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pop art

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Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... of Cold War meeting between the Soviet constructivist relief models of Vladimir Tatlin or the experiments of Aleksandr Rodchenko and the appropriated consumerist detritus of American pop art (less the smooth serialized screen prints of Andy Warhol than the assemblages of Robert Rauschenberg or Edward...
Journal Article
New German Critique (2022) 49 (1 (145)): 41–66.
Published: 01 February 2022
... in West Berlin. The second takes the topic of pop and op art head-on in a discussion led by Blumenberg for the research group Poetik und Hermeneutik. In neither does Blumenberg offer anything like a working theory of contemporary art, but his lecture enacts a performative contemporary reading of Valéry’s...
Journal Article
New German Critique (2010) 37 (2 (110)): 1–7.
Published: 01 August 2010
... founding in 1973. His first arti­ cle ever in English, “The Cultural Politics of Pop: Reception and Critique of US Pop Art in the Federal Republic of Germany,” appeared in our fourth issue and was important, even prescient, for a number of reasons. First, it announced New German Critique 110, Vol...
Journal Article
New German Critique (2021) 48 (2 (143)): 1–4.
Published: 01 August 2021
... at a moment in art history when the modernist values its author cherished were falling into eclipse and competing movements (such as pop art and postmodernism) were already ascendant. In yet another instance of the aging of the avant-garde, Adorno’s aesthetic criteria came to seem antiquated right...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
... at the time. The topic of fraying and interlocking of the arts had already been estab- lished in the 1930s and refers to more than just the time of the postmodern with pop art, happenings, and performances, which has completely taken up such frayings as its banner. Adorno’s attitude toward fi lm...
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
... history, as they both gain their autonomy in a postnominalist modernity. Yet while Blumenberg cites a surprisingly wide spectrum of topics in art, including pop art and abstraction, Barnett Newman and Paul Klee, little has been said about Blumenberg’s own conception of art history. In “A Well-Tempered...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
... Press . Diederichsen Diedrich . 2008 . “Psychedelische Begabungen: Minimalismus und Pop.” In Kritik des Auges: Texte zur Kunst , 75 – 105 . Hamburg : Philo Fine Arts . Engelsing Rolf . 1974 . Der Bürger als Leser: Lesergeschichte in Deutschland, 1500–1800 . Stuttgart...
Journal Article
New German Critique (2012) 39 (1 (115)): 113–137.
Published: 01 February 2012
... Neue Musik aus Japan (New Music from Japan, 1999), to Christian Gasser’s Mein erster Sanyo (My First Sanyo, 2003). Duve’s is unique among these novels, as it is the only one to have been written by a woman. As Ulrike Helms’s overview of these novels identifies, pop literature’s mixtape...
Journal Article
New German Critique (2009) 36 (3 (108)): 133–160.
Published: 01 November 2009
... to the pinup clichés of pop and photorealism. But by and large, the fi rst three decades of the FRG produced art that was averse to dealing with violence, even despite the terrorist atrocities committed by the Rote Armee Fraktion and Baader-Meinhof Gruppe during the 1970s. It took seven years, indeed...
Journal Article
New German Critique (2010) 37 (1 (109)): 53–74.
Published: 01 February 2010
... has observed, also tend to incite critique for dating and diminishing what could otherwise be timeless art. Yet rather than damn pop, Baßler counters such antipathy by stressing mediation writ large: “Contemporary culture, including our language and the language of any possible literature, has...
Journal Article
New German Critique (2010) 37 (2 (110)): 107–124.
Published: 01 August 2010
... and roll effortlessly wake the “city of art” from its postfascist lethargy by polarizing society. The “Schwabing riots” of 1962 function as Reitz’s only serious attempt in Die zweite Heimat to portray the exoteric pop culture as an integral part of the formation of an antiauthori- tarian movement...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... films combine a playful eclecticism with an acute sense of contemporary political issues like precarious working conditions, gentrification, and the commodification of art and culture. 38. Blumberg, “Die Stadt als Set.” 39. Linz, “Berlin-München-Berlin.” 40. During Schütte’s period...
FIGURES
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
... of the Kennedy years before the escalation in Vietnam and the mount- ing violence of the later 1960s. When it came to documenta 4 in 1968, the focus on pop and op art, minimalism, and color-field painting seemed strangely out of touch with the Zeitgeist, which had migrated into political theory, sociol...
Journal Article
New German Critique (2010) 37 (1 (109)): 75–98.
Published: 01 February 2010
.... Having gotten his start in the fi lm industry by writing scripts for the enfant terrible of the German fi lm and art scene, Christoph Schlingensief, Roehler experienced a remarkable transformation in his career.1 He initially made a name for himself as the auteur of a series of low-budget “trash” fi...
Journal Article
New German Critique (2008) 35 (2 (104)): 139–169.
Published: 01 August 2008
... abseitigen Ortes, ed. Franz Pröfener [Berlin: Campus, 1998], 17). 9. Mitteilung des Abgeordnetenhauses von Berlin, June 1992; Abgeordnetenhaus von Berlin—12. Wahlperiode: Drucksache 12/2743. 10. Sophie Calle, The Detachment, exhibition catalog, G&B Arts International, Arndt & Partner Gallery...
Journal Article
New German Critique (2017) 44 (3 (132)): 225–240.
Published: 01 November 2017
... canon from which Adorno spoke was far away from the American reality. Later phenomena like pop art seemed to thoroughly escape the simple dichotomy of high and low, and called for a more nuanced critique. “Today,” Huyssen wrote in 1975, “we must rethink the concept of culture industry...
Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
... “production play,” or Geschichte aus der Produk- tion, Der Lohndrücker (The Wagebuster [1956]) in 1988, but this term of art illuminates the work done by Müller and the actors and directors working with him on this and subsequent production plays throughout their troubled 1. Wolfgang Emmerich...
Journal Article
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
... and possible perspective of Wilder himself. What is notable from even the most cursory viewing of Death Mills is the state-of-the-art finesse of its editing strategies: for example, techniques employed most effectively at the conclusion of the film to vilify the German people. The script was written...
Journal Article
New German Critique (2010) 37 (2 (110)): 49–72.
Published: 01 August 2010
..., “The Vietnamization of World War II in Slaugh- terhouse-Five and Gravity’s Rainbow,” War, Literature and Arts 15 (2003): 95–117. 15. There are sporadic flashbacks to Depression-era Berlin from the 1930s that involve the story of Franz Pökler, who will become an engineer on the V rockets at Peenemünde...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
... commentators charisma as a useful concept for understanding elements of fiction and of representation generally. Charisma is a quality of persons; aura can rise up from things, places, events, and persons. Whereas charisma of art is a problem in aesthetics, aura is a product of the individual imagination...