This essay analyzes the work of a contemporary black artist who reinvents the human body, searching for its limits in works that transform and recycle materials and concepts while challenging viewers’ perceptions. As a link between conceptual art, arte povera, and postmodern discourses, Fred Holland’s sculptures are reflections on life’s impermanence, on human frailty, and on the struggle for survival. He walks the line between the categories that have defined black art in a constant search for reinvention and renewal.

The text of this article is only available as a PDF.
You do not currently have access to this content.