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Journal Article
New German Critique (2019) 46 (2 (137)): 117–149.
Published: 01 August 2019
...Terence Renaud Abstract The New Left that arose in West Germany during the 1960s mimicked the antifascist reformations of the 1930s. For grassroots campaigns, extraparliamentary opposition groups, and radical student organizations of the postwar decades, the Marxist humanist theories...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
..., experience, and the public sphere (Summer 2014), and new films concerning German memory and the Holocaust (Fall 2014). 2. Bathrick, “Introduction,” 3 . 3. Rentschler, “Postwall Prospects,” 3 . 4. Rentschler, “Postwall Prospects,” 4 . 5. Rentschler, “Postwall Prospects,” 5...
Journal Article
New German Critique (2020) 47 (3 (141)): 45–57.
Published: 01 November 2020
.... The article proceeds to examine the supposed new threat to critics: algorithmic recommender systems for video-on-demand platforms such as Netflix. Based on the author’s mixed-method empirical audience study, it concludes that the need and desire for human cultural mediators has not decreased despite...
Journal Article
New German Critique (2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
...Annalisa Zox-Weaver At Home with Hitler: Janet Flanner’s Führer Profi les for the New Yorker Annalisa Zox-Weaver Reporting on Hermann Göring’s appearance in court at the Nuremberg war- crimes trials, Janet Flanner was struck by a remarkable...
Journal Article
New German Critique (2011) 38 (2 (113)): 89–128.
Published: 01 August 2011
... of the Copenhagen interpretation of quantum physics and Gestalt theory; and the rise of phenomenology. It argues that German-educated Russian émigrés were central to transforming French thought, in particular a new kind of phenomenological and antifoundational realism and a new understanding of the body...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
...Kathleen James-Chakraborty The collapse of communism and the reunification of Germany have dramatically altered our understanding of the Bauhaus's legacy. New institutions in the former East now compete with each other and with the Bauhaus Archive in Berlin as the official successors...
Journal Article
New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
... drama and causes a series of formal flaws that demand an artistic solution. The article indicates the limits of Lukács's approach as well as a necessary rectification of the “political” reading of his first work. © 2015 by New German Critique, Inc. 2015 aesthetics Georg Lukács...
Journal Article
New German Critique (2021) 48 (3 (144)): 141–163.
Published: 01 November 2021
..., where Khider found inspiration for his book, old and new Berliners interact in German. 11 For the newcomers, however, “German” is not just the language that resists mastery but also everything they experience in this language, including bureaucratic frustrations, impenetrable politics, and cold...
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Published: 01 November 2019
Figure 1. The opening shot of Good News (1990). Hans Selikovsky Filmproduktion. Figure 1. The opening shot of Good News (1990). Hans Selikovsky Filmproduktion. More
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Published: 01 November 2019
Figure 2. A portrait of a woman in a kitchen in Good News . Hans Selikovsky Filmproduktion. Figure 2. A portrait of a woman in a kitchen in Good News. Hans Selikovsky Filmproduktion. More
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Published: 01 August 2018
Figure 4. Dame mit Pelz und Schleier ( Lady with Mink and Veil ), by Otto Dix, 1920. Oil and tempera on canvas mounted on board, 73.0 × 54.6 cm (28 ¾ ×21 ½ in). Collection of Michael and Judy Steinhardt, New York. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 4 More
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Published: 01 November 2020
Figure 11. Portrait of Siegfried Kracauer, 1964, photograph by Lili Kracauer in their New York City apartment (“interior photo”), from a negative scan. Courtesy Deutsches Literaturarchiv Marbach. Figure 11. Portrait of Siegfried Kracauer, 1964, photograph by Lili Kracauer in their New York City More
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Published: 01 August 2018
Figure 1. Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 1. Die Witwe (Widow), by Otto Dix, 1922. Watercolor and pencil More
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Published: 01 August 2018
Figure 10. Detail of Die Witwe ( Widow ), by Otto Dix, 1922. Watercolor and pencil on paper, 49.7 × 44.0 cm (19 9/16 × 17 5/19 in). Zeppelin Museum Friedrichshafen. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 10. Detail of Die Witwe (Widow), by Otto Dix, 1922 More
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Published: 01 August 2018
Figure 3. Drei Dirnen auf der Straße ( Three Prostitutes on the Street ), by Otto Dix, 1925. Tempera on plywood, 95 × 100 cm (37 3/8 × 39 3/8 in). Private collection, Hamburg, Germany. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn Figure 3. Drei Dirnen auf der Straße More
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Published: 01 August 2018
Figure 9. Dirne und Kriegsverletzter ( Prostitute and War Wounded ), by Otto Dix, 1923. Pen and ink on paper, 47 × 37 cm (18 ½ ×14 9/16 in). Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Figure 9. Dirne More
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Published: 01 November 2021
Figure 2. Gastone Novelli, I Want Them to Repeat ( Voglio che si ripetano , 1967). Oil, tempera, and pencil on canvas, 29.5 × 29.5 cm. Solomon R. Guggenheim Foundation, New York. Gift, Olivia Rabbaglietti, in memory of Vittorio Carrain, 2013. © Archivio Gastone Novelli. Photo courtesy More
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Published: 01 August 2018
Figure 2. Die Witwe ( Widow ), by Otto Dix, 1922. Ink, watercolor, and pencil on paper, 58.0 × 48.5 cm (22 7/8 × 19 1/8 in). Saarlandmuseum Saarbrücken, Stiftung Saarländerischer Kulturbesitz. Photo credit: Raphael Maass. © 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn More
Journal Article
New German Critique (2009) 36 (3 (108)): 39–71.
Published: 01 November 2009
... and modernism conditionally. In architecture, “modernization” resulted in the invention of new materials and construction or production methods (technology), and the design challenge of new building types like railroad stations, airports, and public housing. “Modernism” refers to the corresponding aesthetic...
Journal Article
New German Critique (2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
...An Paenhuysen In the fall of 1928 the Weimar photographer Sasha Stone published his photobook Berlin in Bildern ( Berlin in Pictures ). The opening image of the smokestacks of the Klingenberg power station was a clear statement in favor of the modern city. As a photographer of the New Vision...