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Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
... unfairly associated with prostitutes. Otto Dix, a Neue Sachlichkeit artist, was aware of the postwar ambiguity between “respectable” and “fallen” women. In a watercolor of a veiled widow, Dix engaged the elision of prostitutes and widows by visually implying she has syphilis, a disease that caused...
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Journal Article
New German Critique (2020) 47 (2 (140)): 81–106.
Published: 01 August 2020
... on the complicated relationship between Otto Kirchheimer and the core of the Frankfurt School group on this issue. Kirchheimer’s biographical episode with the group exemplifies both the failure of interdisciplinary collaboration at the Institute of Social Research and the inability of its members to develop a joint...
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/10.1215_0094033X-6684135/8/s_ngc6684135figure1.png?Expires=2147483647&Signature=ou39zbFc-t1KBje8BHikNz-J5fL2sKbygiSd306cXsyIUbbfofw51i1Xuk-xHe0g-3W5vpYfg0fL6QzzXckUlLZBGc8jJIBj2rVL1ykYUxSsrYy~YVPMELHav75Zpqv8tnDX9yXbfDKbOek5g5fK3LeuP9d73UqufIebXFeV7fwpHUHtg~l1HBrfY-dV61ZlxJ7Y90M226xMGzJP2JTaifgpFISWCh~baOT346abWvaXcQhwYk6jUMGGVUtQBmRIC-2-rLwS4aIaLDeZ1tgDYct1FjZSIbu8tGnR1DrtfTCHYAvM9ETYJj7uJrVCgSCGkeItrGdsaAcClG5r9tZgoQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 1. Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Image
/10.1215_0094033X-6684135/8/s_ngc6684135figure2.png?Expires=2147483647&Signature=eJCMWg-JBgGeLoRgRyHw0Y2Fih7uWBZO-QGUgjGpwy1pgB~iMOYQuQ1TPbrt19atZZ3WLLAQZAHSxzkgyATyfBempRvueTL~2lWBE3YaaZGaUrZBFQ8i8rMI7yOGehM-LY62kRjXZQNkwMPOuNE44ydv5Vy~W2nLmgcJLixwejEJbRcSuIu0-8C1ibOoabvdupoqv4HDoy4jzdq-~Z6T-~KR~JfM06SlfB37LM7wzcANRvMAmn0~ZPYwRYWHT4bFCHuiQn7M-QMlew1vZEmsl5eDmraUtid2uf28hBmZs9dya4MP2Yld~b4eIrIEhkwwzfwDUPprHjr1vZ6DMv3K7g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 2. Die Witwe ( Widow ), by Otto Dix, 1922. Ink, watercolor, and pencil on paper, 58.0 × 48.5 cm (22 7/8 × 19 1/8 in). Saarlandmuseum Saarbrücken, Stiftung Saarländerischer Kulturbesitz. Photo credit: Raphael Maass. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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/10.1215_0094033X-6684135/8/s_ngc6684135figure3.png?Expires=2147483647&Signature=zb0KUgGTjDpL7mlyyiYGTX-6obvqllCp-0cayzqULPjyXm727fe2Nk0oEsq0X7DplAIdOYl11hTuvp-Pk-EbF7nTxDtAkietVxbl5GOtnT03o9lFx2n9cSlWzN8ffOEIOJMqh3B8-YZBQ6t~nKpVh2KXrFh2aUGlEfeyobpWzX~ZaYJNjM0P4faIhAfmoW-kPJ5BEpeq8QyzIcfCE29c4gSTQBf0~PRpLRxVQNwnd-WVDFg-OmVE97a~pvHgD2AwuYTRvfnrBbzRtpIYAsrRScdc8ApyKI8C0r-uhf0mtWgYvcZ-GCakBulTC8oLo6g~cIp2R9PxJAxBNw8f4ob~vA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 3. Drei Dirnen auf der Straße ( Three Prostitutes on the Street ), by Otto Dix, 1925. Tempera on plywood, 95 × 100 cm (37 3/8 × 39 3/8 in). Private collection, Hamburg, Germany. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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/10.1215_0094033X-6684135/8/s_ngc6684135figure4.png?Expires=2147483647&Signature=y0kQgKbitWImXiivoL8IeQ7scUWzmyDmduudGan7UHdSMnD7et9OJdhA95ALNcFwE-qFupNz3FQokTzmJJcNt9gG~L6oG219NPDSVl4Qas~CI4RNc~p837eu9JJk0Af4x79Moewn0l7SZaBYhN6C1Fx47TMxfc1-1B6oX2k0KcYneGtFrAx3zTWBugyDoO70FHk5jKvnEjL~MizBjjCV3V-NzfSWvap7tdojpliYY4xxmmuw6NqRNq2gMTwiAJXh0zHHrhP-79~h1ub6jmJU1wbRR1aBp~4gH3qaQ3CemBwdK6H9D7HLhMJ~eJNnCiad91is5zCL9yi5MIMlrWi6PA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 4. Dame mit Pelz und Schleier ( Lady with Mink and Veil ), by Otto Dix, 1920. Oil and tempera on canvas mounted on board, 73.0 × 54.6 cm (28 ¾ ×21 ½ in). Collection of Michael and Judy Steinhardt, New York. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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/10.1215_0094033X-6684135/8/s_ngc6684135figure9.png?Expires=2147483647&Signature=wLht6no8yE64GjPAMmQR697N1ihUGq93CV9pSjaTVpFsSS61XLgRqUbBIKXYH3khzkAJrdN54Hht~BYL4cHByNYpawngBIRnvYP4zr6r-sMmB7Ra7flB8g1XeTSEqtRi3nJ971uOBpvR6CSBJfe0GMX1HtEAclmuaD5k4VB~XQUw9P-D8cIakGPvc~CzsXWuMf6J7M57zG9q7eC0u98DnqIGxlnBk7tSEJzktLsfIxqCKaDAK4D5r3FW74ca5yqCuE3nRLbd2dC~p3SSKNz5Q33qj2oaGdzZhYz8j5NxlgnXc7Jwd90xf5RPn0HhV0IX7c0LfWmRPbnhkPZnsZmRqA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 9. Dirne und Kriegsverletzter ( Prostitute and War Wounded ), by Otto Dix, 1923. Pen and ink on paper, 47 × 37 cm (18 ½ ×14 9/16 in). Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
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/10.1215_0094033X-6684135/8/s_ngc6684135figure10.png?Expires=2147483647&Signature=C-cZ5j38kXPvkXxoNaBzjvV8Hq6GDW3tarA0MzW4lm34nViwBUEihEiF1ENYk1CzFZ2fAu6gYmwRQrGwO5Nx2Gv4nUEOw2reDK4YWxNLeGeif6T9EUrU1lqA4GZG49qr4qJ9tPdo6xDRMSgvGRZ3vxhziJZpJJluqg2tcPEfi25xodExHj5zRSAUt89epvfBtNjSBgTOL4FYHtiGEo8mAtGVKVhbEviBMKfDbv-W1eT0du6tS-Vu9UDoRIzRBXPw4jSdAdeGUu7lUcUSB1a0-MVLaQ5Qic38iDgcCMHxH1xoKw5J0n~oFeUxDHkLLhyhfl3ShJuY~pZw16c2j~iLGA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in “The Great Imitator”: Syphilis and Clandestine Prostitution in Otto Dix’s Die Witwe Watercolors
> New German Critique
Published: 01 August 2018
Figure 10. Detail of Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Journal Article
New German Critique (2008) 35 (2 (104)): 207–227.
Published: 01 August 2008
... in the service of modern politics. Cassirer's concept of myth was inspired by the German theologian Rudolf Otto and his use of phenomenological description of the transcendent experience of the holy. The Holy as an Epistemic Category
and a Political Tool: Ernst Cassirer’s and
Rudolf Otto’s Philosophies...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
...Elizabeth Otto This essay focuses on the photomontages of László Moholy-Nagy and Marianne Brandt primarily during their time at the Bauhaus. Initially inspired by Berlin Dada's fragmentary montaged critiques, both of these photomonteurs quickly turned to a constructivist approach that placed...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
...Norbert Otto Eke One of the most complicated questions in film and theater relating to the Shoah is how to render the events visible. Through an analysis of Michael Glawogger's Kill Daddy Goodnight , a film based on the eponymous novel by the Austrian writer Josef Haslinger, this article outlines...
Journal Article
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
...
the very next day to check up on their daughter threatens disaster, and Mac
deals with it by framing the “commie” firebrand Otto Ludwig Piffl (Horst
Buchholz) and having him picked up by the East German police. That accom-
plished, Mac discovers that, on top of it all, Scarlett is pregnant...
Journal Article
New German Critique (2009) 36 (2 (107)): ii.
Published: 01 August 2009
... Experiments
in the Bauhaus Photomontages of László Moholy-Nagy
and Marianne Brandt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Elizabeth Otto
Back in the USSR: John Heartfi eld, Gustavs Klucis,
and the Medium of Soviet Propaganda...
Journal Article
New German Critique (2017) 44 (2 (131)): 201–227.
Published: 01 August 2017
... , edited by Hötzsch Otto , 356 – 61 . Berlin : Reimer . ———. 1909 . “Gegen die Sozialdemokratie, Reichstag, 26. Februar 1907.” In vol. 3 of Fürst Bülows Reden nebst urkundlichen Beiträgen zu seiner Politik , edited by Hötzsch Otto , 18 – 31 . Berlin : Reimer . ———. 1914...
Journal Article
New German Critique (2009) 36 (3 (108)): 1–38.
Published: 01 November 2009
... in
January 1933.
17. For a comprehensive overview of Bonatz’s role in the debates about the Weissenhof colony,
see Richard Pommer and Christian Otto, Weissenhof 1927 and the Modern Movement in Architecture
(Chicago: University of Chicago Press, 1991); and Karin Kirsch, Die Weißenhofsiedlung...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... Handwerk und Baukunst (College for
Craft and Architecture) was established under the leadership of the architect
Otto Bartning.10 In 1930 the National Socialists came to power in Thuringia,
and Bartning was dismissed. His Hochschule was fused with the Hochschule
für bildende Kunst (College...
Journal Article
New German Critique (2007) 34 (2 (101)): 95–114.
Published: 01 August 2007
..., August 19–26, 2002, 170–71. For an earlier, more probing essay on the
subject see Otto W. Werckmeister, “Hitler the Artist,” Critical Inquiry 23 (1997): 270–97.
2. Frederic Spotts, Hitler and the Power of Aesthetics (New York: Overlook, 2003). For earlier
but still indispensable treatments see...
Journal Article
New German Critique (2017) 44 (3 (132)): 145–165.
Published: 01 November 2017
... Otto Hans-Heinrich Rothe Hans-Joachim Siefert Helmut , 335 – 48 . Tübingen : Diskord . Bergmann Martin S. , ed. 2000 . The Hartmann Era . New York : Other Press . Bibring Grete L. 1952 . “Report on the Seventeenth International Psycho-analytical Congress...
Journal Article
New German Critique (2008) 35 (1 (103)): 97–126.
Published: 01 February 2008
... of
the trial that began in mid-September in the Leipzig Supreme Court. From the
fi rst day to the close of the trial, on December 31, when the court’s president,
9. Otto Katz, Der Kampf um ein Buch: Wie im Dritten Reich gegen das Braunbuch gekämpft
und gelogen wurde, ed. World Committee...
Journal Article
New German Critique (2008) 35 (3 (105)): 121–141.
Published: 01 November 2008
...: Oxford University Press, 1995). On the relation between Otto Brunner and Schmitt in
particular see Gadi Algazi, “Otto Brunner–‘Konkrete Ordnung’ und Sprache der Zeit,” in Geschichts-
schreibung als Legitimationswissenschaft: 1918–1945, ed. Peter Schöttler (Frankfurt am Main:
Suhrkamp, 1997), 166...
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