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Journal Article
Jewish Revenge on the German Screen
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New German Critique (2025) 52 (1 (154)): 107–129.
Published: 01 February 2025
... Critique, Inc. 2025 post-Holocaust film heritage cinema Max Czollek The special exhibition Rache: Geschichte und Fantasie ( Revenge: History and Fantasy ) at the Jewish Museum in Frankfurt, Germany, in 2022 opened with the display of the original baseball bat used in Quentin Tarantino’s 2009...
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Journal Article
Toward an Expansion of the Critique of the Mahler Revival
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New German Critique (2013) 40 (2 (119)): 113–136.
Published: 01 August 2013
... convincing portrayal of the film, though, is the
stark detail of the involvement of unreconstructed old Nazis with the younger
generation. Their influence on the youth as Holocaust deniers who skillfully
create respectable facades puts the lie to the putative distinction between neo-
and old Nazis...
Journal Article
Too Soon and Too Late: The Problem of Archive Work in Christian Petzold’s Phoenix
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New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
... .” Mubi , February 26 , 2015 . mubi.com/notebook/posts/filming-around-the-wound-a-conversation-with-christian-petzold . Kékesi Zoltán . Agents of Liberation: Holocaust Memory in Contemporary Art and Documentary Film . Budapest : Central European University Press , 2015 . Landry...
Journal Article
Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
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New German Critique (2014) 41 (3 (123)): 179–197.
Published: 01 November 2014
... a larger corpus of feature
films that use the concept of return as a therapeutic tool.
Returning to Germany is not only an emblematic process portrayed in
artistic works but an integral part of Israeli reality. Since the 1980s many Israe-
lis have visited sites in which the Holocaust took place...
Journal Article
Rewriting the Fantasy of the “Wrong” Victim in Jochen Alexander Freydank's Spielzeugland
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New German Critique (2014) 41 (3 (123)): 113–134.
Published: 01 November 2014
... with violence
from a decidedly post-Holocaust perspective, relocating the threat to the child
from the individual child murderer to the impersonal bureaucratic murder
machine of the Third Reich.
Winner of the 2009 Oscar for Best Live Action Short Film, Spielzeug-
land tells, at a breathless...
Journal Article
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture
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New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
..., CA : Praeger , 2014 . usson H , Édouard, and Terestchenko Michel . Les complaisantes: Jonathan Littell et l’écriture du mal . Paris : Guibert , 2007 . Ingebretsen Edward J. Introduction to Frames of Evil: The Holocaust as Horror in American Film , edited by Picart...
Journal Article
Past Lessons: Holocaust Conservation and Education in Robert Thalheim's And Along Come Tourists
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New German Critique (2014) 41 (3 (123)): 9–34.
Published: 01 November 2014
...Jennifer M. Kapczynski Robert Thalheim's 2007 film And Along Come Tourists ( Am Ende kommen Touristen ) is a critique of a contemporary Holocaust pedagogy geared to generating emotion rather than to critical engagement. Drawing on Theodor W. Adorno's essay “Education after Auschwitz,” this article...
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Journal Article
Introduction
Free
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... at the University of Paderborn titled
“The Holocaust on Screen.” The syllabus included the documentary A Film
Unfinished (2010) by the Israeli filmmaker Yael Hersonski. This film, which
incorporates a substantial amount of footage filmed by Nazi cameramen and
which depicts the horrendous living conditions...
Journal Article
Resonating Trauma: Framing Conflicting Memories of the Entebbe Hostage Crisis
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New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
... by a West German–Palestinian commando and explores historical references to the traumatic memories of the Holocaust that resonated in the public perception, cinematic depiction, and commemoration of the event. Through an analysis of newspaper coverage, documentary reports, docudrama films, and attempted...
FIGURES
Journal Article
German Painting in the Cold War
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New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
...
the absence of the Holocaust or the Jewish figures in the early postwar decades
in literature, film, and painting by comparing it with their overwhelming figu-
rative presence in the memory culture of the post-1989 period. There can be
traces of presence in the absence of representation, just...
Journal Article
Searching for Evidence between Generations: Claude Lanzmann's Sobibor and Romuald Karmakar's Land of Annihilation
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New German Critique (2014) 41 (3 (123)): 57–73.
Published: 01 November 2014
... themselves, are an expression of authenticity, Karmakar encounters sites of destruction as would a naive witness. He plays the role of the interested observer, who views, as if for the first time, the traces of the Holocaust. He deliberately refuses film aesthetics as they have been shaped by Lanzmann...
Journal Article
Televising Tainted History: Recent TV Docudrama ( Dresden, March of Millions, Die Gustloff ) and the Charge of Revisionism
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New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
...,” in
Visualizing the Holocaust: Documents, Aesthetics, Memory, ed. David Bathrick, Brad Prager, and
Michael D. Richardson (Rochester, NY: Camden House, 2008), 62–85.
82 Televising Tainted History
the one hand, it signifies the specifically German postunification and post-
9/11 location of memory...
Journal Article
The Non- Heimat Heimat : Jewish Filmmakers and German Nationality from Weimar to the GDR
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New German Critique (2015) 42 (3 (126)): 115–143.
Published: 01 November 2015
... and in the new socialist republic of the 1950s, reveals a fascinating
yet understudied aspect of German national culture and of the role of Heimat
iconography in it.
Writing on the competing paradigms of post-Holocaust German mem-
ory, A. Dirk Moses defined the “non-German German” structure...
Journal Article
The Antigone Effect: Reinterring the Dead of Night and Fog in the German Autumn
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New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... , and Leaden Times are implicated in a “narrative fetish,” an attempt to reconfigure traumatic history to circumvent an authentic work of mourning. Two “tics” recur throughout these RAF films: first, a compulsive return to Holocaust images, such as those screened in Alain Resnais's Night and Fog ; second...
Journal Article
The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished
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New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
... archival images, and the earlier footage is thus doubly reframed. In the exploration of the survivors' relationship to the archival images, the film critiques and revises perspectives adopted by earlier films, particularly those that take an uncritical orientation toward iconic Holocaust imagery. © 2014...
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Journal Article
Sympathy for the Devil: Cinema, History, and the Politics of Emotion
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New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
... about
German history index not only an ongoing transformation of German cinema
after unifi cation but also a profound generational shift. As the history of the
Holocaust and the Third Reich recedes from collective into cultural memory
and the witness generation dies out, the period’s historical...
Journal Article
Reiterative Reading: Harun Farocki's Approach to the Footage from Westerbork Transit Camp
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New German Critique (2014) 41 (3 (123)): 35–55.
Published: 01 November 2014
... feature and television films that react in yet
another way to the absence of received images, with staged sets of the camps,
enacting imaginary deeds in counterfeited environments. The best known of
these are the TV series Holocaust (1978) by Marvin Chomsky and the Oscar-
winning feature films...
Journal Article
Beyond Lateness? “Postmemory” and the Late(st) German-Language Family Novel
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New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
... at this reappraisal through literary reflections of and on lateness in post-Holocaust generations, on the side of the perpetrators and the persecuted. Drawing on Marcel Beyer's Kaltenburg (2008) and Doron Rabinovici's Andernorts (2010), it explores how recent perceptions of lateness appear to be anticipated...
Journal Article
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis
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New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
... and Holocaust films ( fig. 1 ). 1 Partly inspired by an article from the men’s magazine Arena about best-dressed actors that both casually and uncritically included many dressed in Nazi uniforms, Uklański assembled film stills, screenshots, and poster images. He then isolated and tightly cropped them...
FIGURES
Journal Article
The Desk Murderer and the Corporate Executive: (Re)concretizing the “Banality of Evil” in The Specialist and The Himmler Project
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New German Critique (2014) 41 (3 (123)): 75–93.
Published: 01 November 2014
...
reemerge—whether as assiduous bureaucratic desk murderers or as corporate
executives with a corresponding work ethic. The films’ directors manage to
depict what Zygmunt Bauman once summed up in the following way: “The
most frightening news brought about by the Holocaust and what we learned of
its...
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