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theater

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Journal Article
New German Critique (2021) 48 (1 (142)): 103–123.
Published: 01 February 2021
...Marit Grøtta Abstract The Nature theater of Oklahama in Der Verschollene is one of Kafka’s most enigmatic inventions, widely known through Walter Benjamin’s and Giorgio Agamben’s reading of it as a theater of gestures. This article explores the intertextual archive of Kafka’s novel, bringing...
Journal Article
New German Critique (2022) 49 (2 (146)): 49–75.
Published: 01 August 2022
... discussion of the liturgical gesture of the Jewish holiday. It suggests that Rosenzweig models this most significant moment as a form of “sacred theater” depicting the Wagnerian “music opera.” Through this analysis, not only does “drama” emerge as the link between the three sections of Der Stern...
Image
Published: 01 November 2022
Figure 3. Peter Weiss, Das grosse Welttheater ( The Great World Theater , 1937). Oil on panel, 120 × 160 cm. Moderna Museet, Stockholm. © Moderna Museet-Stockholm and DACS 2021. More
Journal Article
New German Critique (2023) 50 (1 (148)): 103–128.
Published: 01 February 2023
... of instruction and indoctrination while also giving new insight into his embrace of proletarian children’s theater and epic theater as preferred educational practices. Tyson.Lewis@unt.edu Copyright © 2023 by New German Critique, Inc. 2023 Walter Benjamin educational philosophy theater fascism...
Image
Published: 01 February 2024
Figure 12. László Moholy-Nagy (and Lucia Moholy?), photomontage for projection in The Merchant of Berlin , Piscator Theater (1929). More
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Published: 01 February 2024
Figure 11. Erwin Piscator (director) and Traugott Müller (sets), production of Ernst Toller’s Hoppla wir leben at the Piscator Theater (1927). More
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
...Norbert Otto Eke One of the most complicated questions in film and theater relating to the Shoah is how to render the events visible. Through an analysis of Michael Glawogger's Kill Daddy Goodnight , a film based on the eponymous novel by the Austrian writer Josef Haslinger, this article outlines...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
... attacks on German theaters, the article describes the framing as alternating and conflicting and emphasizes the relationship of history, media, and memory. To communicate, understand, or make sense of certain events, we evoke the past to compare or frame the present. Especially in the case of violent...
FIGURES
Journal Article
New German Critique (2006) 33 (2 (98)): 65–76.
Published: 01 August 2006
... with him,” Müller once said, “is that he permits the individual parts, the elements of theater, their own freedom. Wilson never interprets; a text is simply there and it is served up, and not tainted in any way and not explained. It is there. And in the same way an image is there, and the image...
Journal Article
New German Critique (2019) 46 (2 (137)): 171–195.
Published: 01 August 2019
... almost immediately via Twitter and other social media. Rau’s reenactment constituted the first public performance of the speech in its entirety. The theater was concerned that this reenactment would be misconstrued as an endorsement or vindication of Breivik’s views: Thomas Schmidt, then the director...
FIGURES
Journal Article
New German Critique (2006) 33 (2 (98)): 77–100.
Published: 01 August 2006
...Michael D. Richardson New German Critique, Inc. 2006 Allegories and Ends: Heiner Müllerʼs Ham letmaschine Michael D. Richardson When the Deutsches Theater Berlin reopened on September 7, 1945, its selec- tion for its premiere was signifi cant...
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
...Figure 12. László Moholy-Nagy (and Lucia Moholy?), photomontage for projection in The Merchant of Berlin , Piscator Theater (1929). ...
FIGURES | View All (15)
Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
... escaped the tag “East German author” and, propelled by the interest of theater people in Western Europe and, to a lesser extent, in North America, attained the stature of an international fi gure. Much like his predecessor Bertolt Brecht, Müller has been, since his international breakthrough...
Journal Article
New German Critique (2006) 33 (2 (98)): 49–64.
Published: 01 August 2006
... of scandals,” which strongly appealed to Müller: “In 1948, in a discussion with students in Leip- zig, Brecht formulated the following as the goals of his work in the Soviet Occupation Zone of Germany: twenty years of ideological demolition and the creation of his own theater dedicated...
Journal Article
New German Critique (2014) 41 (2 (122)): 125–144.
Published: 01 August 2014
... voiced grave concerns. Cin- ema was perceived as a threat to the health, tastes, and morals of mass audi- ences as well as a danger to established cultural institutions like the theater. Even more important, cinema’s technological character raised fundamental questions about the nature of art...
Journal Article
New German Critique (2006) 33 (2 (98)): 101–133.
Published: 01 August 2006
.... John E. Davidson 105 fi lm director who in his later years devoted himself to researching sexuality in the history of representation. His fi ve-volume Mimus Eroticus explores the relation of the theater and theatricality to the sexual substrata of society from the Greeks down to the present.6...
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
... by New German Critique, Inc. 2010 I wish to express my gratitude to Nils Tabert at the Rowohlt Theaterverlag, who made available the play's original script; to Insa Popken for answering questions about the stage adaptation; to the Hebbel-am-Ufer theater for providing me with additional materials...
Journal Article
New German Critique (2006) 33 (3 (99)): 151–170.
Published: 01 November 2006
.... 151 152 The Terror of Reproduction theater actor played the leading role.2 Albert Bassermann, who worked with Max Reinhardt in the Deutsches Theater, had previously received the most prestigious prize for acting, the so-called Iffl and-Ring. Most theater critics seized the opportunity...
Journal Article
New German Critique (2011) 38 (2 (113)): 1–23.
Published: 01 August 2011
... Lydia Moland In 2007 the maverick German theater director Peter Stein extended his streak of Herculean theatrical accomplishments to include a ten-hour, single-day production of Friedrich Schiller’s Wallenstein. Beyond the appeal of adding this feat to his seven-hour Oresteia and twenty-one...
Journal Article
New German Critique (2006) 33 (2 (98)): 1–14.
Published: 01 August 2006
... Philoktet am dramatischen Theater Sofi a,” in Werke 8, Schriften, ed. Frank Hörnigk (Frankfurt am Main: Suhrkamp, 2005), 266. Frank Hörnigk 3 In this sense, all societies and civilizations have their grounding (Begründi- gung), their naming (Bezeichnung...