluded reason to exclude them from the discourse forever- in her curatorial projects. Having said that, my use more? I have to say that the Ottenberg anecdote is of the figure of a subject who...
Journal Article
Nka Journal of Contemporary African Art (1 May 1998) 1998 (8): 58–61.
Published: 01 May 1998
... areas of Caribbean and Walker Evans, Carl Van Vechten, Winold International Visual Art (INIVA) opened at African discourse. Through their indispens• Reiss, Jean Renoir, Eugene O'Neil and Doris the Hayward Gallery and has made stops in...
Journal Article
Nka Journal of Contemporary African Art (1 May 2002) 2002 (16-17): 108.
Published: 01 May 2002
... modernist and and our need to visually pene• contemporary art. Bowling's art post modern culture and aesthet• trate the porous field of fine...
Journal Article
Nka Journal of Contemporary African Art (1 May 1995) 1995 (2): 8–11.
Published: 01 May 1995
... bitions as her/his own propositions. Once the curator was for the visual an African artist be heard when it came to what was one of the main art world what the publisher/editor was to the world of literature. Today, issues of the seminar, the ethics of curating. If we do not take every...
Journal Article
Nka Journal of Contemporary African Art (1 May 2008) 2008 (22-23): 152–188.
Published: 01 May 2008
... that accord• ed to their Western counterparts. Several exhibitions and a few texts produced during the last decade have effectively captured aspects of the complexity of the contemporary African art scene through interdisciplinary and visual culture approaches.2 These include...