Steve McQueen’s retrospective at the Art Institute of Chicago argued for a relationship between his gallery work and his current cinematic productions. Opening a year before the release of his successful 12 Years a Slave, this retrospective exhibition demonstrated McQueen’s intimate knowledge of the objects and effects of lens-based practice.
Review Article|November 01 2014
Delinda Collier is assistant professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is the author of a forthcoming book entitled The Africa within the Medium: Remediation and Angolan Art, 1953–2007.
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Nka (2014) 2014 (35): 136-139.
Delinda Collier; Steve McQueen. Nka 1 November 2014; 2014 (35): 136–139. doi: https://doi.org/10.1215/10757163-2827943
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