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Search Results for sebald
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Journal Article
New German Critique (2012) 39 (1 (115)): 3–26.
Published: 01 February 2012
...Jessica Dubow; Richard Steadman-Jones W. G. Sebald's novel Austerlitz tells a story of inexplicable origins. In the figure of this child of the Kindertransport , Sebald addresses the traumas of the exilic subject and the impossibility of responding to an irredeemable history. But Austerlitz is also...
Journal Article
New German Critique (2021) 48 (3 (144)): 99–139.
Published: 01 November 2021
... Robertson, “Playing House” As Theodor W. Adorno once said of Franz Kafka, so we may say of W. G. Sebald: what baffles and eludes us in his work may one day provide the key to the whole. 1 Sebald’s rise to international acclaim was meteoric, the critical consensus of his accomplishment swift; yet...
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Journal Article
New German Critique (2006) 33 (2 (98)): 135–160.
Published: 01 August 2006
... return to Sebald to suggest that the discussion of air war he broached likewise
unsettles the Habermasian conviction that German constitutionality has to be
anchored in a potent foundational memory. In the fi nal sections, I oppose the
politicized memories of failed statehood at the far horizons...
Journal Article
New German Critique (2010) 37 (2 (110)): 9–30.
Published: 01 August 2010
... little attention to the true victims of Ger-
man violence.23 By and large, the Trümmerfilm is more concerned with moving
forward, with reconstructing the nation rather than reconsidering its past.
In crucial regards, the rhetoric of Trümmerfilm criticism anticipates
W. G. Sebald’s “Air War...
Journal Article
New German Critique (2020) 47 (2 (140)): 1–20.
Published: 01 August 2020
... of the postwar era in Europe. 7 There is, he says, something latent or haunted in postwar European culture. It is a place that can neither forget its demons nor confront them. This mood is also powerfully created by W. G. Sebald in both his fiction and nonfiction work. Sebald’s fiction is indeed known...
Journal Article
New German Critique (2011) 38 (1 (112)): 155–180.
Published: 01 February 2011
... unprecedentedness,
has become a pervasive qualifier of the postwar ruin.22 This has meant that
provincial safe harbors (i.e., Heimat in its most traditional definition), as W. G.
Sebald reminds his readers at the opening of his influential On the Natural
History of Destruction, have been remembered...
Journal Article
New German Critique (2016) 43 (1 (127)): 119–140.
Published: 01 February 2016
... . 2005 . “The Humanities in a Posthumanist World.” PMLA 120 , no. 1 : 724 – 33 . Sebald W. G. 1990 . “Jean Améry und Primo Levi.” In über Jean Améry , edited by Heidelberger-Leonard Irene , 115 – 23 . Heidelberg : Winter . ———. 2008 . “Mit den Augen des Nachtvogels...
Journal Article
New German Critique (2023) 50 (3 (150)): 205–215.
Published: 01 November 2023
... linguistic universe, that is, seen by many as not truly belonging to the cultural context of the FRG (this is obviously also true for Elfriede Jelinek). It is significant that the most original and creative writer of this era of “normality” was W. G. Sebald, a novelist who had left Germany at the age...
Journal Article
New German Critique (2022) 49 (3 (147)): 21–41.
Published: 01 November 2022
... , as Weiss suggested, or an example of mask narration with the narrator speaking reliably with the author’s voice, the novel presents a subversive and disorienting variant of mask narration. Read as a Wunschautobiographie , the novel would turn, as it did for W. G. Sebald, into a retrospective improvement...
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View articletitled, Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance
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for article titled, Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance
Journal Article
New German Critique (2009) 36 (2 (107)): 231–252.
Published: 01 August 2009
... and the Topography of
Memory in Alexander Kluge
Bernhard Malkmus
W. G. Sebald referred to Alexander Kluge as one of the most important com-
mentators on postwar German history. He felt particularly compelled by
Kluge’s literary rendition of history as archaeology...
Journal Article
New German Critique (2010) 37 (2 (110)): 49–72.
Published: 01 August 2010
... and a half million homes, and left seven million home-
less. Berlin is the one place where the destruction of the air wars is imagined
in extensive detail from the street. Long before W. G. Sebald’s “Luftkrieg und
Literatur” (“Air War and Literature Pynchon asked his audience of primar-
ily British...
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... suffering was a prelude to the era
that W. G. Sebald calls a period of self-regard in which Germans were enjoined
to look forward and not back.20 The historian Tony Judt describes how German
public figures in the 1940s and 1950s avoided references to the Final Solution,
and Nicolas Berg documents...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
..., such as Wolfgang Koeppen’s novels Pigeons on the Grass (1951; trans.
1988) and Death in Rome (1954; trans. 1961), confronted explicitly and in for-
mally demanding ways what W. G. Sebald has called “the real state of material
and moral ruin in which the country found itself.”2 As denazification was cut...
Journal Article
New German Critique (2008) 35 (3 (105)): 1–6.
Published: 01 November 2008
..., On Creaturely Life: Rilke, Benjamin, Sebald (Chicago: University of Chi-
cago Press, 2006), 13–14.
12. Scott Horton, “The Weimar President,” Harper’s Magazine, August 23, 2007, www.harpers
.org/archive/2007/08/hbc-90000996.
13. For an extreme example see the references to the 1938 Munich agreement...
Journal Article
New German Critique (2020) 47 (1 (139)): 25–56.
Published: 01 February 2020
... and Obstinacy , 8). 34. Sebald, “Zwischen Geschichte und Naturgeschichte.” 35. Fore, Introduction, 22. 36. Fore, Introduction, 34. 37. Marx, “Economic and Philosophic Manuscripts,” 92 ; translation modified. 38. Weber, “Frage,” 763 . 39. On Kluge’s approach...
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Journal Article
New German Critique (2012) 39 (2 (116)): 103–118.
Published: 01 August 2012
... in recent work.5
This interest can be seen across the board—from Elfriede Jelinek or
W. G. Sebald to Christa Wolf, Walter Kempowski, or Judith Hermann—and
boasts especially a repertoire of phantoms, specters, vampires, and undead
that is enormously suggestive. A recent study spoke of a “boom...
Journal Article
New German Critique (2010) 37 (2 (110)): 1–7.
Published: 01 August 2010
... the fear of nuclear war in the future
is played out in Pynchon’s cities of the past. In dialogue with W. G. Sebald’s
lecture “Air War and Literature” (1997) as well as Jörg Friedrich’s Brand (Fire,
2002), Bulson suggests that there has been, among some critics, a tendency
to downplay, perhaps...
Journal Article
New German Critique (2022) 49 (2 (146)): 107–132.
Published: 01 August 2022
... renowned they may be. Hermann Hesse and Susan Sontag, for example, successfully advertised a pacifist image of Walser; 8 W. G. Sebald and J. M. Coetzee access Walser’s texts through his experience with mental illness and institutionalization, that is, in elegiac form: “His own uneventful yet in its way...
Journal Article
New German Critique (2025) 52 (1 (154)): 1–29.
Published: 01 February 2025
... attachment to a nonnational medieval philology with Rosenzweig’s position on the Jewish Unheimliche . Both were reacting to the crisis of German nationhood in the wake of World War I; both were skeptical of the idea of a nationalist Heimat ; both were prescient about what W. G. Sebald dubbed unheimliche...
Journal Article
New German Critique (2022) 49 (3 (147)): 93–112.
Published: 01 November 2022
... . Comparative Literature and the Historical Imaginary: Reading Conrad, Weiss, Sebald . New York : Palgrave , 2017 . Kaakinen Kaisa . “ Entangled Histories and Divided Audiences: Overhearing Joseph Conrad, W. G. Sebald, and Dan Jacobson .” Journal of Baltic Studies 51 , no. 3 ( 2020 ): 373...
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