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Journal Article
New German Critique (2024) 51 (3 (153)): 69–97.
Published: 01 November 2024
...Andrew McCann This essay sets out an approach to Theodor Adorno’s rearticulation of the idea of natural history that foregrounds the undecidable relationship between symbol and allegory. This relationship is the structural condition of Ernst Jünger’s writing, from his protofascist journalism...
Journal Article
New German Critique (2012) 39 (2 (116)): 119–132.
Published: 01 August 2012
... conflicts that finally erupt in the revolution of 1989, the article foregrounds three modes of cultural representation that produce three versions of cultural history. The first, symbolic mode epitomizes the protagonists' conventional understanding of culture as an archive of knowledge and learning...
Journal Article
New German Critique (2010) 37 (2 (110)): 73–94.
Published: 01 August 2010
... or symbolic way with this infrastructure. Rather than based in a physical feature of its subterranean space, the reigning image of subterranean Berlin was metaphorical: the underworld of decadent Weimar culture, a subversive image reinforced during the 1920s by the political identity das rote Berlin...
Journal Article
New German Critique (2012) 39 (1 (115)): 49–66.
Published: 01 February 2012
... disaster orchestrated by the citizens of Santiago themselves. Three cognitive schemes play a role for how Kleist—and his fictional characters—imagines the vulnerability of human society: the theodicy, the sublime, and the state of emergency. These three symbolic forms are part of the surprisingly small...
Journal Article
New German Critique (2008) 35 (2 (104)): 207–227.
Published: 01 August 2008
.... This essay confronts Horkheimer and Adorno's argument with the less-celebrated work of the German philosopher Ernst Cassirer, whose functionalistic concept of myth as a symbolic form enables him to give detailed philosophical analyses of myth as a long-established form of life and as an artificial weapon...
Journal Article
New German Critique (2012) 39 (2 (116)): 103–118.
Published: 01 August 2012
... toward Jacques Derrida's Specters of Marx (1994). Traditionally, a ghost is seen as a sign of unfinished business: a disturbance in the symbolic, moral, or epistemological order that can be resolved once the ghost has delivered its message and fulfilled its mission. However, Braun's specters...
Journal Article
New German Critique (2013) 40 (2 (119)): 1–29.
Published: 01 August 2013
... reflection on the entwining of religious symbols and social theory by Habermas, Vattimo, and Girard brings to light an alternative project, namely, the aestheticization of religion. © 2013 by New German Critique, Inc. 2013 Nihilism and Belief in Contemporary
European Thought...
Journal Article
New German Critique (2014) 41 (3 (123)): 9–34.
Published: 01 November 2014
... when he not only makes no mention of the Jewish population persecuted at the site but also relies on the highly conventional and objectifying symbol of the suitcase to represent metonymically Auschwitz's victims. © 2014 by New German Critique, Inc. 2014 Past Lessons: Holocaust Conservation...
Journal Article
New German Critique (2017) 44 (2 (131)): 1–24.
Published: 01 August 2017
... contributed the image of Ernst Thälmann as a symbol of antifascism through montages for the AIZ in 1934 and 1936. The Comintern's critique of the April 1936 montage, which is understood to be aimed more at the AIZ 's publisher, Münzenberg, entangled him and the AIZ in a double-edged crisis in the Comintern...
Journal Article
New German Critique (2022) 49 (1 (145)): 215–224.
Published: 01 February 2022
... in the history of ideas before discussing how his celebrated Philosophy of Symbolic Forms led Cassirer to reappraise the problem of history more generally. Blumenberg reads Cassirer as having tried to establish the independence of history with regard to the imperatives of the present and from this derives...
Journal Article
New German Critique (2022) 49 (1 (145)): 67–96.
Published: 01 February 2022
... of Leonardo’s “method,” which Blumenberg discusses at great length, just to cut short the ambiguities of Renaissance perspective as a “symbolic form.” 97. Fehrenbach, “Leonardos Vermächtnis?” ; Welsch, “Water or Wind?” 98. Gantner, Leonardos Visionen , 73 . 99. Fehrenbach...
Journal Article
New German Critique (2023) 50 (2 (149)): 131–152.
Published: 01 August 2023
...; and the closure of the Lukács Archives in 2018. The article shows that, rather than engage with Lukács’s thought and ideology, the Orbán regime has treated Lukács as an unwanted cultural symbol. It concludes by warning that Orbán’s treatment of Lukács is exemplary of “illiberal democracies” across the world: when...
Journal Article
New German Critique (2022) 49 (2 (146)): 77–106.
Published: 01 August 2022
... Unity Party oppression. Through its architecture, music, and visual art, the Gewandhaus symbolized an agonistic space that aided in disrupting its sociopolitical surroundings, because it made visible what real-existing socialism was lacking: unity, openness, transparency, and internationality. Examining...
FIGURES
Journal Article
New German Critique (2011) 38 (1 (112)): 85–113.
Published: 01 February 2011
...Susanne Vees-Gulani The great popularity of the TV docudrama Dresden (2006) can be explained chiefly by its locale and subject matter: ever since the Allied forces bombed the city, many have seen it as the key symbol for the brutality of modern warfare. Immediately after he bombings, before...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
...Sabine Kriebel Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist...
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
... how contrasting ideas of the body, and of social order, are symbolically expressed in poses and pictorial settings. In particular, the grouping of figures, in geometric and informal “human patterns,” speaks to a fundamental dichotomy in Weimar modernism: the divide between machine-based (rationalist...
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Journal Article
New German Critique (2010) 37 (3 (111)): 1–26.
Published: 01 November 2010
... is first of all embodied in the distinction between spo-
ken-revealed and unspoken-symbolic language. This constellation is granted
further complexity and tension by situating the language of lamentation
2. The present article focuses on “Über Klage und Klagelied,” but it also refers...
Journal Article
New German Critique (2022) 49 (1 (145)): 11–39.
Published: 01 February 2022
... as it is to artificial intelligence: “There can be no machine that determines what is self-evidently true [to the subject]” (Eine Evidenzfeststellungsmaschine kann es nicht geben). The self-evidently true, Blumenberg argues, must be within the bounds of a formal symbolic language (he invokes Ludwig Wittgenstein’s...
FIGURES
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
... movie screens ( Filmleinwand ), and phantasmagoric scrims ( Schirm ) waged battle over material and symbolic supremacy. No one grasped the potentials and limitations of the first screen age more acutely than the avant-garde polymath and Bauhaus master László Moholy-Nagy. Although never recognized...
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Journal Article
New German Critique (2018) 45 (1 (133)): 111–154.
Published: 01 February 2018
... symbol and abstract forms of medieval allegory, Auerbach’s gure has a
pervasive historicity. To be sure, the gure is not complete in itself; rather, it
requires a “ful lled gure” to bring to light its latent potential. Nevertheless,
the ful lled gure is not an abstract idea or concept...
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