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Volume 2012, Issue 30

Spring 2012

ISSN 1075-7163

EISSN 2152-7792

In this Issue

Articles

The Black Arts Movement

Articles

Planting a Seed: The Brockman Gallery and the Village

Lizzetta LeFalle-Collins

Abstract

Suzanne Jackson’s Gallery 32 and Los Angeles’s Burgeoning African American Arts Community

Carolyn Peter; Damon Willick

Abstract

The Vénus Noire

Deborah Willis; Carla Williams

Abstract

The Art of Remembering: Camille Billops and James Hatch

Connie Winston

Abstract

“1 + 1 = 3” Joining Forces: Coreen Simpson’s Photographic Suite

Salah M. Hassan

Abstract

The Weusi Artists

Kay Brown

Abstract

Select Highlights of Weusi History

Ademola Olugebefola

Abstract

AfriCOBRA Manifesto? “Ten in Search of a Nation”

Jeff R. Donaldson

Abstract

AfriCOBRA and Transatlantic Connections

Jeff R. Donaldson

Abstract

Inaugurating AfriCOBRA: History, Philosophy, and Aesthetics

Barbara Jones Hogu

Abstract

Remembering AfriCOBRA and the Black Arts Movement in 1960s Chicago

Napoleon Jones-Henderson

Abstract

Emma Amos in Conversation with Courtney J. Martin

Abstract

Melvin Edwards in Conversation with Manthia Diawara and Lydie Diakhaté

Abstract

Bob Crawford and Margo Natalie Crawford: Intergenerational Dialogue

Abstract

Barbara Jones Hogu in Conversation with Edna Togba

Abstract

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Black Performance in Brazil: Hidden Stories and the Rough Vibrancy of Now

Rico Gatson: Power Lines, Power Minds

Ontological Distances: Contemporary Art, African Masks, and Western Museums

The Radical Cosmopolitanism of Barthélémy Toguo

City Dreams: Bodys Isek Kingelez Museum of Modern Art May 26, 2018–January 1, 2019

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