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photomontage

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Published: 01 November 2020
Figure 9. Frankfurt standard floor plan as a photomontage in Giedion, Befreites Wohnen , 36–37. Figure 9. Frankfurt standard floor plan as a photomontage in Giedion, Befreites Wohnen, 36–37. More
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
...Misa Nikolic Apart from the work of Eduard Fuchs, there has been little Marxist scholarship on caricature and satire. This is a glaring omission, especially in light of the work of John Heartfield, whose photomontages were viewed across the political spectrum as well as across class boundaries...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
...Elizabeth Otto This essay focuses on the photomontages of László Moholy-Nagy and Marianne Brandt primarily during their time at the Bauhaus. Initially inspired by Berlin Dada's fragmentary montaged critiques, both of these photomonteurs quickly turned to a constructivist approach that placed...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
...Sabine Kriebel Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist...
Journal Article
New German Critique (2009) 36 (2 (107)): 1–4.
Published: 01 August 2009
... © 2009 by New German Critique, Inc. 2009 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Introduction The Editors Dada invented and dispersed photomontage...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... and thus a member of one of its diaspora nationalities. Despite their formal and procedural differences, both artists promoted photomontage as the premier agitational weapon of world communism and Soviet propaganda, contra the rise of documentary photography as well as various modes of realist painting...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
... and photomontage. While Dada artists had already deployed photography’s real- ism in ideologically charged photomontages during the war, postwar news- papers and photomagazines enlisted photography as but one powerful tool in a semiotic arsenal that assembled various visual and verbal devices—type, iconic...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... Europe and this avant-garde artist led to the fusion of the international reputation of Heartfield's photomontages and of Münzenberg's Arbeiter-Illustrierte-Zeitung ( AIZ ) in 1929. Consequently, Münzenberg formed a transnational network that relied unintentionally on the various publishers...
Journal Article
New German Critique (2009) 36 (2 (107)): ii.
Published: 01 August 2009
... 2009 New German Critique Number 107 • Summer 2009 Dada and Photomontage across Borders Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 The Editors A “Political...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
... photomontages, here he avoided the photographic basis of film because it lent itself all too easily to prowar propaganda. His work with George Grosz, by contrast, attempted to reinsert somatic terror into representations of the war and thereby to counter the visually sedative aspect of contemporary German war...
Journal Article
New German Critique (2017) 44 (2 (131)): 1–24.
Published: 01 August 2017
...Cristina Cuevas-Wolf The German photomontagist John Heartfield visualized Willi Münzenberg's antifascist position in the Communist Party as early as 1932 and became famous for antifascist photomontages, published exclusively in the Arbeiter-Illustrierte-Zeitung (AIZ) from 1929 to 1938. Heartfield...
Journal Article
New German Critique (2008) 35 (1 (103)): 97–126.
Published: 01 February 2008
..., the Executioner of the Third Reich”) was produced in August and contained six elements: (1) the burning Reichstag (the image was used in his fi rst photomontage for the AIZ in Prague, “Durch Licht zur Nacht” [“Through the Light to Night which appeared in May 1933 depicting Goebbels and the book burning...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... photo and film presentations so popular in Weimar media. Benjamin Buchloh has argued that Weimar collage and photomontage aesthetics displayed two distinct tendencies: one, exemplified by early Dada art, based on “the order of the perceptual shock” and the other, exemplified by Benjamin...
Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... Interregnum Figure 4.  Anonymous photomontage illustrating Willi Münzenberg, “Steel Whips, Hunger, and Barbed Wire: The Shame of the Concentration Camps” (“Stahlruten, Hunger und Stachel­ draht. Die Schande der Konzentrationslager AIZ, April 24, 1933. Photo: Department of Special Collections...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... Institution (Frankfurt am Main: Lang, 2001); Elizabeth Otto, Tempo, Tempo! The Bau- haus Photomontages of Marianne Brandt (Berlin: Bauhaus-Archiv, 2005); Otto, “A ‘Schooling of the Senses’: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt,” New German...
Journal Article
New German Critique (2018) 45 (1 (133)): 207–245.
Published: 01 February 2018
... 1929, 365, and June 1929, 435. 44. Wedderkop, “Köln bei Nacht.” 45. Haacke and Baeyer, Facsimile Querschnitt, 9, 12. 222 Art, Mass Culture, and Antitourism Das Romanische Café: The Reporter and Travel Writer In a photomontage in the Berlin Wochen-Spiegel in 1926, a year before Nicht...
Journal Article
New German Critique (2010) 37 (2 (110)): 209–227.
Published: 01 August 2010
... photomontages of Berlin’s revolutionary avant-garde were sim- ply ignored as too compromised for Cold War palates. Indeed, very little in the contradictory trajectory of German art fit the triumphalist narrative that emerged with the Cold War and secured New York’s place in the pantheon of modernism...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
...- taire” was founded), adding a boast that “[Dada] heute über den ganzen Erdball verbreitet ist” (today [Dada] is spread across the entire globe).27 This global reach is literalized in Hausmann’s photomontage of the same year, Ein bürgerliches Präcisionsgehirn ruft eine Weltbewegung hervor: Dada...
Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
...” photomontages of Raoul Hausmann, and by Fritz Lang’s Metropolis . 67 In the visual culture of the later Weimar period, by contrast, cybernetic imagery increasingly projected a technocratic, and authoritarian, myth of progress, notably in the work of reactionary modernists such as Ernst Jünger. 68 Mia...
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Journal Article
New German Critique (2021) 48 (2 (143)): 205–220.
Published: 01 August 2021
... to establishing a dictatorship. . . . It created the prism through which most of the world saw Nazism for more than a generation” (205–6). That best-selling book, replete with a brilliant photomontage by John Heartfield, and the accompanying campaign were the work of the renowned communist impresario...