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Journal Article
New German Critique (2017) 44 (1 (130)): 1–7.
Published: 01 February 2017
... . Reinbek bei Hamburg : Rowohlt . Dellheim Charles . 2008 . “Framing Nazi Art Loot.” In The Art of Being Jewish in Modern Times , edited by Kirshenblatt-Gimblett Barbara Karp Jonathan , 319 – 34 . Philadelphia : University of Pennsylvania Press . Hinz Berthold . 1974...
Journal Article
New German Critique (2016) 43 (1 (127)): 91–118.
Published: 01 February 2016
... ) Eugen Fehrle are particularly revealing as a case of ideological appropriation of Tacitus in Nazi Germany. Fehrle's first version (1929) presaged what was to come in the updated editions he published during the Third Reich (1935, 1939, 1944). A posthumous edition (1959) is instructive about the process...
Journal Article
New German Critique (2017) 44 (1 (130)): 109–123.
Published: 01 February 2017
...Lawrence M. Kaye This article examines the problems associated with the restitution of Nazi-looted art in the United States by focusing on some of the leading cases. Although some legal battles have been won by the heirs of Holocaust victims and others are ongoing, many have been unsuccessful...
Journal Article
New German Critique (2017) 44 (1 (130)): 125–142.
Published: 01 February 2017
..., behaved in ways that raise ethical questions. This article argues for a more-nuanced and balanced appraisal of those involved in the response to Nazi art looting—one that counters hagiographical tendencies both in the scholarly realm and in popular culture. Five Uncomfortable and Difficult Topics...
Journal Article
New German Critique (2016) 43 (1 (127)): 195–214.
Published: 01 February 2016
... of a political anti-Semitism that he distinguishes not only from premodern Christian anti-Judaism but also from nineteenth-century racialist discourse. Under National Socialism, anti-Semitism was transformed from an attitude, based on personal convictions, to an “institution of Nazi statesmanship.” For Pollock...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
...Ursula von Keitz New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s Ursula...
Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
...Susanne Luhmann Literary and cinematic representations of private and familial histories of Nazi perpetration, collaboration, and support have proliferated since reunification. Three recent German documentary films each turn the lens on the filmmaker and his family in an effort to grapple publicly...
Journal Article
New German Critique (2012) 39 (1 (115)): 139–167.
Published: 01 February 2012
...William Little This article examines the ethical and political process of taking leave of violent neo-Nazi groups from the viewpoint of the relationship to the self and the strategies of self-transformation that are deployed. The autobiographical accounts of Ingo Hasselbach, a former East German...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
...Axel Bangert This article examines how documentary film in reunified Germany has engaged with the Nazi past of “ordinary Germans” and their descendants. It analyzes films produced since 1990 that portray personal views of the period, including those of World War II veterans, Hitler's secretary...
Journal Article
New German Critique (2015) 42 (3 (126)): 197–230.
Published: 01 November 2015
...Douglas G. Morris The advent of the Nazi regime challenged the thinking of the Jewish Social Democrats Ernst Fraenkel and Franz Neumann. Law partners and intellectual companions in the Weimar Republic, they anguished about how to resist the new regime and justify that resistance. Nothing foretold...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... and historically layered spaces and infrastructure of 1950s Berlin, a representation informed by Lang’s exile experience and Hollywood film noir. By newly contextualizing the film in relation to the history of Nazi television, as well as Siegfried Kracauer’s and Theodor W. Adorno’s early postwar writings...
FIGURES
Journal Article
New German Critique (2024) 51 (1 (151)): 173–205.
Published: 01 February 2024
... of Austrian Resistance, established in 1963. Even though its name suggests that it focuses mainly on the resistance between 1938 and 1945, it also encompasses the documentation of Nazi crimes. This essay analyzes the permanent exhibition of the center existing in its current form since 2005 and claims...
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Published: 01 February 2024
Figure 3. Numerous captions name Nazi propaganda as one of the crucial factors leading to the country’s annexation. Photograph by the author, courtesy of the DÖW. More
Journal Article
New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
...Amy Walsh This article traces the unusual story of a non-Western work of art stolen from a Polish noble, rather than Jewish, family during the German occupation. It illustrates the range of Nazi looting and the necessity of scrutinizing the provenance of every object, not only paintings. The story...
Journal Article
New German Critique (2007) 34 (3 (102)): 75–86.
Published: 01 November 2007
...Margrit Frölich New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar Margrit Frölich Talking...
Journal Article
New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
... flourishing now, ruling the world once more. We spent a million years escaping him, Frink thought, and now he’s back. And not merely as the adversary . . . but as the master.” 1 This comparison of Nazis (“near-men”) and cannibals from The Man in the High Castle , by Philip K. Dick (1962), is voiced...
Journal Article
New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
...Daniel H. Magilow In The Nazis (1998) and its sequel, Real Nazis (2017), the Polish American artist Piotr Uklański creates glossy photographic assemblages of real and fictional Nazis, which critics have generally interpreted by turns as critiquing or participating in the culture industry’s...
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Published: 01 February 2024
Figure 1. Piotr Uklański, The Nazis (1998). Chromogenic black-and-white and color photographs mounted on panels, in 164 parts, 14 × 10 in (35.56 × 25.4 cm). The Broad, Los Angeles. More
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Published: 01 February 2024
Figure 2. Piotr Uklański, Real Nazis (2017). Chromogenic black-and-white and color photographs mounted on panels, in 203 parts, 19.17 × 13.12 in (48.7 × 33.4 cm). Neue Galerie, Kassel. More
Journal Article
New German Critique (2009) 36 (1 (106)): 149–181.
Published: 01 February 2009
...Boaz Neumann While the Nazi politics of the body have been studied at length, the historiographical literature has largely failed to address the role of the Volkskörper , or the German people's body, in the Nazi worldview. As I attempt to explain, it was not the individual bodies of Germans...