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reitz
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Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
...Ulrich Schönherr The year 1960 marks the point of departure for Edgar Reitz's twenty-five-hour movie Die zweite Heimat ( The Second Homeland ), which tries to reconstruct ten years of German history from the selective perspective of young avant-garde artists in Munich. In contrast to critics who...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... in museums influenced filmmakers working outside the museum as well. During this time Kluge himself collaborated with the filmmaker Edgar Reitz on a cinematographic installation resonant with the experiments of expanded cinema. Kluge and Reitz, cosigners of the Oberhausen Manifesto of 1962, founded the short...
FIGURES
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Journal Article
New German Critique (2012) 39 (1 (115)): 27–48.
Published: 01 February 2012
...., Eric L. Santner’s excellent study of Reitz’s Heimat TV series in Stranded Objects: Mourn
ing, Memory, and Film in Postwar Germany (Ithaca, NY: Cornell University Press, 1990), 67–100.
38 Heimat and the “Spatial Turn”
have focused their attention more on history and politics, largely...
Journal Article
New German Critique (2010) 37 (2 (110)): 1–7.
Published: 01 August 2010
....”
As an example of such contradictory concerns, Schönherr offers a read-
ing of Edgar Reitz’s twenty-five-hour made-for-TV production Die zweite
Heimat (The Second Homeland), a fictional “chronicle of a youth” that seeks to
reconstruct ten years of German history from the perspective of young avant-
garde...
Journal Article
New German Critique (2012) 39 (1 (115)): 67–111.
Published: 01 February 2012
... exception is Charles Reitz, who correctly perceives the centrality of Nietzschean
thought to Eros and Civilization: “To no other philosophical author does Marcuse make such sus-
tained theoretical reference as he does to Nietzsche” (Art, Alienation, and the Humanities: A Critical
Engagement...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... Festival in Frankfurt am Main, young filmmakers, cinema operators, and small film distributors released a manifesto endorsing Edgar Reitz’s initiative to restructure film financing by dissolving rigid structures and deploying more realistic calculations. Their hope is to revive the concept of film culture...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
... and the RAF, which occupied
so much of the politics of the 1970s, a decade often described as a bleierne
Zeit (leaden time). It was articulated cinematically in Germany in Autumn
(1978), a collaborative project about the RAF by Fassbinder, Kluge, Edgar
Reitz, Volker Schlöndorff, and others...
Journal Article
New German Critique (2021) 48 (2 (143)): 63–84.
Published: 01 August 2021
... .” In “The Family of Man” Revisited: Photography in a Global Age , edited by Hurm Gerd , Reitz Anke , and Zamir Shamoon , 57 – 70 . London : Routledge , 2018 . Jay Martin . “ Modernism and the Specter of Psychologism .” In Cultural Semantics: Keywords of Our Time , 165 – 80...
Journal Article
New German Critique (2016) 43 (2 (128)): 127–151.
Published: 01 August 2016
...
Heimat museums sprang up all over Germany, Austria, and Switzerland; and
Heimat became a popular subject of novels and films (most famously Edgar
Reitz’s eleven-part television series Heimat in 1984).3 In the academic sphere,
too, Heimat reemerged as a focus of historical, political...
Journal Article
New German Critique (2007) 34 (2 (101)): 157–185.
Published: 01 August 2007
... resentment of American culture that characterized
Raumpatrouille could be enjoyed again and with deeper satisfaction at a time
when cultural Americanization was perceived again as on the rise. The 1980s
were such a time. To give just one example: Edgar Reitz’s film Heimat (1984)
was conceived...
Journal Article
New German Critique (2022) 49 (3 (147)): 187–214.
Published: 01 November 2022
..., Edgar Reitz, Katja Rupe, Volker Schlöndorff, Peter Schubert, Bernhard Sinkel, and Peter Steinbach. which documents the Stammheim funeral. For the overall context, not limited to the RAF, see Koenen, Das rote Jahrzehnt ; and Reichardt, Authentizität und Gemeinschaft . See also the more comparative...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... comprising twelve sections directed by multiple
directors, including Kluge, Fassbinder, Reitz, Mainke-Jellinghaus, and Schlöndorff.
14 The Antigone Effect
crimes.14 Second, in their representation of the epistemic, ethical, and political
import of the RAF’s collision with the state, these films...
