1-20 of 124 Search Results for

theater

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
New German Critique (2021) 48 (1 (142)): 103–123.
Published: 01 February 2021
...Marit Grøtta Abstract The Nature theater of Oklahama in Der Verschollene is one of Kafka’s most enigmatic inventions, widely known through Walter Benjamin’s and Giorgio Agamben’s reading of it as a theater of gestures. This article explores the intertextual archive of Kafka’s novel, bringing...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
...Norbert Otto Eke One of the most complicated questions in film and theater relating to the Shoah is how to render the events visible. Through an analysis of Michael Glawogger's Kill Daddy Goodnight , a film based on the eponymous novel by the Austrian writer Josef Haslinger, this article outlines...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
... attacks on German theaters, the article describes the framing as alternating and conflicting and emphasizes the relationship of history, media, and memory. Copyright © 2019 by New German Critique, Inc. 2019 terrorism Holocaust Israel docudrama media cinema To communicate, understand...
FIGURES
Journal Article
New German Critique (2006) 33 (2 (98)): 65–76.
Published: 01 August 2006
... the individual parts, the elements of theater, their own freedom. Wilson never interprets; a text is simply there and it is served up, and not tainted in any way and not explained. It is there. And in the same way an image is there, and the image is also not interpreted, it is simply...
Journal Article
New German Critique (2019) 46 (2 (137)): 171–195.
Published: 01 August 2019
... almost immediately via Twitter and other social media. Rau’s reenactment constituted the first public performance of the speech in its entirety. The theater was concerned that this reenactment would be misconstrued as an endorsement or vindication of Breivik’s views: Thomas Schmidt, then the director...
FIGURES
Journal Article
New German Critique (2006) 33 (2 (98)): 77–100.
Published: 01 August 2006
...Michael D. Richardson Allegories and Ends: Heiner Müllerʼs Ham letmaschine Michael D. Richardson When the Deutsches Theater Berlin reopened on September 7, 1945, its selec- tion for its premiere was signifi cant: Gotthold Lessingʼs Nathan der Weise...
Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
... escaped the tag “East German author” and, propelled by the interest of theater people in Western Europe and, to a lesser extent, in North America, attained the stature of an international fi gure. Much like his predecessor Bertolt Brecht, Müller has been, since his international breakthrough...
Journal Article
New German Critique (2006) 33 (2 (98)): 49–64.
Published: 01 August 2006
... of scandals,” which strongly appealed to Müller: “In 1948, in a discussion with students in Leip- zig, Brecht formulated the following as the goals of his work in the Soviet Occupation Zone of Germany: twenty years of ideological demolition and the creation of his own theater dedicated...
Journal Article
New German Critique (2014) 41 (2 (122)): 125–144.
Published: 01 August 2014
... voiced grave concerns. Cin- ema was perceived as a threat to the health, tastes, and morals of mass audi- ences as well as a danger to established cultural institutions like the theater. Even more important, cinema’s technological character raised fundamental questions about the nature of art...
Journal Article
New German Critique (2006) 33 (2 (98)): 101–133.
Published: 01 August 2006
.... John E. Davidson 105 fi lm director who in his later years devoted himself to researching sexuality in the history of representation. His fi ve-volume Mimus Eroticus explores the relation of the theater and theatricality to the sexual substrata of society from the Greeks down to the present.6...
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
... by New German Critique, Inc. 2010 I wish to express my gratitude to Nils Tabert at the Rowohlt Theaterverlag, who made available the play's original script; to Insa Popken for answering questions about the stage adaptation; to the Hebbel-am-Ufer theater for providing me with additional materials...
Journal Article
New German Critique (2006) 33 (3 (99)): 151–170.
Published: 01 November 2006
.... 151 152 The Terror of Reproduction theater actor played the leading role.2 Albert Bassermann, who worked with Max Reinhardt in the Deutsches Theater, had previously received the most prestigious prize for acting, the so-called Iffl and-Ring. Most theater critics seized the opportunity...
Journal Article
New German Critique (2011) 38 (2 (113)): 1–23.
Published: 01 August 2011
... Lydia Moland In 2007 the maverick German theater director Peter Stein extended his streak of Herculean theatrical accomplishments to include a ten-hour, single-day production of Friedrich Schiller’s Wallenstein. Beyond the appeal of adding this feat to his seven-hour Oresteia and twenty-one...
Journal Article
New German Critique (2006) 33 (2 (98)): 1–14.
Published: 01 August 2006
... Philoktet am dramatischen Theater Sofi a,” in Werke 8, Schriften, ed. Frank Hörnigk (Frankfurt am Main: Suhrkamp, 2005), 266. Frank Hörnigk 3 In this sense, all societies and civilizations have their grounding (Begründi- gung), their naming (Bezeichnung...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... staged at Berlin’s Hebbel Theater in 2015. Radlmaier’s film titles are equally unusual: his feature film debut Self-Critique of a Bourgeois Dog ( Selbstkritik eines bürgerlichen Hundes , 2017) followed several short and midlength works, including The Plebeian Revolt ( Der Aufstand der Plebejer , 2010...
FIGURES
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
...; on the other, forms and media of art cannot be positioned as a whole in hier- archized spheres. In contrast, in a letter to the director Slatan Dudow, Adorno opposes the director of the Weimar Brecht fi lm Kuhle Wampe, who had obvi- ously attempted to favor theater over fi lm’s authoritarian and behaviorist...
Journal Article
New German Critique (2018) 45 (3 (135)): 39–72.
Published: 01 November 2018
... as Benjamin’s Western Marxism, 4 this article attempts to reveal a less familiar and largely repressed set of intellectual sources, including Asja Lācis’s proletarian children’s theater, Vsevolod Meyerhold’s biomechanical training, Sergei Eisenstein and Sergei Tretyakov’s theory of expressive movements...
Journal Article
New German Critique (2020) 47 (3 (141)): 73–91.
Published: 01 November 2020
... of lovely cinematic ideas. The daily routines in the boarding school and the Potsdam architecture interpret one another; the great staircase at the school develops a life of its own just as it should; the theater episode is staged in exemplary fashion; and the mixture between comedic, serious, and tragic...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
... section and discussed by Tom Gunning, “The Cinema of Attractions: Early Film, Its Spectators, and the Avant-Garde,” in Theater and Film: A Comparative Anthology, ed. Robert Knopf (New Haven, CT: Yale University Press, 2005), 37–45. 12. The documents produced from this relationship reside...
Journal Article
New German Critique (2011) 38 (1 (112)): np.
Published: 01 February 2011
... 2011 Contributors david bathrick is professor emeritus of German studies and of theater, film, and dance at Cornell University. elke heckner is scholar-in-residence in the Office for History of Science and Technology at the University of California, Berkeley. eric kligerman...