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Journal Article
New German Critique (2010) 37 (2 (110)): 9–30.
Published: 01 August 2010
... film, this essay historicizes the myths at work in Staudte's famous exercise in this vein and suggests their afterlife in present-day revisitations of the German war experience. © 2010 by New German Critique, Inc. 2010 The Place of Rubble in the Trümmerfilm...
Journal Article
New German Critique (2010) 37 (2 (110)): 49–72.
Published: 01 August 2010
... is everywhere, popping up in descriptions anytime Slothrop turns a corner. There is, strictly speaking, no subgenre of the “rubble novel” to accompany the Trümmerfilm in vogue in the late 1940s, but in these pages it is clear that rubble provided a makeshift stage set, something easily adapted...
Journal Article
New German Critique (2011) 38 (1 (112)): 155–180.
Published: 01 February 2011
..., only the postwar Trümmerfilm reintroduced a horizontal perspective on ruins. 170 Ruins of the Cold War intertwines the Cold War and postwar eras, rather than let them run their course on parallel tracks. The ruins that concern Bartl the most are, emphatically, not the ruins of World...
Journal Article
New German Critique (2024) 51 (1 (151)): 77–107.
Published: 01 February 2024
... in film from the 1940s to the 1960s has gained growing acknowledgment in recent evaluations, the project takes recourse to his Trümmerfilme , whose proximity to neorealism Karsten Witte has emphasized. 70 In Die Rote Käutner clearly “conjured up the cinematic tradition of Italy,” as Carolin Weidner...
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