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Journal Article
New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... in Renaissance art and mannerism and Riegl’s focus on classical art and Dutch portraiture seem far removed from the gritty struggles of a revolutionary proletariat and from Lukács’s published writings on art—which dealt primarily with literature. It is at first glance astonishing that Lukács should choose...
Journal Article
New German Critique (2009) 36 (2 (107)): 207–230.
Published: 01 August 2009
... and social context, allowing the viewer to safely encounter her calm gaze. The viewer experiences cursory identifi cation or at least recognition, as we are in the familiar territory of bour- geois family portraiture (see GR, 106). Richter’s canvas captures Meinhof at the moment she is about...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... portraiture The Austrian filmmaker Ulrich Seidl frequently places his subjects standing or sitting at the precise center of the frame, staring out at viewers. Seidl’s works, from Good News (1990) and Die letzten Männer ( The Last Real Men , 1994) through Im Keller ( In the Basement , 2014...
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Journal Article
New German Critique (2023) 50 (3 (150)): 133–148.
Published: 01 November 2023
... ): 6 – 20 . 30. On the inability to read a nonnarrativized version of history “as it truly was” into these images or to uncover the unique interior subjectivity of the person in the image—desires typically associated with the photographic medium and the portraiture genre—see Hirsch, Family...
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Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
..., Schlegelkeller. 42. Anonymous, AIZ, June 13, 1935. 43. In general, see Richard Brilliant, Portraiture (London: Reaktion, 1991). 158  Torture and Masculinity in Grosz’s Interregnum Figure 11.  George Grosz, That’ll Learn ’Em (Das wird ihm auf die Sprünge helfen), 1935, published in the portfolio...
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... the object described, not by repro- ducing a particular photographic image but by representing or reanimating an encounter with that object. 39. Although Martina Kurz reads the poem as a poetic portrait to be compared with Cézanneʼs practice of portraiture, I would stress here that Rilke...
Journal Article
New German Critique (2018) 45 (1 (133)): 49–78.
Published: 01 February 2018
... and postcards and later continued with his collections of baroque emblems and rare books.7 Following Gerhard Richter’s aim to situate Benjamin’s corpus in the context of his “important but often overlooked acts of self-portraiture,” we can read the Rus- sian toy collection as a critical...
Journal Article
New German Critique (2016) 43 (1 (127)): 91–118.
Published: 01 February 2016
... and is dated to the first century AD: “3. Bild. Germane (1. Jahrhundert n. Chr The source reference (108) informs us that this is a terra-cotta bust from a museum in Bonn and that we are to compare, besides one other book on portraiture, the first volume of Volk und Rasse. Pre- sumably this is a bit...