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Journal Article
New German Critique (2011) 38 (2 (113)): 1–23.
Published: 01 August 2011
...Lydia Moland In an early, unpublished essay on Friedrich Schiller's trilogy Wallenstein , G. W. F. Hegel criticizes the play's denouement as “horrific” and “appalling” and for depicting the triumph of death over life. To understand why Hegel's response was so negative, Lydia Moland analyzes...
Journal Article
New German Critique (2011) 38 (3 (114)): 115–132.
Published: 01 November 2011
.... Another collection of his short stories was also published posthumously. In the title story, “Wallenstein’s Face,” Hindenburg’s visit to the troops as described in Flex’s letter undergoes a literary and distinctly homoerotic transfiguration. With reference to Schiller’s Wallenstein, the visit...
Journal Article
New German Critique (2006) 33 (3 (99)): 171–207.
Published: 01 November 2006
... a kind of autobiography, or even a “homecoming” for Döblin after his errant travels through the remote historical past of Wallenstein, after the sci-fi dystopia of Mountains, Seas, and Giants, and after the metaphysics of Manas.16 As is regularly pointed out in secondary literature on...
Journal Article
New German Critique (2011) 38 (1 (112)): 155–180.
Published: 01 February 2011
... Wallenstein, and Friedrich Schiller add to the book’s encyclopedic ambition. Center stage, however, belongs to amateur snapshots and a handful of professional photo- graphs of Heimat taken before and after 1945, culled by Bartl from expellee periodicals (so-called Heimatblätter) or borrowed from...
Journal Article
New German Critique (2008) 35 (1 (103)): 97–126.
Published: 01 February 2008
... aged” and “miniature” copies hidden in Schiller’s Wallenstein and Goethe’s Hermann und Dorothea were smuggled into Germany by a well-coordinated system of underground couri- ers that even the Gestapo admitted “functioned very well.”13 Gimbels depart- ment store in New York featured it in its...