Search Results for parataxis

... of experience and relational narrative strategies without losing the sense of historical materiality and without subsuming experience within a concept of a self-enclosed subject. [email protected] Copyright © 2022 by New German Critique, Inc. 2022 parataxis reception of literature...

... the discussion of Adorno’s “Parataxis” in the article “Il faut” (1992),11 and the “Remarque sur Adorno et le jazz” (1994).12 The Common Theme: Critique of Religion as Fascination Our time, deprived of transcendent belief, increasingly falls into various forms of immanent religion. The critique...

...,” although much of what follows is informed by Böschenstein, Hölderlins Rheinhymne . 25. Hölderlin, GSA , 2.1:121–98. See also Hölderlin, EL , 216; and HSW , 5:327. 26. Hölderlin, EL , 216 ; Hölderlin, HSW , 5:328. 27. Adorno, “Parataxis: On Hölderlin’s Late Poetry,” 127...

... as a constant touch­ stone for Adorno’s aesthetic meditations, provides a case in point for the pre­ dicament of allegorical or figurative reading. In “Parataxis,” Adorno claims that while “Hölderlin’s poetry, like all rigorous poetry, requires philosophy in order to bring to light its truth content, any...

... the novel’s form and its orientation toward the future is at the center of Kaisa Kaakinen’s contribution “For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking.” 26 Following Jameson’s discussion of affect and realist writing, Kaakinen examines how...

... to emancipation than any utopia or dystopia could ever become. References Adorno Theodor W. 1991 . “ Commitment .” In vol. 3 of Notes to Literature , translated by Weber Nicholsen Shierry , 76 – 94 . New York : Columbia University Press . Adorno Theodor W. 1991 . “ Parataxis...

...), parataxis over hypotaxis.41 They achieve this by organizing themselves—borrowing a means from Arnold Schoenberg’s twelve-tone music—as equidistant from the center. Texts constructed in this way are essays.42 One could—with a nod to Heinrich Mann’s conception of the novel—call them a “poetry...

.... Similarly, there are variations, but thematic variation when it occurs is subject to parataxis, the variations being mere variants of one another (GS, 13:233–39; see also 16:334–35). Sonata structure may also be called on, but Mahler’s ironic use of it reveals its nature as a useful “pattern” (Muster...

... to be written into being. 12 As the sentence slowly unfolds before the reader’s eye with each parataxis and doubling back of kommen and gehen , so Celan’s mountains take shape as well. Several critics have suggested that in “Gespräch” Celan attempts to create a stable subjectivity—an “I” that can...

... spectrality and partly because the text’s parataxis resists linear ordering. The angel occupies a center that does not hold. Waiting at the center of this fragmented text, the angel thematizes the rest of the theses around its deferred appearance without submitting them to any apparent telos. The ninth...

... on hierarchies. Whatever their intent may be, and surely we are meant to view them as benevolent equalizers, Derrida’s lists, Latour’s ANT, and other paratactic forms of analysis do not make the world a more equal place. On the contrary, such parataxis disables the abolition of real-world hierarchies by making...

... textual passages in Mimesis are arranged by “das Prinzip der literarischen Montage” (the principle of literary montage) (“Auerbachs Ernst,” 185–86). On Auerbach’s use of parataxis in his prose, see Mimesis (1971), 112. Auerbach’s account of the seri- ality of images in the Chanson d’Alexis adopts...