... threat. © 2012 by New German Critique, Inc. 2012 Pushing the Defensive Wall of the State Forward: Terrorism and Civil Liberties in Germany Mary Nolan Twentieth-century Germany provides a varied, complex, and disturbing array of examples...

... their narrative impulse follows an aesthetic, political, and feminist strategy aimed at resuscitating a modern mode of subjectivity. With this model of subjectivity, Richter optimistically gestures toward an open public sphere beyond the public sphere that has been compromised and marred by terrorism. A reading...

...Stefan Andriopoulos New German Critique, Inc. 2006 The Terror of Reproduction: Early Cinemaʼs Ghostly Doubles and the Right to Oneʼs Own Image Stefan Andriopoulos...

...Anson Rabinbach New German Critique, Inc. 2008 Staging Antifascism: The Brown Book of the Reichstag Fire and Hitler Terror Anson Rabinbach The Brown Book of the Reichstag Fire and Hitler Terror, published in Paris in August 1933, was more...

... one possible new approach. Glawogger's film is an attempt to adopt the strategies of art cinema for use in a feature film, but Kill Daddy Goodnight does not turn away from the terrors of history. Rather, it experiments with varied aesthetic forms and dramaturgical practices, depicting the Shoah yet...

..., the article reconstructs the film’s interconnections with critical discourses on the afterlife of fascist terror, authoritarianism, and irrationality in postwar urban space, media, and astrology. It demonstrates further the importance of rereading Lang, and cinema in general, in close relation to other media...

... photomontages, here he avoided the photographic basis of film because it lent itself all too easily to prowar propaganda. His work with George Grosz, by contrast, attempted to reinsert somatic terror into representations of the war and thereby to counter the visually sedative aspect of contemporary German war...

..., the framing of the question of mourning through the figure of Antigone, whereby a female character explores the interplay between terrorism and NS crimes. Not only are the RAF members depicted as trying to liberate Germany from the NS past by rebelling against what they considered its continuation...

... attacks on German theaters, the article describes the framing as alternating and conflicting and emphasizes the relationship of history, media, and memory. Copyright © 2019 by New German Critique, Inc. 2019 terrorism Holocaust Israel docudrama media cinema To communicate, understand...

... memory opens up a new and potentially productive window for understanding West Germany’s experience of terror and its commemoration by state authorities, former terrorists, sympathizers and accused sympathizers, victims of terrorism, as well as the families of both terrorists and victims...

... in common with the orthodox account than their proponents would like to believe; that is, the offi cial discursive construction of 9/11 and the “war on terror” is much closer than one might think to the “outrageous conspiracy theories” (as President Bush called them).3 In particular, the offi cial...

..., and Totalitarianism , edited by Kohn Jerome . New York : Schocken , 1994 . Arendt Hannah . The Human Condition . 2nd ed. Chicago : University of Chicago Press , 1998 . Arendt Hannah . “ Ideology and Terror: A Novel Form of Government .” Review of Politics 15 , no. 3 ( 1953...

... . ———. 2013 . “Anti-Semitism: Spearhead of Universal Terror.” In Secret Reports on Nazi Germany: The Frankfurt School Contribution to the War Effort , edited by Laudani Raffaele , 27 – 30 . Princeton, NJ : Princeton University Press . Nirenberg David . 2013 . Anti-Judaism: The Western...

... also Wolfgang Sofsky, The Order of Terror: The Con- centration Camp, trans. William Templer (Princeton, NJ: Princeton University Press, 1996). Martin Blumenthal-Barby 63 than one applied to the phenomenon of the camps. There cannot be an apt description...

... reduction of com- plexity an affirmation of power, and thus objects to legitimacy based on the success of mere procedure to be a form of bureaucratic terror.13 From both sides of the modernity-postmodernity divide, then, we had identical dismissals of this pesky shadow of the complacent past...

... responds to a present that appears confused and anchorless with a rigorous, ultimately ter- roristic, will to order. To this extent, an imagination of disorder is inscribed within the text and constitutes its driving force. The insight that terror and catharsis, fear and purification, are closely...

.... Terrorist attacks since 9/11, the war on terror, and a rising tide of populism have created a different geopolitical environment from the immediate postwar era when new declarations of human rights and the rights of refugees were drafted. If anything, hostile responses to the current refugee crisis...

... observed the conjur- ing as a witness, steps forward and accuses the Sicilian sorcerer of being a juggler and a fraud. The previously inconspicuous Russian instills a fear in the necromancer that is surprisingly similar to the terror inspired by the second apparition: “The Sicilian turned round...

... . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Maria Gough Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfi eld . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Cristina Cuevas-Wolf Gender and Terror in Gerhard Richter’s October 18, 1977 and Don DeLillo’s “Baader-Meinhof...

... Insuring Nietzsche: Kafkaʼs Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Benno Wagner Exposures: Rilke, Photography, and the City . . . . . . . . . . . . . . . . . . . . . 121 Stefanie Harris The Terror of Reproduction: Early Cinemaʼs Ghostly Doubles...