1-20 of 22 Search Results for

spectrality

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
.... © 2015 by New German Critique, Inc. 2015 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. spectrality “late style” time modernity postmodernity lateness late capitalism Figuring Lateness in Modern German Culture...
Journal Article
New German Critique (1 August 2012) 39 (2 (116)): 103–118.
Published: 01 August 2012
... might be termed “spectrality” in its broadest sense; it manifests itself in the “house- hold fairies” and “phantoms” that make an appearance in Fritzsche and Fuchs, respectively, or the many angels that can be identified in recent work.5 This interest can be seen across the board—from...
Journal Article
New German Critique (1 August 2012) 39 (2 (116)): 1–9.
Published: 01 August 2012
... that a national home- coming has healed German history. Less a trope of teleological fulfillment than a spectral figure, history disturbs and unsettles conventional notions of belonging. Accordingly, spatial and not temporal tropes dominate the debate: while three articles concern the...
Journal Article
New German Critique (1 February 2012) 39 (1 (115)): 3–26.
Published: 01 February 2012
... persistent spectral presence in Sebald’s oeuvre, whose essay “On Language as Such and on the Language of Man” (1916) bears some affinity to Rousseau’s essay in its regres- sive account of human language. For Benjamin, the inaugural scene is not primitive but prelapsarian, and the genesis of an...
Journal Article
New German Critique (1 February 2017) 44 (1 (130)): 143–167.
Published: 01 February 2017
... conventions, 16. Cavell, “Music Discomposed,” 188. Malika Maskarinec  153 mere apparitions of art posing as art, deceive us (KZ, 902). The present merely produces spectral artworks that conventionally preserve the external forms of art but lack the...
Journal Article
New German Critique (1 November 2016) 43 (3 (129)): 113–137.
Published: 01 November 2016
... pinpoints as the temporal structure of Beethoven’s symphonic Augenblick: “a force retroacting in time”—simultane- ously past and future, an echo of what will be.27 It is a spooky moment, with its ghostly tremolos forming a halo around the distant horn call. Paul Bekker describes it as a “spectral...
Journal Article
New German Critique (1 February 2008) 35 (1 (103)): 65–81.
Published: 01 February 2008
... a spirit, the narrator remarks: “The Prince had always dreamed of communicating with the spirit world. His improved understand- ing . . . had for some time dissipated every idea of this kind; but the appari- tion of the Armenian had revived them.”21 A similar invocation of spectral fi...
Journal Article
New German Critique (1 August 2008) 35 (2 (104)): 171–189.
Published: 01 August 2008
..., 45–46, 80, 94–95). Martin Stingelin, in contrast, has linked the patient’s obsession with recording angels and spectral watchers to the clinical practices of observation in the asylums where he was interned.7 Whatever the source for Schreber’s idea of the writing-down-system may be, the...
Journal Article
New German Critique (1 August 2012) 39 (2 (116)): 25–45.
Published: 01 August 2012
...); Silke Horstkotte, Nachbilder: Fotografie und Gedächtnis in der deutschsprachigen Gegenwartsliteratur (Cologne: Böhlau, 2009); Ulrich Baer, Spectral Evidence: The Photography of Trauma (Cambridge, MA: MIT Press, 2002); and Barbie Zelizer, Remembering to Forget: Holocaust Memory through the Camera’s...
Journal Article
New German Critique (1 November 2014) 41 (3 (123)): 199–218.
Published: 01 November 2014
.... John Zilcosky  207 ders it at once actual and spectral: it blurs the line, as in Ernst Jentsch’s theory, between the animate and the inanimate. The “spook-like” second Naissa (who is actually the first) has the same effect as the doll Freud describes in E. T. A. Hoffmann’s story “The Sandman...
Journal Article
New German Critique (1 February 2018) 45 (1 (133)): 111–154.
Published: 01 February 2018
Journal Article
New German Critique (1 November 2013) 40 (3 (120)): 137–170.
Published: 01 November 2013
... told even in the German title, it is A Film from Germany, a film to be judged by the filmic medium itself. How could a body enter into this spectral production? Indeed, the body enters in the form of a question, of a constant questioning and destabilization of the seemingly regressive trial of...
Journal Article
New German Critique (1 February 2016) 43 (1 (127)): 171–194.
Published: 01 February 2016
... Dream Noh Game. This is a pocket game that runs on solar batteries, but because of the batteries’ weakness, the figures in these games move as slowly as actors in a Noh play: The object of this game is to sort out a puzzle of spectral messages from people who died leaving things unsaid...
Journal Article
New German Critique (1 August 2007) 34 (2 (101)): 157–185.
Published: 01 August 2007
Journal Article
New German Critique (1 August 2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
Journal Article
New German Critique (1 November 2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... nonsynchronization between personal, memorial time (the realm of art) and public, mechanical time (the world of commerce, of traffi c—the city), and the attempt to reconcile the two, 10. See Ulrich Baer, Spectral Evidence: The Photography of Trauma (Cambridge, MA: MIT Press, 2002); and Vilém Flusser...
Journal Article
New German Critique (1 November 2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
Journal Article
New German Critique (1 February 2009) 36 (1 (106)): 119–147.
Published: 01 February 2009
... other together in a green middle as a result, one has in front of him the visible spectral continuum.25 The prism changes lightness and darkness into colors. It shows simultaneously the constitution of difference (i.e., the colors), the fact that these colors are composed of polar opposites...
Journal Article
New German Critique (1 February 2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
...” that can activate preexisting knowledge or mem- ory; without this aid, it would be unable to generate any insight about the diva. By contrast, the grandmother’s photograph appears as a “ghost,” a spectral sign devoid of semantic resonance, because her appearance as a young girl belongs to a past...
Journal Article
New German Critique (1 February 2014) 41 (1 (121)): 1–31.
Published: 01 February 2014