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poetics of reception
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Journal Article
New German Critique (2022) 49 (3 (147)): 21–41.
Published: 01 November 2022
... of the novel’s reception assumes, Weiss plays subversively with mask narration. The narrator’s selective reading of Théodore Géricault’s The Raft of the Medusa guides readers to a complex assessment of the costs and deformations necessitated by the narrator’s promise to remain part of the antifascist resistance...
FIGURES
Journal Article
New German Critique (2024) 51 (2 (152)): 79–104.
Published: 01 August 2024
... and descent), what he appears to be proposing is that the key to the “community of love” lies in submitting to a poetic receptivity that tempers the Promethean forces prone to erasing constitutive relations of difference: an inspired passivity. To be sure, this amounts to a slightly willful reading...
Journal Article
New German Critique (2022) 49 (3 (147)): 93–112.
Published: 01 November 2022
... of experience and relational narrative strategies without losing the sense of historical materiality and without subsuming experience within a concept of a self-enclosed subject. [email protected] Copyright © 2022 by New German Critique, Inc. 2022 parataxis reception of literature...
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
... engaged over the last half century. 1 Compared with the reception of other members of what one could call “German theory” in America—Martin Heidegger and Hans-Georg Gadamer, the Frankfurt School, or even Niklas Luhmann and Friedrich Kittler—Blumenberg’s has gathered momentum only slowly. This special...
Journal Article
New German Critique (2022) 49 (1 (145)): 185–213.
Published: 01 February 2022
... bears distinctive traces of his attempt at finding new ways to do philosophy after 1945. As much a departure from as a legacy of his early attempts to critically renew scholarly practice with the working group Poetics and Hermeneutics, the figure of the spectator served Blumenberg as a means of self...
Journal Article
New German Critique (2022) 49 (3 (147)): 1–20.
Published: 01 November 2022
... available by the publisher. It may not be redistributed or altered. All rights reserved. Peter Weiss hallucinatory realism avant-garde Edward Said poetics of reception Decades apart, the initial receptions of The Aesthetics of Resistance in Germany and the United States are marked...
Journal Article
New German Critique (2014) 41 (2 (122)): 97–109.
Published: 01 August 2014
...Gertrud Koch The article discusses the notion of “experiment” and relates it—via Immanuel Kant's concept of liveliness, which is a central topos of aesthetic experience—to “animation” in film, insofar as both refer to “life sciences.” Drawing on the example of Sergei Eisenstein's poetics...
Journal Article
New German Critique (2022) 49 (1 (145)): 163–183.
Published: 01 February 2022
... of the anecdote’s reception. A persistence of a fabulistic philosophy becomes therefore tangible, despite the omnipresent institutionalization of philosophical reception. Whereas the 1974 article was interested in the multifold ways the same anecdote could be retold and underlined its flexibility, the 1987 book...
Journal Article
New German Critique (2022) 49 (1 (145)): 67–96.
Published: 01 February 2022
...Johannes Endres Hans Blumenberg’s, frequently oblique, reflections on art rank among the most erudite in twentieth-century theories of art. The following investigations focus especially on his views on the visual arts as they unfold from his critical reception of Leonardo da Vinci’s art and science...
Journal Article
New German Critique (2010) 37 (3 (111)): 131–148.
Published: 01 November 2010
... of his references to “theology.” © 2010 by New German Critique, Inc. 2010 Thinking beyond Secularization:
Walter Benjamin, the “Religious Turn,”
and the Poetics of Theory
Daniel Weidner
For a long time Walter Benjamin was figured...
Journal Article
New German Critique (2020) 47 (1 (139)): 1–8.
Published: 01 February 2020
... of experience, inform Kluge’s work in any medium. This is both evident and explicit in his essay “The Poetic Power of Theory,” which appears here as conceived in dialogue with the Ithaca conference on new perspectives in creative arts and critical practice. 5 Beyond Niklas Luhmann’s second-order observation...
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... for reception, a mirror
turned this way and that, out of which all images fall. . . . that is why it is so
frightfully necessary for me to fi nd the tool of my art, the hammer, my ham-
mer, so that it may become master and may grow above all noises.”21 In other
words, Rilke is searching for a poetic...
Journal Article
New German Critique (2018) 45 (1 (133)): 23–47.
Published: 01 February 2018
... key moments in their German
reception.20 After attracting attention with his enthusiastic Sören Kierkegaard
und die Philosophie der Innerlichkeit (Søren Kierkegaard and the Philosophy
of Inwardness, 1913), Haecker brought out his translation of Kierkegaard’s
Two Ages: A Literary Review...
Journal Article
New German Critique (2018) 45 (2 (134)): 133–153.
Published: 01 August 2018
... of poetic production and reception. In Monadology Celan discovers the idea of a gradual development from dark to light, where previously indistinct shapes transform into more distinct figures, without ever reaching a state of complete discernment or abandoning the multiplicity from which they stem...
Journal Article
New German Critique (2011) 38 (2 (113)): 25–50.
Published: 01 August 2011
... ideas find audiences around the globe. He
thought instead of the differences in intellectual temperament that provided
ideas a reception in one national culture while preventing it in another. And
unlike Bourdieu, he was interested not in the global circumnavigation of ideas
but in the potential...
Journal Article
New German Critique (2019) 46 (1 (136)): 167–196.
Published: 01 February 2019
... , as a divergent but allied manifestation of a writing subject’s experience of the irrational closure of the “end in itself.” For Kracauer, the end-in-itself is a problematic form of aesthetic address and a danger of aesthetic reception. Yet a new issue arises if one entertains Walter H. Sokel’s 1993 assessment...
Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... Heidegger. By relating Malick's Hollywood career to his early philosophical studies, this essay suggests that philosophical reception transcends the academic library and the seminar room, filtering into wider cultural spheres and shedding light on an important and undeniable aspect of contemporary...
Journal Article
New German Critique (2015) 42 (1 (124)): 163–188.
Published: 01 February 2015
... of the Fishermen of St. Barbara at the intersection of modernism and workers' movement literature and argues that such literature should be understood as part of a broadly conceived literary modernism. Reorienting modernist aesthetics toward a poetics of collectivity and viewing modernity through a spatial poetics...
Journal Article
New German Critique (2006) 33 (1 (97)): 73–118.
Published: 01 February 2006
... to have
captured, the place of Auschwitz and the Holocaust in Adorno’s thought.3
Meanwhile, if a very different reception history evolves in Germany (for obvi-
ous sociohistorical reasons, but also and not least because of Paul Celan’s
incomparable poetry), it cannot be gainsaid that even...
Journal Article
New German Critique (2012) 39 (2 (116)): 119–132.
Published: 01 August 2012
... identification with both the symbolic and the intertextual models of culture. The interplay of these modes produces a new ethnographic form of poetic realism that accentuates the performative and symbolic construction of space. © 2012 by New German Critique, Inc. 2012 Psychotopography and Ethnopoetic...
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