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1-20 of 136 Search Results for
political cinema
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1
Journal Article
New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
...Johannes von Moltke New German Critique, Inc. 2007 Sympathy for the Devil: Cinema, History,
and the Politics of Emotion
Johannes von Moltke
Die Psychologie der Bunker ist ein unerforschter...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
..., is a kind of political exile. In our view, two aspects play a key role: on the one hand a certain politically desired economy of cinema, on the other hand a discourse that continues to narrow down the idea of what cinema is, in order to enforce or uphold certain traditions. 32 If there is one...
FIGURES
Journal Article
New German Critique (2014) 41 (2 (122)): 171–188.
Published: 01 August 2014
... political philosophy since its introduction in the mid-nineteenth century. In the end she teases out a new understanding of cinema as well as an alternative definition of the medium that suggests a new way for us to understand Hansen's investment in vernacular modernism and the stakes it involves. © 2014...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...) to a broader aesthetico-political
agenda. For Benjamin, conceptualizing such a leap in the 1930s, that agenda
could be realized, collectively, only in the play-space provided by film, only
through the mass amusement of cinema. This required him to extend “the
concept of play to the behavior...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
...-
scène and form as a polemical way to combat the impressionistic, “literary” readings of manifest
content, the editors moved on to politics and then later—when the Comolli-era politicization hin -
dered productive engagement with nonrevolutionary cinema—to try a third-way approach under
Serge Daney...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
..., 7 this highly personal approach became the dominant film critical discourse in Germany during the late 1980s and the 1990s. The new generation looked askance at the formal complexity and political activism of most art house fare and above all was smitten by mainstream American cinema. To be sure...
Journal Article
New German Critique (2010) 37 (2 (110)): 73–94.
Published: 01 August 2010
... or symbolic way with this infrastructure. Rather than based in a physical feature of its subterranean space, the reigning image of subterranean Berlin was metaphorical: the underworld of decadent Weimar culture, a subversive image reinforced during the 1920s by the political identity das rote Berlin...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... thought, literature, politics, and culture, film has played an integral role. 1 At crucial points in its history, the journal has taken stock of contemporary German cinema, first doing so in a special issue devoted to New German Cinema (Fall–Winter 1981–82). That issue probed the impact...
Journal Article
New German Critique (2014) 41 (2 (122)): 17–20.
Published: 01 August 2014
..., while
attempting to take in the resonances of its ideas for then and for now.
As Miriam has used the cinema as the unifying theme through which to
refract these intellectuals’ engagement with their contemporary politics and
social life, there are obvious parallels with the recent...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
... of Shanghai cinema in “Fallen Women, Rising Stars”
explores how Hollywood cinema helped articulate an experience of a new and
politically unstable modernity. While part of that essay is a restatement,
slightly modified, of the original theoretical framework of “The Mass Produc-
tion of the Senses...
Journal Article
New German Critique (2020) 47 (3 (141)): 7–20.
Published: 01 November 2020
... around cinema a dense web of political meaning seems unlikely to be replicated in a contemporary film culture more likely to partake of films from domestic and privatized platforms including smartphones, tablets, home cinemas, or laptop screens. Yet, as commentators from Francesco Casetti to Henry...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
.... 43. Groys, “Politics of Installation,” n.p. 42. Both Hansen and Kluge have famously argued for the utopian potential of the cinema to function as an alternative public sphere. For Hansen’s work on early cinema as a public sphere, see Babel and Babylon , “Early Silent Cinema,” and “Early...
FIGURES
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Journal Article
New German Critique (2014) 41 (2 (122)): 20–28.
Published: 01 August 2014
... and political crisis?
Note
1. Miriam Hansen, Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and The-
odor W. Adorno (Berkeley: University of California Press, 2012). All page citations refer to this
edition.
Cinema and the Legacies of Critical Theory:
Roundtable Discussion...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
...
cinema as breaking down into discrete periods, periods delineated not least
politically. As Tim Bergfelder notes, the study of German film has tended to
“condense” and “reduce” German film history to “three emblematic
moments”—expressionism, the Third Reich, and New German Cinema.2
Of course...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... and Marxism once dominated criticism until the age of Chancellor Helmut Kohl brought about the stultification of intellectual discourse, the shake-ups of the postdemocratic era have made the profession more diffuse. Today world cinema offers a way to counteract the failings of circumscribed political...
Journal Article
New German Critique (2014) 41 (2 (122)): 6–8.
Published: 01 August 2014
..., because they were not feminists, and she surely was. The female
spectator was for her a key to cinema’s radical politics.
The first time I toured the Film and Media Studies Center at the Uni -
versity of Chicago, I was in awe. The facilities were terrific, a combination of
cutting-edge...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
... scholarship on this subject Goergen
has linked Heartfi eld and Grosz’s fi lms to the broader milieu of early narrative and expressionist
cinema. Here I try to link their fi lms forward to Berlin Dada and to Heartfi eld’s subsequent
political montage. I wish to associate their cinema, in other words...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... of producers and the studio system. Neither 1950s “Papas Kino,” exactly, nor “Junger Deutscher Film” of the 1960s, Lang’s final re-émigré works maintain an uncertain status in German film history, appearing like a broken bridge between Weimar and exile cinemas and a new generation of politically minded West...
FIGURES
Journal Article
New German Critique (2014) 41 (2 (122)): 159–169.
Published: 01 August 2014
... temporality, this expanded version
of Öffentlichkeit was more of a process than a space, even a spherical one.
Central to this expanded version of the public sphere was the mass
medium of the cinema, to which Kluge paid special attention as a politically
involved filmmaker of considerable ambition...
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
...Eric Rentschler Abstract The film essays Verfluchte Liebe deutscher Film (2016) and Offene Wunde deutscher Film (2017), coscripted and codirected by Dominik Graf and Johannes F. Sievert, survey the postwar history of genre cinema in the Federal Republic of Germany and take stock of the present...
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