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Journal Article
New German Critique (2015) 42 (1 (124)): 189–201.
Published: 01 February 2015
...Lukas Kaelin The public sphere stands at the center of much of the philosophical, sociological, political science, and media theory discourse on the organization and legitimation of society. Although the latest German-speaking public sphere theories, in particular from Jürgen Habermas, Kurt Imhof...
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
...Martin Jay Miriam Hansen's studies of both American silent film and Frankfurt School film theory drew on the critique of Jürgen Habermas's concept of the public sphere developed by Oskar Negt and Alexander Kluge. Expanding it beyond the bourgeoisie and stressing the importance of experience as well...
Journal Article
New German Critique (2019) 46 (1 (136)): 1–14.
Published: 01 February 2019
... Eichmann in Jerusalem , and especially the publication of this exchange. Although Scholem had mixed views on Eichmann in Jerusalem , he suppressed his more positive assessments while crafting his first letter to Arendt so as to write the most critical reaction he could muster. Arendt was not aware...
Journal Article
New German Critique (2023) 50 (3 (150)): 119–131.
Published: 01 November 2023
...B. Venkat Mani This essay focuses on the contemporary German literary public spheres, zooming in on the relation between a republic and its reading public. In the fraught political topography of contemporary Germany, marked by the arrival and eventual acceptance of over one million Syrian refugees...
Journal Article
New German Critique (2022) 49 (2 (146)): 77–106.
Published: 01 August 2022
... how the Gewandhaus interacted with its sociopolitical surroundings sheds light on its ability to engage with public discourse within the restricted society of the GDR. 35. Ziemer, Die Moderne hören , 18 . 36. Ziemer, Die Moderne hören , 152 . 37. Ziemer, Die Moderne hören , 366...
FIGURES
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... both expressionist artists who struck a noncommercial pose and cultural reformers who argued for a synthesis of art and industry. © 2017 by New German Critique, Inc. 2017 Tristan Tzara Richard Huelsenbeck Raoul Hausmann marketing publicity References Anonymous . 1919...
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in Confounded Dwelling: Architectures of Association in W. G. Sebald’s Austerlitz
> New German Critique
Published: 01 November 2021
Figure 4. Allegorical engraving of the Vitruvian ur-hut in the frontispiece of Laugier, Essai sur l’architecture , by Charles Eisen. Public domain.
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Published: 01 November 2022
Figure 1. Konstantin Savitsky, Repairing the Railroad (1874). Oil on canvas, 100 × 175 cm. Tretyakov Gallery, Moscow. Public domain via Wikimedia Commons.
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/10.1215_0094033X-9965374/1/s_ngc9965374figure5.png?Expires=2147483647&Signature=ZbIZ6foNBDc4e2V3z1C8wC7LbKR8v5azeBtRN--ZcyjV1K8alx2BDWkUFljM7aeyzOH0Tab0zriD4c81u2BupTXMQ6~w8YMr7BqI2Xfu0YYs-NOew9-px6MViHmFZZiATjxWhJrlFz8Mvc8kCE2bQltJWSqeFIRdH3Wi2MT68v-cR7bgWtuvvYkdXAM17Riolqaq-4DBBsDM6uECZ7Mcx4cihhUGvAIJvgnezqqwDoMXGNoF7ftJ6sJ9V~w9h8RZlvMP1tLDqj1xvsD1ScEw1ljeY5PDzFYARmaysLHtU8Y6P3eNPmeDz7qhqghM~5WYYuTuYl8YffWJyCLrwGgxTA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2022
Figure 5. Robert Koehler, The Strike (1886). Oil on canvas, 181.5 × 275.6 cm. Deutsches Historisches Museum, Berlin. Public domain via Wikimedia Commons.
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/10.1215_0094033X-9965374/1/s_ngc9965374figure6.png?Expires=2147483647&Signature=eK3tt0YwWz7GEBAAHvrk1oCj~XVOu1TduugUdbVYpZLrrTIwuNU6bqH47LzOfWHlBEK0Hq9eJwrazOFZHQXttDm9Nvz59oSVsegOeWAVVLA6X3aqogCVzbvwF4C2zxcdKVKdwIXqJlKFQ7x7Txn3cdsC4uW9VeEluGFQ3YWo5Xt1Yx~Vmt5xr-2Yk2OOgQ4VBi2lulQs1M64C1Fr0wbflbnPnnidpSd149JtbB3lHdvBPGN7~JM~rp-mBVRXww9bPILfVGCdHtv1bURuFhgACJ-rJHuvIxB3UoI1fJp~b8kvO1scpvDcZvnrblK6oc38n1Nn04YO4z4unTtHOVKHqQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2022
Figure 6. Edvard Munch, Workers Returning Home (1913–14). Oil on canvas, 227 × 201 cm. Munch Museum, Oslo. Public domain via Wikimedia Commons.
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Published: 01 November 2022
Figure 7. Peter Brueghel the Elder, The Battle between Carnival and Lent (1559). Oil on panel, 118 × 164.5 cm. Kunsthistorisches Museum, Vienna. Public domain via Wikimedia Commons.
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/10.1215_0094033X-9965374/1/s_ngc9965374figure2.png?Expires=2147483647&Signature=Fsgu0HACkTsXPCYj5N770FKv2cKQq6jhfinlb8JNImo5y~p5VC3E0Pzar0pq9ORl8c88n0S4wYyFB4ebn~td64Ag4-jNCYX8ZpN-FKRM6Y8Yn--ul5cCw~~3N2SKV2DSSZ4ZWvQzCKqEK7gueePHUNffsgsqOpadSh~TYjYLZHr5qBtfv~9CfM5y24d8kXJAkrWWX5KeJ2RHWXZIuf05vZxL9zXIUASAu2I260t8edL2JDsCMLXQt4aOiYkmZTvR3zM3dTXd--0ml0exoy-M711R7YPZDDksu2R8KClOcTeO1X4N~UkmvDA2PRk36T5jIx-sxGOPJOwH3opDU73f1Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2022
Figure 2. Peter Brueghel the Elder, Dulle Griet (1563). Oil on panel, 115 × 161 cm. Museum Mayer van den Bergh, Antwerp. Public domain via Wikimedia Commons.
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Published: 01 November 2022
Figure 4. Adolph von Menzel, The Iron Rolling Mill: Modern Cyclops (1872–75). Oil on canvas, 158 × 254 cm. Berlin, Alte Nationalgalerie. Public domain via Wikimedia Commons.
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Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... and modernism conditionally. In architecture, “modernization” resulted in the invention of new materials and construction or production methods (technology), and the design challenge of new building types like railroad stations, airports, and public housing. “Modernism” refers to the corresponding aesthetic...
Journal Article
New German Critique (2017) 44 (2 (131)): 133–162.
Published: 01 August 2017
...Marianna Papastephanou Claims, aspirations, and hopes for Europe as a postnational constellation are often based on the assumption that the European sociality, as it emerges from its public discourses, is more or less committed to a normative promise of global justice. This faith in Europe lacks...
Journal Article
New German Critique (2009) 36 (2 (107)): 207–230.
Published: 01 August 2009
... their narrative impulse follows an aesthetic, political, and feminist strategy aimed at resuscitating a modern mode of subjectivity. With this model of subjectivity, Richter optimistically gestures toward an open public sphere beyond the public sphere that has been compromised and marred by terrorism. A reading...
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Published: 01 November 2022
Figure 8. Peter Brueghel the Elder, The Massacre of the Innocents (1565–67), copy possibly by Peter Brueghel the Younger or his workshop. Oil on panel, 116 × 160 cm. Kunsthistorisches Museum, Vienna. Public domain via Wikimedia Commons.
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Journal Article
New German Critique (2010) 37 (2 (110)): 153–179.
Published: 01 August 2010
...; the building's location in a city undergoing an urban renewal program; and its reception in academic, professional, and public media during the competition, after it was built, and after September 11. The shift from triumphalist to apologetic memorials during the late Cold War era reflects the growing need...
Journal Article
New German Critique (2010) 37 (2 (110)): 180–207.
Published: 01 August 2010
...Sjoukje van der Meulen This essay introduces the seminal work of the Czech media theorist Vilém Flusser (1920–91) for an English-speaking public, such as Für eine Philosophie der Fotografie ( Towards a Philosophy of Photography , 1983) and Ins Universum der technischen Bilder ( Into the Universe...
Journal Article
New German Critique (2010) 37 (3 (111)): 149–171.
Published: 01 November 2010
...? The debate between Carl Schmitt and Hans Blumenberg concerning the conceptual status of secularization as an explanatory category for the emergence of modernity provides us with a paradigmatic case that sheds light on those questions. With the recent publication of the correspondence between Schmitt...
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