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screenplay

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Journal Article
New German Critique (2024) 51 (1 (151)): 77–107.
Published: 01 February 2024
... literary debate on the medium. His screenplays for the adaptations of his novels Die Rote and Die Entwaffnung are used to examine the conclusions Andersch drew regarding film aesthetics in his own poetics of screenwriting. In sum, the essay reconstructs Andersch’s attempt at a literary response...
FIGURES | View All (4)
Journal Article
New German Critique (2007) 34 (3 (102)): 1–16.
Published: 01 November 2007
... Schirrmacher in the Frankfurter Allgemeine Zeitung, Eichinger summarized the entire production process of the screenplay—which reads like an awakening—in very revealing terms: At some point, my interest focused more and more on the person [Hitler] and shifted away from the systems of terror...
Journal Article
New German Critique (2010) 37 (2 (110)): 73–94.
Published: 01 August 2010
... metaphorics to challenge the Manichaean meta- physical division of Cold War ideology as early as Carol Reed’s 1949 thriller, The Third Man, based on a screenplay by Graham Greene composed with firsthand experience not only of the intelligence community but also of condi- tions in postwar Vienna...
Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
... from this screenplay. Translations, some- times modified, are based on the English subtitles. 21. In contrast to their filming colleagues, the musicians are not even aware that their own alma mater—the Munich School of Music—was the site at which the Munich Agreement was ratified. 22. See...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... Erich Maria Remarque, author of All Quiet on the Western Front, to write the screenplay. Remarque introduced yet another fi ctional fi gure, the young Captain Wüst (a name suggesting desolation). While Richard undergoes a radical process of disillusionment, Wüst (Oskar Werner) already knows...
Journal Article
New German Critique (2007) 34 (3 (102)): 87–100.
Published: 01 November 2007
..., develops this into a motif of considerable importance. 92 Schlöndorff’s Ninth Day which his testimony merely inspired the screenplay.9 Schlöndorff himself described the screenplay as a “nine-round fi ght,” a description that emphasizes the dramaturgical character of the fi lm and its borrowings...
Journal Article
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
... Biberkopf, then in 1980 by Rainer Fassbinder simply as Berlin Alexanderplatz. David Bathrick 39 Samuel) Wilder wrote the screenplay for an award-winning semidocumen- tary film,People on Sunday (Menschen am Sonntag), that pursues the lives of a group...
Journal Article
New German Critique (2022) 49 (2 (146)): 133–160.
Published: 01 August 2022
..., such as Michael Haneke, but then posits that Maddin is “the most remarkable example” of a “high-profile Canadian auteur” who “continue[s] to make essentially ‘Canadian’ films.” 17 Richard Cavell joins William Beard in downplaying Maddin’s transnational connections—such as the fact that the screenplay...
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Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... the room to the sound of a piano concerto (in A Proletarian Winter’s Tale ). Narration and its production-related counterpart, the screenplay, are, in these films, not indispensable elements. Rather, they form a loose framework to which fragments of theory, pop-cultural references, and cultural...
FIGURES
Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... Kitano, and Wong Kar-wai.) Meteor’ s modus operandi was to both like and dislike in the same issue. It mixed excerpts from screenplays, dossiers about specific directors, interviews, essays, and film theory. The page layout was unusual when books were excerpted and reprinted, with the margin offering...
Journal Article
New German Critique (2007) 34 (3 (102)): 61–74.
Published: 01 November 2007
... and Hitler from other com- parable depictions, are undoubtedly linked to the status of Breloer and the coauthor of the screenplay, Horst Königstein: both are proven experts in the docudrama genre and are important television writers.14 Thus Breloer can step in front of the camera with authority...
Journal Article
New German Critique (2020) 47 (3 (141)): 7–20.
Published: 01 November 2020
..., technical, political, and popular press; penning screenplays, plays, fairy tales, and other fictions; and lecturing in film associations, including most regularly the Klub der Kameraleute Deutschlands (German Cinematographers’ Club) and the Volksverband für Filmkunst (People’s Association for Film Art; VVF...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
...; Metaphysik, 159. 2. See La Notte (dir. Michelangelo Antonioni, screenplay by Antonioni, Ennio Flaiano, and Tonino Guerra; 1961); for the braiding of Adorno with the film’s primary, almost immediately projected concerns see the screenplay text in Antonioni, Sei film: Le amiche, Il grido, L’avventura...
Journal Article
New German Critique (2020) 47 (3 (141)): 73–91.
Published: 01 November 2020
... these days. The decisive problem is not that the film abuses Heinrich Mann’s novel but that one chose this prewar book as the basis for a screenplay in the first place. What interests steered the producers toward the dark soul of Professor Unrat and his relations with the singer Lola when they could just...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... Exposures attracting sixty-two thousand viewers, a comparatively large number for a doc- umentary. Junge’s testimony became known to an even broader public when the producer Bernd Eichinger used it as a source for his screenplay for Der Untergang (Downfall, 2004) about Hitler’s last days...
Journal Article
New German Critique (2014) 41 (3 (123)): 113–134.
Published: 01 November 2014
... with the music, which now emanates from the actual piano, one hears the ambient noise of the streetscape on the other side of the window, including the sound of American police car sirens. Indeed, according to the screenplay, this scene of elderly men playing the piano takes place in contemporary New...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
... of Harun Farocki, with whom Petzold wrote the screenplay for Phoenix . In Bilder der Welt und Inschrift des Krieges (1988), Farocki considers what it means to see something initially overlooked on closer, later inspection. Petzold evokes the same language in his description of the death march image...
Journal Article
New German Critique (2015) 42 (3 (126)): 69–90.
Published: 01 November 2015
..., at considerable expense, in the mid-1950s and directed by the late Kurt Maetzig, one of the GDR’s most distinguished filmmakers. The films— with screenplays in part by Bredel himself, the author of the Verwandte und Bekannte trilogy—told a story of struggle and heroism during the Weimar Republic...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... from screenplays, interviews with the filmmakers (and their letters to the editor), and both in-house notices and write-ups of these films from abroad. The positive coverage of the Young German Film allied the movement with Filmkritik as joint participants in an “internationalist” national...
Journal Article
New German Critique (2012) 39 (1 (115)): 139–167.
Published: 01 February 2012
... many hours in discussion with Hasselbach before Hasselbach left the movement; was central to the television broadcast in which Hasselbach declared his depar- ture; coauthored Hasselbach’s first book, Die Abrechnung (1993), and an expanded version of it (2001); and coauthored the screenplay...