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Image
Published: 01 February 2020
Figure 2. Lequeu, South-Facing Cow Barn . From Negt and Kluge, Öffentlichkeit und Erfahrung , 652.
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Image
Published: 01 February 2020
Figure 4. Boullée, Museum . From Negt and Kluge, Öffentlichkeit und Erfahrung , 654.
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Image
Published: 01 February 2020
Figure 5. Lequeu, Lighthouse . From Negt and Kluge, Öffentlichkeit und Erfahrung , 655.
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Image
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 4. Dame mit Pelz und Schleier ( Lady with Mink and Veil ), by Otto Dix, 1920. Oil and tempera on canvas mounted on board, 73.0 × 54.6 cm (28 ¾ ×21 ½ in). Collection of Michael and Judy Steinhardt, New York. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 9. Dirne und Kriegsverletzter ( Prostitute and War Wounded ), by Otto Dix, 1923. Pen and ink on paper, 47 × 37 cm (18 ½ ×14 9/16 in). Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
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in Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949
> New German Critique
Published: 01 February 2024
Figure 5. “Grid-itis” affects both the drafting board and the architect. Bauen und Wohnen , no. 2 (1947).
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Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
... the first two acts of the opera Moses und Aron , and he worked on the third act during his time in Los Angeles. For both men, the Second Commandment, against idolatry (the Bilderverbot ), played an important role. Theodor W. Adorno believed that the prohibition against images was the key to understanding...
Journal Article
New German Critique (2022) 49 (1 (145)): 41–66.
Published: 01 February 2022
... in West Berlin. The second takes the topic of pop and op art head-on in a discussion led by Blumenberg for the research group Poetik und Hermeneutik. In neither does Blumenberg offer anything like a working theory of contemporary art, but his lecture enacts a performative contemporary reading of Valéry’s...
Journal Article
New German Critique (2022) 49 (2 (146)): 49–75.
Published: 01 August 2022
...Ido Ben Harush This article deals with the mark of Richard Wagner on Franz Rosenzweig’s account of the Day of Atonement service in Der Stern der Erlösung . It exposes the presence of Wagner’s Tristan und Isolde , his theory of Gesamtkunstwerk , and particularly his theory of gesture in Rosenzweig’s...
Journal Article
New German Critique (2011) 38 (3 (114)): 51–62.
Published: 01 November 2011
...Niels Werber The charisma of Ahab, captain of Herman Melville's famous whale-hunting vessel Pequod , is a well-established topic of inquiry in various disciplines. His charismatic leadership has been described with the help of Max Weber's Wirtschaft und Gesellschaft , deciphered as anticipating...
Image
Published: 01 February 2020
Figure 1. Tatlin, Monument to the Third International . From Negt and Kluge, Öffentlichkeit und Erfahrung , 646.
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Image
Published: 01 February 2020
Figure 3. Boullée, Cenotaph for a Warrior and Fort . From Negt and Kluge, Öffentlichkeit und Erfahrung , 653.
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Image
Published: 01 February 2020
Figure 6. Krinsky, A Temple of the Machine Worshippers . From Negt and Kluge, Öffentlichkeit und Erfahrung , 647.
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Published: 01 February 2019
Figure 1. “Selbstverständliche Nacktheit” (Nudity as a matter of course), from “Das Nackte und wir” (“The Nude and Us”), UHU , December 1927, 62.
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in The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany
> New German Critique
Published: 01 November 2020
Figure 7. Sketches for a cemetery monument and a memorial cemetery by Bruno Paul, in the 1917 Werkbund Jahrbuch, Kriegergräber im Felde und daheim , 107.
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in The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies
> New German Critique
Published: 01 November 2020
Figure 13. “Reproduction permissions” in the travel exhibition. “Lieblingsorte? In der Reisen-Ausstellung ist Fotografieren erlaubt und das Teilen der Fotos erwünscht: www.facebook.com/LiteraturmuseenMarbach” (Favorite destinations? In the travel exhibition photography is encouraged
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Image
Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family.
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Image
Published: 01 November 2023
Figures 1–2. Frank Walter. Left: Antigua Is My Home (n.d.). Oil on cardboard, 8.6 × 13.9 cm. Right: Antigua für Sonne und Meer (n.d.). Graphite and watercolor on gypsum on cardboard, 10.2 × 12.7 cm. Photographs by Kenneth Milton. Reproduced with permission from the Frank Walter Family.
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Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
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mus, Das Amt Rosenberg; Merker, Die bildenden Künste; Backes, Hitler und die bildenden Künste;
Barbian, Literaturpolitik im “Dritten Reich”; Dahm, “Nationale Einheit”; Cuomo, National Socialist
Cultural Policy; Mathieu, Kunstauffassungen und Kulturpolitik; Petropoulos, Art and Politics; Etlin...
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