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Volume 2018, Issue 42-43

1 November 2018

Issue Editors

Margo Natalie Crawford

Margo Natalie Crawford

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Salah M. Hassan

Salah M. Hassan

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ISSN 1075-7163

EISSN 2152-7792

In this Issue

Theorizing Global Black Consciousness
Theorizing Global Black Consciousness
Theorizing Global Black Consciousness
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
The Flow of Pan-African Festivals and Conferences
New Perspectives on the Practice of Global Black Consciousness
New Perspectives on the Practice of Global Black Consciousness
New Perspectives on the Practice of Global Black Consciousness
Interview / Reviews

Global Black Consciousness

Margo Natalie Crawford; Salah M. Hassan

Theorizing Global Black Consciousness

Négritude as Existence

Souleymane Bachir Diagne

Theorizing Global Black Consciousness

Édouard Glissant’s Worldmentality

Manthia Diawara

Theorizing Global Black Consciousness

“How to Liberate Marx from his Eurocentrism?”: Marxist Praxis in African/Black Contexts

Salah M. Hassan

The Diasporic Power of Black Abstraction: Black as a Unifying Concept and a Strategic Abstraction

Margo Natalie Crawford

Bandung Holograms: The Black Voice as Movement Technology

Shana L. Redmond

The Flow of Pan-African Festivals and Conferences

The 1962 First International Congress of African Culture: A Brief Report

Barbara Murray

The Flow of Pan-African Festivals and Conferences

The Dak’Art Biennale and Global Black Cultural Politics in the Twentieth Century

Ugochukwu-Smooth C. Nzewi

The Flow of Pan-African Festivals and Conferences

Bingo Magazine in the Age of Pan-African Festivals: A Feminist Archive of Global Black Consciousness

Tsitsi Jaji

The Flow of Pan-African Festivals and Conferences

Soul Call: The First World Festival of Negro Arts At a Pivot of Black Modernities

Penny M. Von Eschen

The Flow of Pan-African Festivals and Conferences

Articulating the National and Transnational: Exhibition Histories of the Casablanca School

Holiday Powers

The Flow of Pan-African Festivals and Conferences

The Event of the Photograph: Black Consciousness from the Wall of Respect ’67 to FESTAC ’77

Romi Crawford

Marilyn Nance: Remembering FESTAC

Once Upon a Time, There was PANAF: Liberation Movements and Cultural Representations of African Dreams

Ahmed Bedjaoui

The Flow of Pan-African Festivals and Conferences

Photographing the 1969 Pan-African Cultural Festival

Robert Wade

New Perspectives on the Practice of Global Black Consciousness

Creating Consciousness: Black Art in 1970s South Africa

Shannen Hill

The Political uses of Malcolm X

Hisham Aidi

James Baldwin’s Late Encounters with Africa

Dagmawi Woubshet

New Perspectives on the Practice of Global Black Consciousness

The Brown Paper Bag Test: Hervé Télémaque’s Exploded Discourse

Richard J. Powell

New Perspectives on the Practice of Global Black Consciousness

Boubou Hama: Africa’s Duty to Save Humanity

Amanda Gilvin

Melvin Edwards: The Journey of a Sculptor and the Poetics of Relation

Lydie Diakhaté

Interview / Reviews

Conversation with Ibrahim Mahama

Sharon Obuobi

The Chronicles of Flowers

Naz Cuguoglu

To Wander Determined

Jody Cutler

Archetypocalypse

Themba Tsotsi

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Practicing Art in Revolutionary Times

Beyond Multiple Modernities: East African Port Cities as the Space Between

Sublime Seas: John Akomfrah and J. M. W. Turner

Silence: Ephrem Solomon

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Online ISSN 2152-7792
Print ISSN 1075-7163
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