Search Results for Global South

.... The exhibition first and foremost tries to reunite artists who are foreigners, immigrants, or exiles, especially those who have moved between the Global South and the Global North. Pulling from the etymology of romance languages, this concept of the stranger is mobilized to include queer artists, outsider...

... North, the global South, and in between. Discarded objects become critical signifiers of the fever of waste-producing consumerism—notably, though not exclusively, in the postwar, fast-growing Luanda where Chagas currently lives. By rearranging these objects into new configurations, Chagas is also...

... Ṣàngódáre Gbádégẹsin Àjàlá as successful case studies of the biennale’s aims to center the Global South in the history of modernism. It critiques the effectiveness of the main exhibition’s Nucleo Storico on portraiture and abstraction for effacing differences between the art worlds occupied by the artists...

... contributed to the construction of an invisible humanity. The guided visits sought to restore its presence and affirm the living legacies of the enslaved. Françoise Vergès is Chair Global South(s) at Le Collège d’etudes mondiales, Fondation Maison des sciences de l’homme, Paris, and works...

.... This is video I made about it. In hindsight, however, I was wrong to where the symbolic tomb of Adam is said to be. Our jour- undervalue the results of Blood Is Not Fresh Water. Though ney proceeds to the south of Ethiopia, where we meet the very much a documentary, it did point to a new direction in tribal...

... shifts in the global cultural landscape. Stranieri Ovunque Foreigners Everywhere Adriano Pedrosa, the biennale s first curator from Latin America, has used his platform to center artists from the Global South. As such, he draws upon decades of scholarship and exhibitions, including his own contributions...

... of high jewelry alludes to the global trade in minerals—most specifically, the diamond industry’s spoliation of South Africa’s natural resources, pionered by British imperialist Cecil Rhodes. Special attention is paid to the way Newsome’s subversion of the codes of high jewelry visually and conceptually...

..., local articulation of black consciousness on Chicago’s South Side in 1967 in order to illustrate how local dimensions of black consciousness relate to the making of a global black consciousness. Crawford’s starting point is a photo archive of Bob Crawford, her father, a photographer who worked...

... linking Sharjah with its regional equivalents across the Global South.4 According 116 Nka Journal of Contemporary African Art 53 November 2023 Erkan O zgen, Wonderland, 2016. Single channel digital video, color and sound, 3 minutes 54 seconds. Installation view, Sharjah Biennial 15, Kalba...

... of this exceptional edition of the Sharjah Biennial. Hence, the objective of this editorial is to complement these reviews by bringing to the fore the uniqueness of the Sharjah Biennial 15 in comparison to other Global South or North art Biennials and other platforms of contemporary art. This uniqueness is manifested...

...Anna Arabindan-Kesson This article reviews a selection of works by Black diaspora artists who were included in the 2024 Venice Biennale. The article focuses on artists included in the pavilions of Nigeria, Senegal, South Africa, and Benin, along with artists included in the Arsenale...

...-contained Biennial; it is the culmination of all its predecessors, of relationship-building and conversations unfolding over three decades, both within and beyond Sharjah, de-territorializing our local context with its regional equivalents across the postcolonial constellation of the global south. 1 She...

.... A component larger implications concerning the global South as of this “black high-­tech document” is the disk’s a figurative location for disenfranchised groups of movement, which simulates the creation of music people. The global South locates Badu’s culture on from contact between the turntable’s...

... and Lagtaâ a large board with the Stro ek Nka 49 inscription, The film does not need a screen. 27 This further research projects on student exchanges be- happening questioned the role of traditional cinema tween Africa/Global South and Eastern Europe will and analyzed the film as a living form of its own...

... and the institutions they work with in the Global South. curatorial life. I loved hearing Wolof and realized how much the Amazigh culture that I am from is rooted Five: Munich 2018. Okwui was imagining his last beyond the vast Sahara. exhibition, dedicated to the work of El Anatsui. The monumental show took place...

...Hannah Sage Kay [email protected] Copyright © 2022 by Nka Publications 2022 REVIEWS FRANK BOWLING: LONDON/NEW YORK HAUSER AND WIRTH, NEW YORK MAY 5 JULY 30, 2021 expect from binary relationships whether contextual (North and South, regional and global) or aesthetic (light...

... Publications 2024 Gavin Jantjes anti-apartheid South African art contemporary global art Korabra series To Be Free! The Art of Gavin Jantjes Between Freedom and the Burden of Representation Gavin Jantjes, Untitled, 1989, from the Zulu series, ca. 1984 90. Acrylic on four canvases, ceramic egg...

.... Cuba and the Havana Biennial model were the ideal platform for Enwezor. What the biennial pro- posed as aspirational and then managed to build gave him a concrete site for realizing his own dreams. Finally, he could see a place where the rich visual production of the Global South displayed all its...

...: the Politics of Trans/ work of Cy Twombly alongside the work of artists Nationalism and Global Expositions was explicitly who are more traditionally considered appropriate affected by the ways in which Enwezor staged the for a history invested in transnational South Asia. global exposition in the context...

... Cities Freetown, Johannesburg, Kinshasa, ognized for its postcolonial agenda, its sensitivity Lagos, took place in Lagos, Nigeria, from March to the geographic dispersion of contemporary art 15 to March 21, 2002; and Platform Five, the final in the so-called Global South, as well as its experi- platform...