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Journal Article
New German Critique (2025) 52 (1 (154)): 81–105.
Published: 01 February 2025
...Martin Kagel This article considers the role of silence in Andreas Dresen’s 1992 debut film Stilles Land ( Silent Country ). It initially provides background on the film’s setting, the theater of Anklam, its recent history and significance, before discussing the general role of theater...
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Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
... with long-silenced familial legacies. These attempts to work through, or at least make readable, the affective afterlife of silenced histories of guilt and shame are evidence of the limits of any strategy for mastering the affective inheritance that this past represents. © 2011 by New German Critique, Inc...
Journal Article
New German Critique (2013) 40 (1 (118)): 199–205.
Published: 01 February 2013
... of the Waffen-SS and a covert anti-Semite, regards such attacks as misplaced and ultimately irrelevant. In Stern's view, the real problems lie in various oversimplifications of the debate on the Middle East, in Grass's failure to take note of Israel's internal debates, and in his long silence about his own past...
Journal Article
New German Critique (2010) 37 (3 (111)): 1–26.
Published: 01 November 2010
..., as the language of destruction and silence, lam- entation equally mourns the “Fall” of language and grants hope for its redemp- tion. As long as language has not been restored, lamentation is nourished by its internal paradoxes and lives on as a tradition. “On Lamentation and Dirges,” the focus...
Journal Article
New German Critique (2014) 41 (3 (123)): 35–55.
Published: 01 November 2014
.... 7. On this film, see Brad Prager’s contribution to this special issue. 8. For important readings of Respite that have informed my argument, see Nora Alter, “Dead Silence,” in Harun Farocki: Against What? Against Whom?, ed. Antje Ehmann and Kodwo Eshun (London: Raven Row, 2009), 171–78...
Journal Article
New German Critique (2023) 50 (1 (148)): 129–153.
Published: 01 February 2023
... only and constantly in the mode of silence” (redet einzig und ständig im Modus des Schweigens) ( SZ , 273). It is explicitly not an utterance, and it is not assimilable into everyday discourse. The call is precisely what can “summon” Dasein “out of” ( aufrufen ) its everydayness and “call” it “toward...
Journal Article
New German Critique (2008) 35 (1 (103)): 27–49.
Published: 01 February 2008
... and maintenance of elite Roman social forms. Epistemological considerations complement this sociohistorical model- ing of conspiracy theory in ancient Rome. Three aspects of conspiracy raise fundamental contradictions about knowledge: silence, punishment, and evi- dence. Silence is a necessary...
Journal Article
New German Critique (2012) 39 (3 (117)): 165–187.
Published: 01 November 2012
... in silence, anxious to understand, and among us there were speakers of all the languages of Europe; but Hurbinek’s word remained secret. No, it was certainly not a message, it was not a revelation, perhaps it was his name, if it had ever fallen to his lot to be given a name, perhaps...
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... the failings that typified West German historiog- raphy’s attempts to address the Holocaust subsequent to 1945.21 Laura Jock- usch writes about the lack of interest in listening to Jewish voices immediately after the war, pointing out that the ostensibly strange and often-cited silence about...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
...” cannibal has followed the same pattern and undergone the same semantic shift. The similarities in the trajectory of these images becomes apparent in two comparisons. The first up is Dr. Hannibal Lecter, a cannibalistic serial killer and a former psychiatrist in the novel The Silence of the Lambs (Thomas...
Journal Article
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
.... The existing histori- cal literature also relies heavily on a model of state-society “catharsis”; cf. Kraushaar, “Zwischen Popkultur und Zeitgeschichte,” 270. Cinematic Tropes, History, and the RAF press coverage of the anniversary is the atmosphere of fear and silence that marked the German Autumn...
Journal Article
New German Critique (2022) 49 (2 (146)): 49–75.
Published: 01 August 2022
... within him that wishes to be expressed and cannot be communicated to others interrupts his belonging to the collective of the polis and makes him lonely. The hero’s loneliness makes love scenes impossible, and his incapability of sharing his inner experience with others is depicted through his silence...
Journal Article
New German Critique (2023) 50 (3 (150)): 37–49.
Published: 01 November 2023
...” There are, I think, specific ways that Black scholars of slavery get wedged in the partial truths of the archives while trying to make sense of their silences, absences, and modes of dis/appearance. The methods most readily available to us sometimes, oftentimes, force us into positions that run counter to what...
Journal Article
New German Critique (2017) 44 (3 (132)): 189–203.
Published: 01 November 2017
.... Chicago : University of Chicago Press . ———. 1990 . Essays on Self-Reference . New York : Columbia University Press . ———. 1990 . Political Theory in the Welfare State , translated by Bednarz John Jr. Berlin : de Gruyter . ———. 1994 . “Speaking and Silence.” New German...
Journal Article
New German Critique (2024) 51 (2 (152)): 51–78.
Published: 01 August 2024
... sides of the iron curtain. She translates global Holocaust memory into local memory in Poland and Ukraine, on the one hand, and memories and silences of the local Holocaust and Soviet repression into European memory space, on the other hand. But not without difficulty. The narrator is acutely aware...
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
... nothing but a pause, it’s an empty space between words, it’s a blank, you can see all the syllables stand around” ( GiG , 28). In a twofold movement, Celan shows the desire for stable forms as well as the dangers that arise with their realization: “The stick is silent, the stone is silent, and the silence...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... as dominant paradigms in coming to terms with the Nazi past. In this vein, Aleida Assmann characterizes postwar Germany as marked by a conflict between a culture of guilt, demanding repentance and conversion in the public sphere, and a culture of shame, which, privileging discretion and silence...
Journal Article
New German Critique (2012) 39 (2 (116)): 87–102.
Published: 01 August 2012
... intensity as a result of the East German state’s systematic abuse of language, in which the only alternatives were “official jargon” or silence.31 Moreover, as Hilbig’s comments on the startling similarities between the postunification literature industry and the practice of the Stasi indicate...
Journal Article
New German Critique (2011) 38 (1 (112)): 181–215.
Published: 01 February 2011
... they tarred as the Judenräte’s postwar continuation. Perle’s text today unsettles, at times almost unbearably, powerful main- stream paradigms of Holocaust memory that privilege silent witness or even define witnessas a certain silence, inaccessibility, or impossibility. Against the Holocaust’s...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
.... Esther is a figure of disavowed trauma, and only through her can Nelly begin to perform the part of “Nelly,” the erased, silenced version of herself that Johnny wants to see. Johnny’s obsessive attempts at creating a fantasy version of Nelly, at bringing to life a woman he believes dead, signal...