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photo-illustrated magazines

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Journal Article
New German Critique (2019) 46 (1 (136)): 197–228.
Published: 01 February 2019
...Tim Satterthwaite Abstract The German photo-illustrated magazine UHU , launched in 1924, was known for its risqué photography of the female nude. These photos offered, however, more than mere titillation: images of pastoral nudes, and of naked dancers, were a sublime expression of UHU’ s cult...
FIGURES | View All (12)
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... of constructivism. Analyzing in detail for the first time his contribution to the photo-illustrated propaganda magazine USSR in Construction —on the reconstruction of Moscow and the Soviet oil industry—the essay probes the relation of Heartfield's production to that of Klucis. It concludes with a brief...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
... offered a media-specific tool for a theoretical and pedagogical reflection on photography’s potential that could not take place in photo-reportage or the illustrated magazine. What distinguished the photobook is not simply that it provided accounts of the world that privileged visual over...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... was under the orders of the Control Commission of the Communist International (Comintern), enabled him to act on the new potential force of pictorial propaganda. His most popu- lar illustrated magazine, the Arbeiter-Illustrierte-Zeitung (AIZ, 1924–38), and its photo-agency, the Vereinigung der...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
...-Illustrierter-Zeitung (Worker’s Illustrated Journal; AIZ) between about 1929 and 1938. Much of this work was conducted in exile in Prague, where both Heartfield and the magazine were forced to relocate in 1933. At its height the AIZ attracted a wide audience, with a circulation of up to several hundred...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... of photographic reproductions made available in the Weimar Republic’s burgeon- ing illustrated press. She drew on such periodicals as the fashion-conscious Die Dame, the literary magazine Uhu, various fi lm journals, and, more than anything else, Germany’s most popular illustrated paper, the Berliner Illus...
Journal Article
New German Critique (2019) 46 (2 (137)): 35–63.
Published: 01 August 2019
..., moreover, such publications are referred to as photo-essays , 8 a term that conveys their discursive character but is usually taken to include short articles in illustrated magazines or newspapers as well. 9 Nevertheless, since I am dealing with books that consisted primarily of photographs...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
..., unstable apprehension of the world. Characterized by a continuity of surface, these photomontages are bound into (and thus integral to) a mass-circulation journal, in critical dialogue with the photo-reportages that preceded and followed them—occasionally in content but primarily through imitating...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... is so powerful that it threatens to destroy the potentially existing awareness of crucial traits. In the illustrated magazines people see the very world that the illustrated magazines prevent them from perceiving. . . . Never before has a period known so little about itself.28...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... the emergence of telegraphic photo transmission (1907), lightweight cameras (1925), and more cost-efficient printing methods.44 By 44. The first printed photograph in Germany appeared in the Illustrierte Zeitung in 1883. On the emergence of the illustrated press, see Dominique Gaessler, “The Spread...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... and feel of the French jour- nal. It began to have cover photos, often in color and often of the scantily clad heroines of contemporary European art cinema (Claudia Cardinale, Catherine Deneuve, Swedish beauties, and Godard’s muses); in some instances, the cover images of the two magazines featured...
Journal Article
New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
... “Photography,” using the example of a single image from an illustrated magazine, that the medium “is bound to time in precisely the same way as fashion.” Here Kracauer points to the familiar phenomenon whereby details that might have been unremarkable and unnoticeable when the photograph was taken become...
FIGURES
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... as it con- cerns how photographic techniques (re)form our understanding of the world and its communicability, to suggest how Rilkeʼs own work can be read as a response. Kracauer begins his essay by contrasting two photographs—a contempo- rary photo of a “fi lm diva” from an illustrated magazine...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... returns home with great piles of artistic shots is in fact no more appealing a figure than the hunter who comes back with quantities of game that is useless to anyone but the merchant. And the day does indeed seem to be at hand when there will be more illustrated magazines than game merchants.” 34...
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Journal Article
New German Critique (2020) 47 (3 (141)): 99–140.
Published: 01 November 2020
...-level dwellings, a new type of housing was propagated in newspapers, magazines, exhibitions, films, guidebooks, and advertisements. Siegfried Kracauer, architect, journalist, and author, also became engaged in this debate, willfully reinterpreting New Objectivity’s aesthetics of things ( Dingästhetik...
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Journal Article
New German Critique (2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
..., Flanner’s ambivalent fascination with 1930s and 1940s political topography and its volatile protagonists helped usher the New Yorker’s transformation from an elitist, self-refl exive magazine to one whose unfl inching journalism reported with great urgency the atrocities of World War II to an American...
Journal Article
New German Critique (2022) 49 (3 (147)): 65–91.
Published: 01 November 2022
... has purchased in a secondhand bookstore and is eager to show to his friend. They head toward the outskirts of the city, where they sit down in the shade of orange trees. Soon, they are absorbed by an issue of Cahiers d’art featuring Picasso’s Guernica . The magazine carries reproductions...
FIGURES
Journal Article
New German Critique (2018) 45 (1 (133)): 207–245.
Published: 01 February 2018
.... Just as lit- erary reportage moved noticeably closer to the guidebook genre during the 1920s, so did press illustration, which acted as a compelling way to decon- struct the sensual framing of the city through the types of maps and the photo- graphs often found in mainstream guides. 72. Ibid...
Journal Article
New German Critique (2009) 36 (3 (108)): 133–160.
Published: 01 November 2009
... of the new fauves, and the legacy of socialist realism, I debunk many commonly held myths about leftist art and illustrate how intensely problematic such art has become. © 2009 by New German Critique, Inc. 2009 Daniel Richter and the Problem of Political Painting Today...
Journal Article
New German Critique (2021) 48 (3 (144)): 141–163.
Published: 01 November 2021
... and knowledge of grammar, complete with linguistic jargon, is impeccable. That he never adopts his delightfully symmetrical and user-friendly Neudeutsch (other than to illustrate the new grammatical rules) is also no mitigating factor, and it is irrelevant that Khider has gone so far in his cultural integration...