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Volume 2024, Issue 55
November 1, 2024
Issue Cover
ISSN 1075-7163
EISSN 2152-7792
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From the Editor

Africa in Venice
Chika Okeke-Agulu
View articletitled, Africa in Venice
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ARTICLE

To Be Free! The Art of Gavin Jantjes: Between Freedom and the Burden of Representation
Salah M. Hassan
View articletitled, To Be Free! The Art of Gavin Jantjes<span class="subtitle-colon">: </span><span class="subtitle">Between Freedom and the Burden of Representation</span>
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Wangechi Mutu’s Ecofeminist Vision in The End of Eating Everything
Chika Okeke-Agulu
View articletitled, Wangechi Mutu’s Ecofeminist Vision in <em>The End of Eating Everything</em>
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The Paintings of Henok Melkamzer: Telsem Symbols and Imagery
Elizabeth W. Giorgis
View articletitled, The Paintings of Henok Melkamzer<span class="subtitle-colon">: </span><span class="subtitle">Telsem Symbols and Imagery</span>
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Foreigners in Venice: Reflections on Black Diaspora Art at La Biennale di Venezia 2024
Anna Arabindan-Kesson
View articletitled, Foreigners in Venice<span class="subtitle-colon">: </span><span class="subtitle">Reflections on Black Diaspora Art at La Biennale di Venezia 2024</span>
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Visibility and the Politics of Representation at the 60th Venice Biennale
Christa Clarke
View articletitled, Visibility and the Politics of Representation at the 60<sup>th</sup> Venice Biennale
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Exploding the Canon: Modernism from Africa at the 60th Venice Biennale
Perrin M. Lathrop
View articletitled, Exploding the Canon<span class="subtitle-colon">: </span><span class="subtitle">Modernism from Africa at the 60<sup>th</sup> Venice Biennale</span>
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Stranieri Ovunque—Foreigners Everywhere and the History of Global Modernism
Holiday Powers
View articletitled, <em>Stranieri Ovunque—Foreigners Everywhere</em> and the History of Global Modernism
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Reviews

Mario Lewis: Forest Notebooks
Natalie Melas
View articletitled, Mario Lewis<span class="subtitle-colon">: </span><span class="subtitle"><em>Forest Notebooks</em></span>
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The Time is Always Now: Artists Reframe the Black Figure
Faridah Folawiyo
View articletitled, The Time is Always Now<span class="subtitle-colon">: </span><span class="subtitle">Artists Reframe the Black Figure</span>
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