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Volume 2008, Issue 22-23
Spring/Summer 2008
Nka Journal of Contemporary African Art Cover Image for Volume 2008, Issue 22-23
ISSN 1075-7163
EISSN 2152-7792
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The 21st Century and the Mega Shows: A Curators' Roundtable

From the Editor

From the Editor
Chika Okeke-Agulu
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Articles

A Shout-Out to GORDON
St. Clair Bourne
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A HUNGRY HEART GORDON PARKS
Deborah Willis
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ARCHITECTURE AS COLONIAL DISCOURSE: ÂNGELA FERREIRA'S MAISONS TROPICALES
Manthia Diawara
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EXHIBITIONS APERTURES AND IMAGINARIES: Lessons from Snap Judgments
Elizabeth Harney
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LOOKING BOTH WAYS: Art of the Contemporary African Diaspora
Laurie Ann Farrell
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THREE ARTISTS THREE PROJECTS
Salah M. Hassan
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THE REVOLUTION STRIPPED BARE...
Gilane Tawadros
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AFRICA REMIX: An Immigrant, to Be Looked at from the other Side of Reinforced Glass
Rory Bester
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ON ART AND CONTAMINATION: Performing Authenticity in Global Art Practices
Soraya Murray; Derek Conrad Murray
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AND WHAT ARE YOU LOOKING AT? Formulas for Making the Invisible Visible
Elvira Dyangani Ose
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THE DAK'ART BIENNALE: EXHIBITING CONTEMPORARY ART AND GEOPOLITICS IN AFRICA
Joanna Grabski
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MIKHAEL SUBOTZKY
Ivor Powell
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THE OPPOSITE OF EVERYDAY: Wim Botha's Acts of Translation
Liese van der Watt
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IMAGE AND IMAGINATION: Notes on Postmodernism
Dagmawi Woubshet
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ABOUT BEAUTY
Sarah Nuttall
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MARLENE DUMAS: RETURNING HOME
Virginia MacKenny
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THE TWENTY-FIRST CENTURY AND THE MEGA SHOWS: A CURATORS’ ROUNDTABLE
Salah M. Hassan
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Reviews

CAPE '07
Tavish McIntosh
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CONRAD BOTES: SATAN'S CHOIR AT THE GATES OF HEAVEN
Ivor Powell
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Recounting Modernity: Continuity and Change: Three Generations of Ethiopian Artists
Andrea E. Frohne
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TAPPING INTO THE KNOWN: CHRISTOPHER & OBIAGELI OKIGBO
Annabelle Mu'azu
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BEKELE MEKONNEN
Elizabeth Giorgis
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MALICK SIDIBÉ: PORTRAIT OF THE ARTIST AS A PORTRAITIST
Lisa Binder
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BRULY BOUABRE'S ALPHABET
Roberta Bonetti
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AN EYE FOR THE TROPICS: TOURISM, PHOTOGRAPHY, AND FRAMING THE CARIBBEAN
Jacqueline Francis
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HOW TO SEE A WORK OF ART IN TOTAL DARKNESS
Sarah Elizabeth Lewis
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