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performance space

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Journal Article
New German Critique (2022) 49 (2 (146)): 77–106.
Published: 01 August 2022
...Juliane Schicker This article deals with questions of the sociopolitical involvement of classical music performance spaces. During the last twenty years of the German Democratic Republic (GDR), the Gewandhaus in Leipzig provided opportunities for its users to emancipate themselves from Socialist...
FIGURES
Journal Article
New German Critique (2016) 43 (2 (128)): 153–176.
Published: 01 August 2016
... tale foreground the ineluctable force of viewpoint in any narrative performance of ecocatastrophe. As such, it exemplifies how narrative fiction can provide an imaginative space of reflection to investigate both the complex causality of hybrid natural-cultural disasters and different modalities...
Journal Article
New German Critique (2012) 39 (2 (116)): 119–132.
Published: 01 August 2012
... identification with both the symbolic and the intertextual models of culture. The interplay of these modes produces a new ethnographic form of poetic realism that accentuates the performative and symbolic construction of space. © 2012 by New German Critique, Inc. 2012 Psychotopography and Ethnopoetic...
Journal Article
New German Critique (2012) 39 (3 (117)): 135–153.
Published: 01 November 2012
... in shaping them and about the subsequent transformations of the narratives. The evidence points to the importance of both Allies and Germans as actors, to a powerful dialectic of the rubbled space where myth formulation and claims to legitimacy could be found in areas such as housing allocation...
Journal Article
New German Critique (2019) 46 (3 (138)): 79–101.
Published: 01 November 2019
... space as performance space and all people as performers. In this respect, situationism postured as the ultimate development of twentieth-century experimental theater, the energies of which had been dedicated to the integration of players and audience, of performance space and spectator space...
FIGURES
Journal Article
New German Critique (2014) 41 (2 (122)): 83–95.
Published: 01 August 2014
... Faces, they improvise, use everyday objects as props, and enact a performance that is simultaneously play and theatricalized menace. They enact both ethnic and gender masquer- ades, exploding ideas of authenticity. In negotiating space, and asserting their control over events, things...
Journal Article
New German Critique (2020) 47 (3 (141)): 7–20.
Published: 01 November 2020
... space that frames the image and endows it with historical meaning and sense. 10 Unlike Kracauer, however, for whom the human body is only one among the multiple elements of physical reality that “we did not, or perhaps even could not see before [film’s] advent,” the body becomes for Balázs...
Journal Article
New German Critique (2022) 49 (1 (145)): 11–39.
Published: 01 February 2022
... insight and performance, which it shares with rhetoric and technology. Semantic space was always artificial. But if AI can easily slip into the stream of rhetoric, become relational, and even locate itself in a meaningful “situation,” then where is the dividing line between artificial and human...
FIGURES
Journal Article
New German Critique (2008) 35 (2 (104)): 1–31.
Published: 01 August 2008
... is the only requirement for a genu- ine instance of a work, the most miserable performance without actual mis- takes does count as such an instance, while the most brilliant performance with a single wrong note does not. Could we not bring our theoretical vocab- ulary into better...
Journal Article
New German Critique (2019) 46 (3 (138)): 103–124.
Published: 01 November 2019
... . Auslander Philip . Liveness: Performance in a Mediatized Culture . London : Routledge , 2008 . Benjamin Walter . “ Erfahrung und Armut .” In Illuminationen , edited by Unseld Siegfried , 291 – 96 . Frankfurt am Main : Suhrkamp , 1977 . Benjamin Walter . “ Excavation...
Journal Article
New German Critique (2023) 50 (3 (150)): 93–107.
Published: 01 November 2023
..., “From Psychogeography to Hanging-Out-Knowing,” 317 . 27. Merritt, “Black German Poetic Ecologies,” 374 ; Campt, “Performing Stillness,” 162–63 . 28. Stanišić, Where You Come From , 124 (hereafter cited as W ). 29. Vidler, Architectural Uncanny , 174 . 30. Stahl...
Journal Article
New German Critique (2008) 35 (2 (104)): 139–169.
Published: 01 August 2008
... experiences in an act of meaning attribution.26 A layered perspective of time is performed in the text both through the protagonists’ exploration of the city as well as their singular confrontations with Berlin’s unique spaces offering them “an opportunity for discursions in the historical panorama...
Journal Article
New German Critique (2010) 37 (1 (109)): 147–185.
Published: 01 February 2010
... their arrival and integration pose to native Europeans. The interdisciplinary concept underlying Beyond Belonging now informs the reopened Ballhaus Naunynstrasse in Berlin-Kreuzberg, a performance space whose artistic direc- tor Langhoff also runs the festival. Çelik, who directed Black Virgins and who...
Journal Article
New German Critique (2022) 49 (2 (146)): 49–75.
Published: 01 August 2022
... to Nietzsche, Rosenzweig regards this lack of purity as Wagner’s “achievement.” For Rosenzweig, pure drama is not an elevated form but an abstract idea; thus it is meaningless. When the drama is performed onstage, it leaves the ideal space and enters reality, where it can fulfill its purpose of uniting people...
Journal Article
New German Critique (2014) 41 (3 (123)): 9–34.
Published: 01 November 2014
... argues that Thalheim offers an alternative approach to the Holocaust through an innovative aesthetic treatment of the space of Auschwitz as both a historical and a contemporary site. Yet in his zeal to avoid duplicating iconic images of the camp, Thalheim fails to generate a new representational scheme...
Journal Article
New German Critique (2018) 45 (3 (135)): 39–72.
Published: 01 November 2018
... and the mountains—and bring these into “symbolic space” in order to “incorporate them into the image stock of humanity.” This is, Benjamin makes clear, a pedagogical task, recalling the educative function of the children’s performances: “To educate the image-making medium within us” ( AP , N1, 7). What the utopian...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
... University Press, 2009). Benjamin had his own pedagogical proposals that cut against the grain of “bourgeois education theory”: in his “Program for a Proletarian Children’s Theater” (1928–29), for instance, he argues that in “relation to the process of schooling, the performance is like the radical...
Journal Article
New German Critique (2014) 41 (2 (122)): 171–188.
Published: 01 August 2014
... was the rising attention to display. Media performance (yongyiqi biaoyan) and exhibition were listed as legitimate categories of com- munication. The techniques of display turned media technologies into attrac- tions and material constitutions of social spaces. By vertically arranging printed media...
Journal Article
New German Critique (2006) 33 (2 (98)): 101–133.
Published: 01 August 2006
... to break it down. The revue fi lms and the melodramas built around performance, on the other hand, challenge that separation both narratively and formally, even if the ideological implications of their plot resolutions sometimes point to a traditionally gendered division of space. But as Rabenalt...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... to continue developing but also revise practices he first engaged in other media. The so-called white-cube exhibition space presents Kluge’s earlier works in terms of remediation and provides him with an opportunity to employ and reconceptualize his approach to montage techniques and reception aesthetics...
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