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Volume 2012, Issue 30

Spring 2012

ISSN 1075-7163

EISSN 2152-7792

In this Issue

Articles

The Black Arts Movement

Articles

Planting a Seed: The Brockman Gallery and the Village

Lizzetta LeFalle-Collins

Suzanne Jackson’s Gallery 32 and Los Angeles’s Burgeoning African American Arts Community

Carolyn Peter; Damon Willick

The Vénus Noire

Deborah Willis; Carla Williams

The Art of Remembering: Camille Billops and James Hatch

Connie Winston

“1 + 1 = 3” Joining Forces: Coreen Simpson’s Photographic Suite

Salah M. Hassan

The Weusi Artists

Kay Brown

Select Highlights of Weusi History

Ademola Olugebefola

AfriCOBRA Manifesto? “Ten in Search of a Nation”

Jeff R. Donaldson

AfriCOBRA and Transatlantic Connections

Jeff R. Donaldson

Inaugurating AfriCOBRA: History, Philosophy, and Aesthetics

Barbara Jones Hogu

Remembering AfriCOBRA and the Black Arts Movement in 1960s Chicago

Napoleon Jones-Henderson

Emma Amos in Conversation with Courtney J. Martin

Melvin Edwards in Conversation with Manthia Diawara and Lydie Diakhaté

Bob Crawford and Margo Natalie Crawford: Intergenerational Dialogue

Barbara Jones Hogu in Conversation with Edna Togba

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Alma W. Thomas: Unexpected Presence on the Global Stage

Charles White’s Global Perspective

The Great Congress of the Black Spirit: Artist Reflections on FESTAC ’77

Sonya Clark: Constellation of a New American Canon

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