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Journal Article
New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...Joy H. Calico This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner...
Journal Article
New German Critique (2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
...Karen Leeder This introduction addresses the interrelated ideas of lateness, belatedness, anachronism, untimeliness, old age, and “late style” that run through this special issue. After a brief overview of recent thinking about time, especially in the transition from modernity to postmodernity...
Journal Article
New German Critique (2015) 42 (2 (125)): 97–113.
Published: 01 August 2015
... style old-age style Martin Walser Aging, Late Style, and Untimeliness in Recent Literary Fiction by Martin Walser Stuart Taberner The older authors become, the more...
Journal Article
New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
... espousal of the model of the “old societies,” of the cultures unified through a stable and comprehensive system of values, as opposed to the modern decentered and individualistic societies.25 Lee goes so far as to talk of an “idyllic glorification of antiquity,” which is supposed to be a part...
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
... and sameness without differentiation. He ran through many old and new prevalent attitudes to instrumentation and style, or to ways of turning the organ to a modern orchestra, or to readings of tempi and expressive markings. Nothing much new emerged from his commentary other than the cliché that pedantry...
Journal Article
New German Critique (2014) 41 (2 (122)): 189–202.
Published: 01 August 2014
... for tour- ism. The port had left its mark everywhere on the city. Sexual promiscuity right at the center of town was very much part of its identity. A guidebook from 1925 advised tourists to explore both the old port and the new one, and while recognizing some of the sights between the two points...
Journal Article
New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... of helpless people, it could signal help for the helpless, however feebly and dis- tortedly. In doing so it would renew the promise contained in the age-old protest of music: the promise of a life without fear. (V, 145) The renunciation of happiness actually bears witness like a photographic neg...
Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
..., especially insofar as it represents a chance to connect the contemporary age to those that preceded it.17 Indeed, for Greenblatt, cultural mobility is an old phe- nomenon, for “with very few exceptions, in matters of culture the local has always been irradiated, as it were, by the larger world” (CM, 4...
Journal Article
New German Critique (2022) 49 (2 (146)): 133–160.
Published: 01 August 2022
... about Maddin’s films in general, “There has never been a time when they would have been present.” 46 In this sense, Careful is an impossible kind of mountain film: one that combines an old, discarded cinematic style with a worldview that has been made possible only through later cultural...
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Journal Article
New German Critique (2006) 33 (3 (99)): 7–39.
Published: 01 November 2006
.... But then, you see, for modern life the old style of building is not suitable at all. Taut: Nobody said you were to imitate the old style completely! That would be as terrible a mistake as slavish imitation of foreign styles. But it does seem as if some of your countrymen feel ashamed...
Journal Article
New German Critique (2014) 41 (2 (122)): 47–65.
Published: 01 August 2014
... pretensions, and western ideals of naturalism” (ibid., 60–61). Hansen’s summary refers to Yuri Tsivian, “Between the Old and the New: Soviet Film Culture in 1918–1924,” Griffithiana, nos. 55–56 (1996): 43. Yuri Tsivian  49 affinity with the modernist face...
Journal Article
New German Critique (2012) 39 (2 (116)): 119–132.
Published: 01 August 2012
... the conversion of a locale into a memoryscape. The prewar furnishings of the crumbling villas include worn carpets and fabrics, pieces of antique furniture, lamps, doorbells, cast-iron handrails, faded wallpaper, old family photographs, books, record collec- tions, and other cherished objects. Having...
Journal Article
New German Critique (2009) 36 (3 (108)): 1–38.
Published: 01 November 2009
... was inevitable. Not simply planning on paper but actually building any- thing in the foreseeable future was increasingly unlikely, especially for a sixty- fi ve-year-old man who had just survived a severe attack of angina pectoris. In this situation, the offi cial request to work as adviser...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... cinema. Contemporary film critics may well be the last generalists striving to understand the complexities of unknown worlds, who seek to translate the beauty or secrets of those worlds into the old medium of writing and to do so without banalizing them. Film criticism is a creative endeavor, but it has...
Journal Article
New German Critique (2007) 34 (1 (100)): 189–207.
Published: 01 February 2007
..., Germany, France, and Italy depended on the continued presence of an ancien régime with its old aristocratic elites; the presence of a highly formalized academicism in the organized art world that just begged to be opposed by the various seces- sions; the rise of new technologies such as photography...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... credits, the viewer is told that Canaris was executed in Flossenbürg concentration camp in April 1945, just days before the end of the war. Canaris is an old-style naval offi cer whose behavior is determined by the old Prussian virtues: he is sober, practical, competent, conscious of the law...
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
...- sion of life becomes increasingly necessary as technology impinges on every- day life. Of course, the new architecture is not spiritual, in his view, because it is too technical. He derides it as “false romanticism, just like the old, style- imitating bays and tower-building” architecture (TM, 250...
Journal Article
New German Critique (2008) 35 (2 (104)): 71–102.
Published: 01 August 2008
... was “no intellectual, but rather an inspired mystic in the mediaeval German tradition.”7 Furtwängler himself wrote that Bruckner had been “in fact, not a musician. This musician was, in truth, a successor to the old German mystics: [Meister] Eckhart, Jakob Böhme, etc.”8 This then was certainly a tradition...
Journal Article
New German Critique (2011) 38 (3 (114)): 17–34.
Published: 01 November 2011
..., famously analyzed by Erich Auerbach.14 The old nursemaid’s experience of touching the scar and recognizing Odys- seus, still unrecognizable in his physical presence, gives him, in the private sphere of her cognition, aura without charisma. Aura forms around many cata- lyzers: scars, stories, praise...
Journal Article
New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
... as if the book were something outmoded, a lost possibility as old-fashioned as the mimeograph that was swiftly becoming, as it were, out of print. To state the matter more simply: if books looked like ads to Adorno at midcentury, then the mimeograph became the ideal medium for the real book’s survival...