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photo-illustrated magazines

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Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
...Tim Satterthwaite Abstract The German photo-illustrated magazine UHU , launched in 1924, was known for its risqué photography of the female nude. These photos offered, however, more than mere titillation: images of pastoral nudes, and of naked dancers, were a sublime expression of UHU’ s cult of...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... great undoing of constructivism. Analyzing in detail for the first time his contribution to the photo-illustrated propaganda magazine USSR in Construction —on the reconstruction of Moscow and the Soviet oil industry—the essay probes the relation of Heartfield's production to that of Klucis. It concludes...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... Party (KPD), since he was under the orders of the Control Commission of the Communist International (Comintern), enabled him to act on the new potential force of pictorial propaganda. His most popu- lar illustrated magazine, the Arbeiter-Illustrierte-Zeitung (AIZ, 1924–38), and its photo-agency...
Journal Article
New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
... York City apartment. And because of this special status, Lili later simply called it “interior photo” ( fig. 11 ). 105 Overexposed and somewhat lost, Kracauer sits among his furniture, which dominates the photographic space. Again, the light, as in the literary spatial image from the closing chapter...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... sufficient discursive space to position herself as a sort of resistance fighter whose films were “documents,” and thus “unpolitical.”30 The interview’s accompanying photos—Riefenstahl on dangerous location shoots on mountains, production stills from her turn in 26. Ibid., 132. 27. Ibid., 133...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
... neue Fotograf (Here Comes the New Pho- tographer, 1929). At the same time, photobooks offered a media-specific tool for a theoretical and pedagogical reflection on photography’s potential that could not take place in photo-reportage or the illustrated magazine. What distinguished the...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... . “Heartfield's Photo-Grenades.” Art in America 94 , no. 2 : 156 – 61 . Toman Jindrich . 2008 . “Émigré Traces: John Heartfield in Prague.” History of Photography 32 , no. 2 : 272 – 86 . Tucholsky Kurt . 1929 . Deutschland, Deutschland über alles . Berlin : Neuer Deutscher...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... Marianne Brandt was in love with him. He replied simply—and surely with an unrecorded note of irony in his voice—“whoever loves me must work for me.”1 In this essay I analyze the confl uence of ideas in the visually provocative photo- montages of Moholy-Nagy and Brandt. Photomontage has been...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... for photographic illustrations in journals as early as the 1880s, journals adopted photographic illustrations on a mass scale only in the 1920s after the emergence of telegraphic photo transmission (1907), lightweight cameras (1925), and more cost-efficient printing methods.44 By 44. The...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
...-dimensionally staged, on a handheld journal page. The closed visual space of the “image/screen” of illusion that Krauss pos- its for glossy, two-page spread, magazine photography is generally punctured in Heartfi eld’s case by photo-reportage on the facing page.39 In the instances that subtly bind readers...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... useless to anyone but the merchant. And the day does indeed seem to be at hand when there will be more illustrated magazines than game merchants.” 34 The hunters in Seidl’s film take photos that will be useful to no one but themselves. In showing the staginess of their picture taking, Seidl removes...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... memory, then memory would have to make the selection. But the fl ood of photos sweeps away the dams of memory. The assault of this mass of images is so powerful that it threatens to destroy the potentially existing awareness of crucial traits. In the illustrated magazines people see...
Journal Article
New German Critique (2019) 46 (2 (137)): 35–63.
Published: 01 August 2019
..., the reality was anything but. . . . It required something of the detective’s tenacity and attention to detail before the chosen objects could be found portrayed in ways that were both satisfactory and pleasing.” 37 This was, in other words, no randomly assembled photo album but a carefully...
Journal Article
New German Critique (2018) 45 (1 (133)): 207–245.
Published: 01 February 2018
.... Reichshauptstadt, no. 12 (1926), 2. Sign.: Z 1 148. © Stiftung Stadtmuseum Berlin of two other notable café regulars, Kisch and Leo Heller, appear in the photo- montage (–g. 5).53 As a Hungarian immigrant who had formerly written for the German-Czech Prager Tagblatt during the early 1920s, it is possible...
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... experience at the beginning of the century and the possibilities of communicating that experience through the literary project. That Rilke rarely refers to actual photos or photographic techniques confi rms only that he is not concerned with cataloging the new modern media. The descriptive passages...
Journal Article
New German Critique (2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
... rst movie criticism ever written,” consisted in large part of “summarized articles from fi lm trade magazines” (Genêt, 39). 108 Flanner’s Führer Profi les for the New Yorker we have got Mussolini to write for us.” Ross’s reluctance to offer “serious arti- cles” illustrates much that is...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... photograph of a wall advertisement for 391, the magazine published by fellow Dadaist Francis Picabia. Figure 1.  Raoul Hausmann, Dada siegt (1920). © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris. Private collection, courtesy Neue Galerie New York. Photo credit: Neue Galerie New York...
Journal Article
New German Critique (2009) 36 (3 (108)): 133–160.
Published: 01 November 2009
... of the photographs, a woman holds an umbrella on which the words “Abolish the German Army” (Bundeswehr abschaffen) are legible. The bottom photo- graph in particular (fi g. 2) seems to have been an obvious inspiration for Why I Am Not a Conservative. The fi eld marshal intercepting the near...
Journal Article
New German Critique (2007) 34 (2 (101)): 1–26.
Published: 01 August 2007
... narcissistically media-obsessed continue to be in German culture. Emblematic of retrospection in the form of retro consumption was the flurry of media attention to “Prada Meinhof” fashion following the publication of a particularly crass photo spread captioned anachronistically to indicate impeccably dressed...
Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
... (22 7/8 × 19 1/8 in). Saarlandmuseum Saarbrücken, Stiftung Saarländerischer Kulturbesitz. Photo credit: Raphael Maass. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 2. Die Witwe (Widow), by Otto Dix, 1922. Ink, watercolor, and pencil on paper, 58.0 × 48.5 cm (22 7/8 × 19 1...