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New German Critique (2017) 44 (1 (130)): 75–86.
Published: 01 February 2017
... discussions in the Russian Federation and in many senses became a mirror reflecting Russian policy changes and predicting the transformation of the failed liberal democracy into an authoritarian state. Restitution as Diagnosis: Political Aspects of the “Trophy Art” Problem and Russian-German Relations...
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... reveals strategies central to his filmmaking and especially to his documentary films. Seidl is particularly concerned with depicting his subjects’ complicity in the exploitation of labor, as seen in Safari (2016), a film about Austrians who travel to Namibia to hunt and collect trophies. Seidl presents...
New German Critique (2017) 44 (1 (130)): 125–142.
Published: 01 February 2017
... worked in challenging circumstances and sometimes fell short of certain ideals. The Allies' restitution policies evolved amid difficult political realities. The role of art dealers in this complex of issues is also ripe for reassessment. And museum officials outside Germany, both before and after 1945...
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
...Peter J. Schwartz Abstract The final, unfinished project of the Hamburg art historian and Kulturwissenschaftler Aby M. Warburg (1866–1929)—the so-called Mnemosyne image atlas ( Bilderatlas )—has recently drawn increased attention not only from scholars but also from artists and museum curators...
New German Critique (2021) 48 (1 (142)): 103–123.
Published: 01 February 2021
... last chapter reveals that it also addresses the relations between life and art: Karl ends up joining the Nature theater of Oklahama ( sic ), tempted by its inclusive recruitment policy. If Karl’s fate in America remains a mystery to the reader, it is not merely because Kafka never finished the novel...
New German Critique (2014) 41 (2 (122)): 97–109.
Published: 01 August 2014
... them who no longer need to be convinced. Theories, on the other hand, are trophies that have to be passed on, since the horizons of our world can have no fixed limits. The skeptical demand to mitigate the question of why (the explanation) with that of how (the description) is countered...
New German Critique (2012) 39 (1 (115)): 113–137.
Published: 01 February 2012
... “memorex” tapes pointing to a different problem with her love life. Rather like modern-day surrogates for the love letter and, ultimately, trophies of unfulfilled love, the cassettes are reminders of a long list of communication breakdowns that have plagued her all of her life, and which she now...
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
... art historian Martin Warnke, also queries the historical meaning of one generation’s fear becoming another’s exhibitionist game (“Zwischen Popkultur und Zeitgeschichte,” 264). Almost 20 percent of people living in Germany viewed one or both parts of the documentary, according to a poll published...