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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 1. Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 1. Die Witwe (Widow), by Otto Dix, 1922. Watercolor and pencil
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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 2. Die Witwe ( Widow ), by Otto Dix, 1922. Ink, watercolor, and pencil on paper, 58.0 × 48.5 cm (22 7/8 × 19 1/8 in). Saarlandmuseum Saarbrücken, Stiftung Saarländerischer Kulturbesitz. Photo credit: Raphael Maass. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 10. Detail of Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 10. Detail of Die Witwe (Widow), by Otto Dix, 1922
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Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
...Figure 1. Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 1. Die Witwe (Widow), by Otto Dix, 1922. Watercolor and pencil...
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Journal Article
New German Critique (2006) 33 (2 (98)): 49–64.
Published: 01 August 2006
... certain alterations to his text (described below). After Müllerʼs
death, Brecht-Schall insisted that he had verbally agreed to those demands, but
his widow, Brigitte Mayer, asserted that whatever he might have said, he had
no intention of changing a syllable. This case was bitterly prosecuted over...
Journal Article
New German Critique (2007) 34 (3 (102)): 75–86.
Published: 01 November 2007
...
to him how at seventeen she had been imprisoned for two days in the Gestapo
prison in the building’s cellars before her transfer to a prison in Lublin. She
was imprisoned to force her father to reveal the whereabouts of the partisan
hideaways in the forest. Now a widow, she lives in the same...
Journal Article
New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
... Ludwika (née Countess Krasińka) was the widow of Prince Adam Ludwik
Czartoryski (1872–1937) and mother of Prince Augustyn Józef Czartoryski. Gołuchów is northwest of
Kraków.
100 Persian Tapestry
no. 158. Second half of September: Collections of the Princes Czartoryski
Castle in Gołuchów...
Journal Article
New German Critique (2013) 40 (2 (119)): 167–184.
Published: 01 August 2013
...
sinister. He avoided more serious consequences of his ideological lapse by
drafting (under the supervision of Brecht’s widow, the legendary actress
Helene Weigel, then artistic director of the Berliner Ensemble) and delivering
a speech of classic Communistic self-criticism—precisely the sort of orga...
Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
... father, Cornelius. After Fritz’s death,
inheritance disputes developed between Fritz’s widow, Annarella, and Cornelius, together with his
sister Elsa. Cornelius Gurlitt to Wilibald Gurlitt, June 23, 1922, TU Dresden, Archive: Estate Corne-
lius Gurlitt, no. 033/074.
22. Quadflig,Beckett Was Here...
Journal Article
New German Critique (2007) 34 (2 (101)): 95–114.
Published: 01 August 2007
...;
and Lohengrin, which called for the ruler of the future to be a “Führer.”35
Hitler’s ambitions were boosted incalculably by the endorsement he
received from Houston Stewart Chamberlain and Winifred Wagner. Aside
from Richard Wagner’s widow, the aged and ailing Cosima, Chamberlain and
Winifred Wagner...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
.... This scene is significant because it indicates that Johnny already intended to claim Nelly’s inheritance before he encounters her at the Phoenix club. At this stage he will presumably make his claim as a widower and thus needs to destroy the evidence that he had in fact already invalidated their marriage...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
...
This quotation is revealing in several respects. First, it makes it clear that there
were no aesthetic standards or directives established in advance that would
have helped the jury make its selection (fig. 2). The nine-member jury con-
sisted of, among others, Gerdy Troost, an architect’s widow...
Journal Article
New German Critique (2016) 43 (2 (128)): 153–176.
Published: 01 August 2016
... considerability, and takes to honing his throwing
skills by killing “little grey sandpipers” with stones hurled from the dyke as
they “called and scurried across” the mudflats D( , 24). As there is no indica-
tion that the birds supplied food for Hauke and his widowed father, as they did
for Trin’ Jans’s...
Journal Article
New German Critique (2008) 35 (1 (103)): 165–193.
Published: 01 February 2008
Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
... with Katzgraben, the character of Party man
Flint represents the obvious analogue to Steinert, as suggested not only by
his name but by his oft-expressed exasperation with rural idiocy. Despite an
attempt by Brechtʼs widow, Helene Weigel, to get Müller to write a self-criticism
that would satisfy...
Journal Article
New German Critique (2008) 35 (2 (104)): 103–137.
Published: 01 August 2008
Journal Article
New German Critique (2015) 42 (1 (124)): 129–161.
Published: 01 February 2015
