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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 4. Dame mit Pelz und Schleier ( Lady with Mink and Veil ), by Otto Dix, 1920. Oil and tempera on canvas mounted on board, 73.0 × 54.6 cm (28 ¾ ×21 ½ in). Collection of Michael and Judy Steinhardt, New York. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 4
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Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
...Figure 4. Dame mit Pelz und Schleier ( Lady with Mink and Veil ), by Otto Dix, 1920. Oil and tempera on canvas mounted on board, 73.0 × 54.6 cm (28 ¾ ×21 ½ in). Collection of Michael and Judy Steinhardt, New York. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 4...
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Journal Article
New German Critique (2015) 42 (1 (124)): 99–128.
Published: 01 February 2015
... of an aesthetics of “failure” that observes das Bilderverbot , veils a messianic vision of justice. Benjamin's gnostic picture of modernity as a bureaucratic prison house reflects Josef K.'s victimized view of his situation in The Trial . Hans Blumenberg's therapeutic account of myth suggests a view of Kafka's...
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
...: “But they . . . they have no eyes” ( GiG , 28). The flowers remain invisible to the Jews because they have, metaphorically speaking, a different set of eyes. The visual sensorium of the two men is as strange as it is simplistic in its conception: an image enters into the eye and is caught by a veil hanging behind...
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
... Ali as the emblem of the sequestered, veiled,
victimized, sexually stunted Muslim woman.13 It dramatizes a militant Islamic
“virginity” whose proliferating and inconsistent meanings challenge the stark
juxtaposition of Muslim/orthodox and Christian/secular genders in contempo-
rary discourses...
Journal Article
New German Critique (2009) 36 (1 (106)): 103–117.
Published: 01 February 2009
... the common basis of life certain suppositions originate and people
look upon one another through them as through a veil. This veil does not, to
be sure, simply conceal the peculiarity of the individual, but it gives to this
2. In Simmel’s text the being-for-itself that characterizes...
Journal Article
New German Critique (2020) 47 (2 (140)): 107–138.
Published: 01 August 2020
... measured by the clock—eventually appear as a “natural law” ( C , 168). This idea was developed further by Georg Lukács, who famously argued in History and Class Consciousness that the relations that come about under capitalism permeate the subject’s consciousness and result in a veil that covers...
Journal Article
New German Critique (2019) 46 (1 (136)): 167–196.
Published: 01 February 2019
... that will abolish the deficiencies of the present. His ornament is a veiled passage not to an indeterminate Beyond but to a determinate Beyond in itself. Both Jünger in the 1930s and Kracauer in the 1920s broadly agree that intellectual proximity to the ornamental figuration of the end in itself, appearing...
Journal Article
New German Critique (2017) 44 (2 (131)): 201–227.
Published: 01 August 2017
... . 2005 . “Beneath the Seventh Veil: Richard Strauss's ‘Salome’ and Kaiser Wilhelm II.” Musical Times 146 , no. 2 : 5 – 27 . Wehler Hans-Ulrich . 1973 . Das deutsche Kaiserreich, 1871–1918 . Göttingen : Vandenhoeck und Ruprecht . Youmans Charles . 2005 . Richard Strauss's...
Journal Article
New German Critique (2021) 48 (2 (143)): 125–146.
Published: 01 August 2021
... the complete dissolution of artwork’s aura or a “stripping-away of its veil [ Entschälung ].” With the rise of new techniques of reproducibility, especially in photography and film, the conditions for such an emancipation now emerge in history for the first time. Inherited norms of aesthetic authenticity...
Journal Article
New German Critique (2013) 40 (1 (118)): 199–205.
Published: 01 February 2013
... correct
anti-Semitism.” Frank Schirrmacher, writing in the Frankfurter Allgemeine
Zeitung, underscored Grass’s positioning himself as the potential “survivor”
of a future genocide. Calling the poem a particularly sad form of ressenti-
ment, he interpreted it as a veiled response to Angela Merkel’s...
Journal Article
New German Critique (2017) 44 (1 (130)): 1–7.
Published: 01 February 2017
... of the German Task Force of Provenance Research, American
museum curators from New York and Los Angeles, lawyers, and journalists.
Beyond the specific case of the Gurlitts’ long-hidden treasures, the con-
ference was designed to explore the consciously veiled continuities of art deal-
erships...
Journal Article
New German Critique (2008) 35 (1 (103)): 1–8.
Published: 01 February 2008
... and
therefore must draw the veil of secrecy. “Oh conspiracy,” says Shakespeare’s
New German Critique 103, Vol. 35, No. 1, Spring 2008
DOI 10.1215/0094033X-2007-015 © 2008 by New German Critique, Inc.
1
2 Introduction
Brutus. “Sham’st thou...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
...-
ible veil that shaped artists’ perception of both “real existing socialism” and
“capitalist realism,” as Sigmar Polke and Gerhard Richter called it. But neither
Germany was exotic or attractive enough for the other to trigger the creative
imagination, and both tried to capitalize on the memory...
Journal Article
New German Critique (2016) 43 (1 (127)): 59–89.
Published: 01 February 2016
Journal Article
New German Critique (2006) 33 (1 (97)): 5–14.
Published: 01 February 2006
... empiri
cist idea of measuring culture—a critique that appeared, in thinly veiled form,
in the 1945 lecture—directs itself not against an empirical American style
12 Adorno’s American Experience
of science but against an uncritical acceptance of the developing culture
industry.
Here, too...
Journal Article
New German Critique (2008) 35 (3 (105)): 97–120.
Published: 01 November 2008
... of an independent ethics, beyond confl icts and above all
traces of violence. This was why he insisted that “the impact of Isaiah’s proph-
ecy cannot be misunderstood: behind every statement about disaster stands a
veiled choice” (Torat, 124). This, he continued, is the choice between “salva-
tion...
Journal Article
New German Critique (2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
Journal Article
New German Critique (2008) 35 (3 (105)): 57–69.
Published: 01 November 2008
... to open someone’s eyes
or ears.10
Like gala in Hebrew, apokalypsis means in Greek “discovery,” the
uncovering of the thing behind the veil (AT, 27). Basing his discussion on the
theses of the biblical scholar André Chouraqui, Derrida explains that nei-
ther gala nor its Greek counterpart...
Journal Article
New German Critique (2013) 40 (1 (118)): 29–41.
Published: 01 February 2013
... the-
ory wants to undo our customary division of time into three separate spans,
unrelated in any way beyond a mechanical causality: “The tide of what has
been has receded from the rock of the present, and the future lies veiled in
cloud on the horizon.” If reification quells “the urge to rescue...
