This review covers Beninese artist Meschac Gaba’s twelve-room installation Museum of Contemporary African Art (July 3–September 22, 2013), presented at Tate Modern in London, which acquired the work as part of a two-year program to highlight contemporary African art. The show offered the public a unique experience by bringing together the conventional structures of a museum with Gaba’s unconventional and playful structures, which question the nature of the museum and change the Western viewer’s perception of African art.

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