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Volume 2008, Issue 22-23

Spring/Summer 2008

ISSN 1075-7163

EISSN 2152-7792

In this Issue

From the Editor
Articles
Reviews

The 21st Century and the Mega Shows: A Curators' Roundtable

From the Editor

From the Editor

Chika Okeke-Agulu

Articles

A Shout-Out to GORDON

St. Clair Bourne

A HUNGRY HEART GORDON PARKS

Deborah Willis

ARCHITECTURE AS COLONIAL DISCOURSE: ÂNGELA FERREIRA'S MAISONS TROPICALES

Manthia Diawara

EXHIBITIONS APERTURES AND IMAGINARIES: Lessons from Snap Judgments

Elizabeth Harney

LOOKING BOTH WAYS: Art of the Contemporary African Diaspora

Laurie Ann Farrell

THREE ARTISTS THREE PROJECTS

Salah M. Hassan

THE REVOLUTION STRIPPED BARE...

Gilane Tawadros

AFRICA REMIX: An Immigrant, to Be Looked at from the other Side of Reinforced Glass

Rory Bester

ON ART AND CONTAMINATION: Performing Authenticity in Global Art Practices

Soraya Murray; Derek Conrad Murray

AND WHAT ARE YOU LOOKING AT? Formulas for Making the Invisible Visible

Elvira Dyangani Ose

THE DAK'ART BIENNALE: EXHIBITING CONTEMPORARY ART AND GEOPOLITICS IN AFRICA

Joanna Grabski

MIKHAEL SUBOTZKY

Ivor Powell

THE OPPOSITE OF EVERYDAY: Wim Botha's Acts of Translation

Liese van der Watt

IMAGE AND IMAGINATION: Notes on Postmodernism

Dagmawi Woubshet

ABOUT BEAUTY

Sarah Nuttall

MARLENE DUMAS: RETURNING HOME

Virginia MacKenny

THE TWENTY-FIRST CENTURY AND THE MEGA SHOWS: A CURATORS’ ROUNDTABLE

Salah M. Hassan

Reviews

CAPE '07

Tavish McIntosh

CONRAD BOTES: SATAN'S CHOIR AT THE GATES OF HEAVEN

Ivor Powell

Recounting Modernity: Continuity and Change: Three Generations of Ethiopian Artists

Andrea E. Frohne

TAPPING INTO THE KNOWN: CHRISTOPHER & OBIAGELI OKIGBO

Annabelle Mu'azu

BEKELE MEKONNEN

Elizabeth Giorgis

MALICK SIDIBÉ: PORTRAIT OF THE ARTIST AS A PORTRAITIST

Lisa Binder

BRULY BOUABRE'S ALPHABET

Roberta Bonetti

AN EYE FOR THE TROPICS: TOURISM, PHOTOGRAPHY, AND FRAMING THE CARIBBEAN

Jacqueline Francis

HOW TO SEE A WORK OF ART IN TOTAL DARKNESS

Sarah Elizabeth Lewis

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Black Performance in Brazil: Hidden Stories and the Rough Vibrancy of Now

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Ontological Distances: Contemporary Art, African Masks, and Western Museums

The Radical Cosmopolitanism of Barthélémy Toguo

City Dreams: Bodys Isek Kingelez Museum of Modern Art May 26, 2018–January 1, 2019

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