Skip Nav Destination
Close Modal
/10.1215_0094033X-7546234/11/s_ngc7546234figure1.png?Expires=1729075821&Signature=KGtiRiImwxuUgVS4FYLfduuDytSTXUzBkBlYdQpQoJN1PmXuRYI7PMqRyes6GuoS5TnIN-LxZE4B9f3R6QwVh9q6ia8fa~Bz07nqXVarW77ZC-ynwjmxYJmaogfSSqSWpgnc-mBCe9xqHkWxhhaM3ncVnvSVumQjOngKnKi2MYZ4Eg7Iy-lbPIGnoaEigJM1PnEjar5PC0YR44NTv3iJOTK7GfMf3DklkHixs9XblxeUmztstZKaOdh2uYG2Ouy2bj1KK~KUEhYRpFIVNEINJhoDbNiSNUA4qDQtZTrc596duIXrSVHmaEMvZT1sJ53LIVO1L1qmFQpsv1NsIqHYow__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7546234/11/s_ngc7546234figure2.png?Expires=1729075821&Signature=G0VjeXFWncwCHW1rthLWwf9X7GQARR6gidwK0IaLXHV30B98qbs73pEOafMhEt7Suw-nRKDG-UVpgt1gJmma9WKVXBlUd4-WxDhB9ahlFPnPu3dk9j06EdPLsstrw28Yw2Y8jpYyAhdlW4Ib-xFAjo~4DoLvOVBV7dG~FwctwYy2D3lmpNwC6ZBybns~O0A9B-n4HaVDbki3HtijAeb6ix~dBe9pBCM6M67QL3LjyjvmmbxMcgCAlnEb0VlsYcumLmTO-Tex9yOVipbm4tYZSJLZ0Ra0YDh5A67t5GkGMn~9RwrL9BNzVAKLparKNIX-vk8Z61SngbdcHapKl1L2OQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-7546234/11/s_ngc7546234figure3.png?Expires=1729075821&Signature=KbMFomlRWfKMIYQ8HuOMoH-6oWf-gsz2ejhNf90pnZLA2NwpylFKs7ldaiodZlbq3qTZuviE9L~Y5xklMdTOCI8BFlOOySQ5X5-T5i9SXazJtQ6nSrTFIEzEWhbPDRKVXq616zZk2xrb642lnTV0fd2fF70rfKrg9~jk5ReOVSsG-mLBqhu6l7xilkUCZj02H0g9MQhPPOK08AQxFzJyPChZN6NsMEQ2pnsOdV7U0QKMhI4lDPQozuUBiniCZZLESTvq~hkxRiRcMAGlAVYUNA-q4wZzFpOH4UhNw9kXpZzl687Kj05Jn4zMQy8ymiq2TW40z8CCkNapCLb0ejRafA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-10926495/1/s_ngc10926495figure1.png?Expires=1729075821&Signature=dRjYuIWwQGVelsQm~SS0H4d~mfdYVjnDFMeqeQfdDNqDjDIKkTqbIDZ-8YP5Jd8HAY1t6QGWBY6J-K0sbwXmr-VdVt30PO2reA5vVaxCUyjvWO3cztmRwLgDfONfzfwHMPDV0lHnTEcscwnFnvs3b0tfTuRUtKN86q8eHDgGzumu7~UXRBtY-GOh1KViw9fIX5ehJ~ADMGZdGzV6i0I1S0RgCVvehRxMd~cbbkkQakIwte5KiUS~PrmydPPzai~-pDvRfuQqn1oxIZeEWgTka8L0UHCZYGpww3N0LX5gpuY5EhFRI9MuKSu7WfyVYrHGiTfnAqaVFHAZCXLKdRybNA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-10926495/1/s_ngc10926495figure2.png?Expires=1729075821&Signature=SXoZ7oY3PEVSr997jRDQHxxJK6aM7MQdn9FYMZHnp~~UZASKgMlh4Qn3KsRB0A8BI6qduxTXjvyve9UAUid4bocGUYlD~czTw~0Eqyd7HbGlvSshHFz6RA3nUDSv855qNxuL9L~PKT8zHDgP47QbxMyjrX8ZgGDS8s85BSeYJIT16MYG3UrCir875a9Q7qeaww8nNAZs7xXTH4bFePtMW8r0~eEEYD5YBp58CvgYkTnZSb25sqYh6hGhlIJf6Z8B07Gv-YLwoNvNNXBVNSQpeM8tnDRc96ldl~hOTIrZhBlfgpWqo2CKCLLNZ~4cEK8DfQb22jfg-hJDUoRT6bPAVw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-10926509/1/s_ngc10926509figure1.png?Expires=1729075821&Signature=R6AsheTLENgXZlLVCvvcNoxIf8pN1~i7zUVKiIS5VfMNoVnwCZJk1SedS0PGIV5tiQfXpLLSMB0dfKiCEf5US0~pGkFUMrwL~X~Y0Q0Rd5ZejM-2jjBP8EN~cZu3aEYUlYFX3qWpBi8ML2whaoIDoYbCc~OvQkQ64m~~6gjiQrWX5m0ooiZJtshjJarpIlEhMYmIj8ddy9HByedb0c2e~00-6yNB86HtuLlX3zjBtX0x3z7tJSjd2RtLJ31aPmu2NRFOKq1AL9HbNIvAnCSzI~GBYkbyTq9A1psiZdfbPz1BTkHnE0qphnvewstzufbk60mwUJ2FVwCcLc99n7BGmg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-10926509/1/s_ngc10926509figure2.png?Expires=1729075821&Signature=ou0jbwJVfGt53Q6HNr7fIIBs8GvckLkc0f4l55XTaSa5DU7FJiDxq5IRvN-UkgD1Vn2ih09v1sneoxVHo9FVZ0jlgvEhNtJl6hkveUpiOJbdfiyPpe-GJCqEH9Mz~6qxSQY~EM~6PsVRLlktJZn3PsWvvAdinJK2t6ZcskiSOCFEjuzj5S6e6s1Ih6wnHMuHOQ3pQ4bA64kj6FpWCSCFb2-zuUXgdTwEF3iPyqrKUVfjjmC-k6pU-pCabtoANF7GXLB6djX02mTzrFKaCGXXl2I4iErqpsAog0HmzkdZqWmFIqdcSBRfJHsYn~r0yPMtBb7uY8SPsfCYljhHqxc4fw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
/10.1215_0094033X-10926509/1/s_ngc10926509figure3.png?Expires=1729075821&Signature=RNd66T7we0uW~x0YtQe2RKYWX3cQqo~Q7n2Xw7at5-3cIxPgnfeTNASCNOsX37svGZaGZk8LM22yI5D1I6Uo1gBPHAS-1z7Z-6FENYkP9IOyDvmUaBbnpGNah9CPH9ZzNKOJWh6IHm4yaw-2BCbSMe0UGEUZqDf2mi9R97g2m~5lWc5CUdk1RbL6VCnYkgj5BWGsQuvrdsO8oThMkuj-TycIJw2iSUiJXwLC9oyAtOTafoOr6KB-FVqRfqnl9~ht8f39fMwK2Q7neyLcb418wdVYctGDwSfKMVj86mra2wYvS8Gw2VZP8wA2bWpGiUiqQocbv2E0YOK~zVy7pqqPiw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
1-20 of 98 Search Results for
perpetrators
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
New German Critique (2019) 46 (2 (137)): 65–89.
Published: 01 August 2019
...Or Rogovin Abstract The image of the perpetrator in Israeli Holocaust fiction changed fundamentally in the mid-1980s: from one-dimensional Nazi beasts, typical of earlier Israeli writing, to humanized individuals, whose vulnerability and multidimensionality may blur the divide between victims...
Journal Article
New German Critique (2007) 34 (3 (102)): 75–86.
Published: 01 November 2007
...Margrit Frölich New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Perpetrator Research through the Camera Lens:
Nazis and Their Crimes in the Films of
Romuald Karmakar
Margrit Frölich
Talking...
Journal Article
New German Critique (2009) 36 (1 (106)): 1–19.
Published: 01 February 2009
... perpetrator as a reliable historical—and even moral—witness of the Holocaust. Whether one admires Les bienveillantes or loathes it depends largely on how one responds to this improbable combination of perpetrator and reliable witness. One problematic aspect of the novel is its use of the Oresteia theme...
Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
...Susanne Luhmann Literary and cinematic representations of private and familial histories of Nazi perpetration, collaboration, and support have proliferated since reunification. Three recent German documentary films each turn the lens on the filmmaker and his family in an effort to grapple publicly...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
... were the Nazi perpetrators rendered as “sympathetic” family men by stars such as Rufus Sewell, as in the recent TV adaptation of Dick’s novel. Clearly, important changes in the representation of the Nazis and cannibals have occurred in popular culture between the 1960s and the present...
Journal Article
New German Critique (2009) 36 (1 (106)): 35–60.
Published: 01 February 2009
...Michael Mack This essay both contributes to Hannah Arendt scholarship and attempts to understand the mentality of the perpetrators of the Nazi genocide. It does so by analyzing how Arendt's Eichmann in Jerusalem grew out of her effort to come to terms with the particular and unprecedented aspects...
Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... Hitler's appointment as Reich chancellor. Grosz's drawings, compared with other representations of the camps in the mainstream press and by left-wing artists, are distinguished by their treatment of the masculinities of both the perpetrators and the victims. Gay Nazis, frequently evoked by the left-wing...
Journal Article
New German Critique (2019) 46 (2 (137)): 171–195.
Published: 01 August 2019
..., empathetic, and ethical engagement with the past. This makes them a particularly provocative means of engaging with the figure of the perpetrator and with questions of guilt, responsibility, and agency. This article reads reenactments by Romuald Karmakar and Milo Rau as challenges to a teleological...
FIGURES
Journal Article
New German Critique (2009) 36 (1 (106)): 21–34.
Published: 01 February 2009
... as a portrait of perpetrators in all their human complexity. New German Critique, Inc. 2009 Translated by Timothy Nunan On the German Reaction to Jonathan Littell’s
Les bienveillantes
Klaus Theweleit
The Jewish Twins
Monsieur Coutard...
Journal Article
New German Critique (2014) 41 (3 (123)): 75–93.
Published: 01 November 2014
... directors thoroughly inscribe their Nazi perpetrators into contemporary settings, presenting them, in Boris Groys's terms, as heroes of the present age. This article examines how each director relies on stylizations of trial footage, which is here digitally manipulated, as well as on the reenactment...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... Traudl Junge, and the families of Nazi perpetrators. Drawing on theories of shame developed by Emmanuel Lévinas (1935) and Ruth Leys (2007), it demonstrates how these films perform a move away from guilt in the juridical or moral sense and toward shame as an exposure of the psychological and emotional...
Journal Article
Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
New German Critique (2014) 41 (3 (123)): 179–197.
Published: 01 November 2014
... for the analysis of three films and informs the investigation of the wider cultural and historical contexts of the return. Two of the films bring their protagonists to Germany to face the descendants of the perpetrators. The encounter with Germany and German characters initiates an emotional process that may...
Journal Article
New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
... at this reappraisal through literary reflections of and on lateness in post-Holocaust generations, on the side of the perpetrators and the persecuted. Drawing on Marcel Beyer's Kaltenburg (2008) and Doron Rabinovici's Andernorts (2010), it explores how recent perceptions of lateness appear to be anticipated...
Journal Article
New German Critique (2023) 50 (1 (148)): 155–178.
Published: 01 February 2023
...Yaniv Feller This article offers a new reading of Jean Améry’s idea of resentment, identifying resentment against time as another dimension of the concept alongside resentment against the perpetrators and the willingness of society to move on. This new facet of resentment is elaborated by showing...
Journal Article
New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
... fascination with and glamourization of Nazism. However, the formal mechanisms of Uklański’s work remain undertheorized. This essay offers a reading of The Nazis and Real Nazis that locates the aesthetic politics of these two products of the “perpetrator turn” in Holocaust studies and memory studies...
FIGURES
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... von Keitz
This article examines how the portrayal of Nazi perpetrators in German fi lms
changed over a thirty-year period from the end of World War II. The fi lms
selected are intended to facilitate the description of different modes of narra-
tive and representation, highlighting the various...
Journal Article
New German Critique (2019) 46 (2 (137)): 197–220.
Published: 01 August 2019
... as a murderer because he has not done it out of inclination but in his professional capacity. Out of sheer passion he would never do harm to a fly.” 31 Himmler’s murderers here seem “banal” indeed. I would argue, however, that this similarity is deceiving: in Arendt’s discussions of Nazi perpetrators...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
... Diagonale Film Festi-
val in that same year, is based on the eponymous novel by the Austrian writer
Josef Haslinger.14 It links three family stories: that of Jewish victims of the
Shoah, that of a perpetrator, and that of an Austrian family whose social milieu
Haslinger paints quite precisely...
Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
... images that objectify the Jews
and contain evidence meant to support racializing stereotypes. It was a motion
picture made by the perpetrators, and the film was part of their genocidal proj-
ect. Whether or not one considers cameramen perpetrators, there is no denying
that German film from Leni...
Journal Article
New German Critique (2024) 51 (1 (151)): 173–205.
Published: 01 February 2024
... the transnational character of the Holocaust and other Nazi crimes perpetrated outside the “Ostmark.” The section devoted to Mauthausen, the largest concentration camp on Austrian territory, thoroughly describes the history of the main camp and its subcamps, the perpetrators, the prisoners, and the liberation...
FIGURES
| View All (5)
1
