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Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
...Loren Kruger Positive Heroes and Abject Bodies in Heiner Müllerʼs Production Plays Loren Kruger Optimistic embellishment and prettifi cation are the worst enemies not only of beauty but also...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
...) to produce an active mode of seeing. © 2012 by New German Critique, Inc. 2012 Narrative Resemblance: The Production of Truth in the Modernist Photobook of Weimar Germany Patrizia McBride It would be difficult to overstate the impact...
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
...Deborah Ascher Barnstone Architecture historians have generally posited Kultur and Zivilisation as oppositional values, and aesthetic categories used to “classify” art and architecture production tend to support this division: representational versus abstract art, intuitive versus rational thinking...
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
...Katrin Sieg This article examines how the original production of Feridun Zaimoğlu and Günter Senkel's play Black Virgins ( Schwarze Jungfrauen , 2006) contests stereotypes about Islamist women. Its main target is the self-representations authored by a group of female cultural brokers in Europe...
Journal Article
New German Critique (2010) 37 (2 (110)): 125–152.
Published: 01 August 2010
... of anthropomorphism and abstraction that structures modern production. Müller also considers mythical thinking itself a force of production and a technology; it is, Müller wrote, “an aggregate, a machine, onto which other new machines can always be coupled.” Both myths of labor and myth as labor converge...
Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
...Brad Prager The documentary A Film Unfinished (2010), by the Israeli filmmaker Yael Hersonski, examines footage produced in 1942 that was intended for a propaganda film. The Nazis left their original production incomplete, and its fragmentary remnants are the unfinished film to which Hersonski's...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
.... An examination of Heartfield's visual production on the ground in the Soviet Union shows how the German monteur responded to the challenge of working in the overwhelmingly affirmative culture of the Five-Year Plans, rather than simply how he was instrumentalized by others in the story of the great undoing...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
... the Cold War. This article I proposes to conceive of theory as a genre, that is, as an institution controlling the production, dissemination, and reception of texts. Drawing on the archives of the leading West German theory publishers Suhrkamp and Merve, the article follows the policies and strategies...
Journal Article
New German Critique (2017) 44 (3 (132)): 225–240.
Published: 01 November 2017
...Robert Zwarg Critical theory has had an extraordinarily productive reception in the United States, most notably in journals like Telos and New German Critique . The article, based on a larger study, sketches the American reception of the Frankfurt School as (1) an attempt to come to grips...
Journal Article
New German Critique (2016) 43 (3 (129)): 91–112.
Published: 01 November 2016
..., the occultation of the means of production, masked in Husserlian phenomenology by its static categories and reductions. Given the prominent role of physiognomy as a form of social critique in Adorno's later writings, Current of Music offers a unique opportunity to see the concept at work in its earliest formation...
Journal Article
New German Critique (2016) 43 (1 (127)): 171–194.
Published: 01 February 2016
...Kathrin Maurer Yoko Tawada's recent writings about the disasters in Japan of 2011 engage with the translatability of catastrophes. How can one translate disasters in ways that prevent “othering” and “isolating” them? How can one interpret disasters as products of cultural translation and knowledge...
Journal Article
New German Critique (2017) 44 (1 (130)): 205–216.
Published: 01 February 2017
... production of user profiles and networks. © 2017 by New German Critique, Inc. 2017 Instant Selves: Algorithmic Autobiographies on Social Network Sites Roberto Simanowski Broadcast Yourself When YouTube switched its welcoming slogan in 2006 from a self...
Journal Article
New German Critique (2008) 35 (2 (104)): 139–169.
Published: 01 August 2008
... production of post-Wende Berlin novels. Friedrich Christian Delius's Die Flatterzunge (1999), Günter Grass's Ein weites Feld (1995), Wladimir Kaminer's Schönhauser Allee (2001), and Tanja Dückers's Spielzone (1999) respond and contribute to the history and memory debates that renegotiated the memory...
Journal Article
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
... (1948) and One, Two, Three (1961). My focus is on what the production and reception of these three films suggest about Wilder's evolving relationship to postwar Germany's coming to terms with its Nazi past, and how this evolution dovetails with, in part resists but also gives comedic articulation...
Journal Article
New German Critique (2011) 38 (2 (113)): 1–23.
Published: 01 August 2011
... to the vision of history it portrays. Against the background of Peter Stein's 2007 Berlin production of Wallenstein , Moland argues that the play's lasting appeal lies in its ability to allow audiences to experience the sublime as Schiller intended: as an assertion of our agency despite the cycles of history we...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
... commentators charisma as a useful concept for understanding elements of fiction and of representation generally. Charisma is a quality of persons; aura can rise up from things, places, events, and persons. Whereas charisma of art is a problem in aesthetics, aura is a product of the individual imagination...
Journal Article
New German Critique (2011) 38 (3 (114)): 35–50.
Published: 01 November 2011
... as the product of a chain of operations in which one element is highlighted in a way that ascribes charisma to it. In the light of media theory, Max Weber's sociological approach can be put in perspective. Weber seems to ignore the “technical side” of charisma: the arrangements, stagings, and semiotic processes...
Journal Article
New German Critique (2012) 39 (1 (115)): 27–48.
Published: 01 February 2012
... life but also in cultural and literary discourses, critical engagement with recent studies of spatiality is potentially highly productive. Yet studies of Heimat rarely consider these new discourses on space, while studies on literary representations of space seldom include approaches to Heimat...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
.... Once privileged as metaphors for production, Bauhaus designs are now examined to expose the school's participation in a market economy and its interaction with consumerism. This in turn has focused attention on the school's many female students and the much smaller number of female staff. Finally...
Journal Article
New German Critique (2012) 39 (1 (115)): 113–137.
Published: 01 February 2012
... romantic relationships, undermining the monopoly of the love letter. Lewis and Hurley suggest that popular music and its technologies of self-production and consumption have not made good on their promise of a shared language but are inscribed instead as “technologies of gender.” © 2012 by New German...