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warsaw

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Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
... by New German Critique, Inc. 2014 The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished Brad Prager The 2010 documentary A Film Unfinished, by the Israeli filmmaker Yael...
Journal Article
New German Critique (2011) 38 (1 (112)): 181–215.
Published: 01 February 2011
...Sven-Erik Rose This article traces the vexed reception of one document from the Oyneg Shabes archive, the vast underground archive assembled in the Warsaw Ghetto under Emanuel Ringelblum's leadership and largely recovered after World War II. Yehoshue Perle's Khurbn Varshe ( Destruction of Warsaw...
Journal Article
New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
... . Warsaw : Polonia Publishing House . Kowalski Wojciech W. 2001 . “The Machinery of Nazi Art Looting: The Nazi Law on the Confiscation of Cultural Property. Poland: A Case Study.” Art, Antiquity and Law 6 , no. 1 : 217 – 31 . List of crates taken to Sieniawa . 1940 . Archives...
Journal Article
New German Critique (2011) 38 (1 (112)): 1–7.
Published: 01 February 2011
... and David Bathrick and Sven-Erik Rose  7 the ongoing project of attempting to capture . . . visual vignettes of the new conflict in the offing.” Sven-Erik Rose’s article traces the vexed reception of one document from the vast underground Oyneg Shabes archive assembled in the Warsaw Ghetto...
Journal Article
New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
... A Survivor from Warsaw, op. 46 1948 Three Folk Songs for Mixed Chorus, op. 49 1949 Phantasy for Violin with Piano Accompaniment, op. 47 Dreimal Tausend Jahre (Three Times a Thousand Years), op. 50a 1950 De Profundis (Psalm 130), op. 50b Moderner Psalm Nr. 1 (Modern Psalm), op. 50c...
Journal Article
New German Critique (2023) 50 (3 (150)): 81–92.
Published: 01 November 2023
... interweaves the story of her grandmother Rosa, who in 1942 founded an orphanage for two hundred half-starved child survivors of Leningrad, with that of Janusz Korczak, who led a Jewish orphanage in the Warsaw ghetto and voluntarily accompanied the two hundred children under his care to the Treblinka death...
Journal Article
New German Critique (2012) 39 (3 (117)): 61–79.
Published: 01 November 2012
... in Bialystok. It was very cold. The Jews in Bialystok gave up their synagogue so that refugees like us had a roof over our heads. It was like being inside an ant farm. We met people from all over Poland. There were many young people from Warsaw, [whose parents, not able or ready to pack...
Journal Article
New German Critique (2023) 50 (1 (148)): 155–178.
Published: 01 February 2023
... into the fold of humanity. Through it the human being becomes human once more. He celebrated the counterviolence in the revolt of the Warsaw Ghetto or Treblinka death camp, because in it Jews were being reincorporated into humanity, if only temporarily. That is, even if it is futile on the individual level...
Journal Article
New German Critique (2023) 50 (1 (148)): 179–210.
Published: 01 February 2023
... contexts. ________ Abraham Joshua Heschel arrived in the United States from Poland via London in March 1940, “a brand plucked from the fire,” as he would later write. 3 Born in Warsaw in 1907 to a family of Hasidic rabbis, he was recognized as a child prodigy, not only able to retain vast...
Journal Article
New German Critique (2014) 41 (3 (123)): 57–73.
Published: 01 November 2014
... living word.” The interview material for Sobibor—the extermination camp where prisoners organized the only armed insurrection against the Germans apart from the Warsaw Ghetto uprising—dates from 1979. Lanzmann engages with the wit- ness, Yehuda Lerner, in the familiar and somewhat demanding style...
Journal Article
New German Critique (2019) 46 (3 (138)): 79–101.
Published: 01 November 2019
... their dialogues. Umsonst’ s players, however, are not identical with the characters they portray in the same way as the principals of Polish director Michal Marczak’s 2017 Sundance entry, All These Sleepless Nights . Marczak’s film, set in Warsaw, follows two male art students’ nocturnal excursions for more...
FIGURES
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... endured by Jewish prisoners in the Warsaw ghetto, was met with irritation. It seemed to me that the students resented the film to a greater degree than they would have resented a particu- larly dull exemplar of New German Cinema or the French New Wave. Why were they, they wondered aloud, required...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
... and perpetrators . . . reduces it to a morality tale” ( Rothberg, “From Gaza to Warsaw,” 539 ). 99. Martínez-Alfaro, “Rewriting the Fairy Tale,” 67 . See also Khader, “Humanizing the Nazi?,” 131 . 100.   Waller, Becoming Evil , 17–18 . 101.   LaCapra, foreword, x . See also LaCapra...
Journal Article
New German Critique (2021) 48 (2 (143)): 205–220.
Published: 01 August 2021
... we would go see the celebration of the Warsaw ghetto uprising and I would watch as the Jewish resisters defeated the Nazis. In fact, I was convinced for a long time that the Jews had won the Second World War” (452). The same almost hilarious mix of identifications is evident when he tells us that he...
Journal Article
New German Critique (2007) 34 (3 (102)): 1–16.
Published: 01 November 2007
... lm material of the Holocaust. In the invasive montage cuts, juxtaposing the horror of the Warsaw ghetto with the triumph of the forty-four-year-old Hitler in Nuremberg bor- ders on the absurd. The documentary shots expose how misplaced the fi c- tional imitation is, even...
Journal Article
New German Critique (2020) 47 (3 (141)): 73–91.
Published: 01 November 2020
... the historical fable nor the grandeur of the sets distinguishes this film from German fare of the same genre, though it should be admitted that the scenes in the castles of Warsaw and Petersburg have been arranged with unmatched skill and that the choice of views and the sequencing of the images render the mass...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
..., the inner view of warfare and the opportunity for travel and tourism, are intrinsically linked, as the panoramic shot of the devastated Warsaw cityscape, taken from a high- rise ruin in what used to be its center, illustrates. Here, the private experience of war means the sightseeing of destruction...
Journal Article
New German Critique (2011) 38 (1 (112)): 135–153.
Published: 01 February 2011
....”35 His account explains the systemic plan for the “Final Solution of the Jewish Question,” including the use of train transports, gas chambers and Zyklon B, and the destruction of the Warsaw Ghetto. It also speaks with precision where other texts feign uncertainty. Stein­ bügl explains...
Journal Article
New German Critique (2014) 41 (3 (123)): 35–55.
Published: 01 November 2014
... in the Warsaw ghetto. Hersonski shows and comments on the material, edits in audio of a staged interview with the cinematographer, and presents the filmed sequences to ghetto survivors.7 Among these films, which, like Farocki’s, consist mainly of documentary footage, Respite distinguishes itself...
Journal Article
New German Critique (2023) 50 (2 (149)): 131–152.
Published: 01 August 2023
... of the invasion, students close to Lukács drafted, signed, and made globally available through Agence France-Presse a statement condemning the military action that deployed hundreds of thousands of Warsaw Pact soldiers and significant weaponry. This document is called the “Korčula Declaration.” Well-known...