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Volume 2014, Issue 34
Spring 2014
Issue Cover
Issue Editors
Huey Copeland
Huey Copeland
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Naomi Beckwith
Naomi Beckwith
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ISSN 1075-7163
EISSN 2152-7792
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BLACK COLLECTIVITIES

Articles

Black Collectivities: An Introduction
Huey Copeland; Naomi Beckwith
View articletitled, Black Collectivities: An Introduction
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It May Be Useful to Assume the Policeman’s Perspective Now and Then
The Otolith Group (Kodwo Eshun and Anjali Sagar)
View articletitled, It May Be Useful to Assume the Policeman’s Perspective Now and Then
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The Otolith Group (Kodwo Eshun and Anjali Sagar) in Conversation with Naomi Beckwith
View articletitled, The Otolith Group (Kodwo Eshun and Anjali Sagar) in Conversation with Naomi Beckwith
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Question and Answer One
View articletitled, Question and Answer One
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Enthusiasm: Collectiveness, Politics, and Aesthetics
Elvira Dyangani Ose
View articletitled, Enthusiasm: Collectiveness, Politics, and Aesthetics
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The Form of the Informal
Blake Stimson
View articletitled, The Form of the Informal
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Collaborative Improvisation as Critical Pedagogy
George E. Lewis
View articletitled, Collaborative Improvisation as Critical Pedagogy
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Notes on Creative Music and Collective Action
John Corbett
View articletitled, Notes on Creative Music and Collective Action
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George E. Lewis in Conversation with John Corbett
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Question and Answer Two
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Taking It to the Streets: African Diasporic Public Ceremonial Culture Then and Now
Claire Tancons
View articletitled, Taking It to the Streets: African Diasporic Public Ceremonial Culture Then and Now
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How Far Can We Go If We Keep Marching?
Cauleen Smith
View articletitled, How Far Can We Go If We Keep Marching?
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The Artist Corporation and the Collective
Theaster Gates
View articletitled, The Artist Corporation and the Collective
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Yours in Blackness: Blocks, Corners, and Other Desire Settings
Romi Crawford
View articletitled, Yours in Blackness: Blocks, Corners, and Other Desire Settings
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Theaster Gates in Conversation with Romi Crawford
View articletitled, Theaster Gates in Conversation with Romi Crawford
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Question and Answer Three
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Feature Reviews

"Being in Now": Ibrahim El-Salahi at the Tate Modern
NJ Hynes
View articletitled, "Being in Now": Ibrahim El-Salahi at the Tate Modern
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El Anatsui: Art and Life
Sunanda K. Sanyal
View articletitled, El Anatsui: <em>Art and Life</em>
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Reviews

Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America
Kim Bobier
View articletitled, <em>Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America</em>
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In the Tower: Kerry James Marshall
Peter Erickson
View articletitled, <em>In the Tower: Kerry James Marshall</em>
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Meschac Gaba: Museum of Contemporary African Art 1997-2002
Steve Pantazis
View articletitled, <em>Meschac Gaba: Museum of Contemporary African Art 1997-2002</em>
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