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Journal Article
Write and Resist: Ernst Fraenkel and Franz Neumann on the Role of Natural Law in Fighting Nazi Tyranny
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New German Critique (2015) 42 (3 (126)): 197–230.
Published: 01 November 2015
...Douglas G. Morris The advent of the Nazi regime challenged the thinking of the Jewish Social Democrats Ernst Fraenkel and Franz Neumann. Law partners and intellectual companions in the Weimar Republic, they anguished about how to resist the new regime and justify that resistance. Nothing foretold...
View articletitled, Write and Resist: Ernst Fraenkel and Franz Neumann on the Role of Natural Law in Fighting <span class="search-highlight">Nazi</span> Tyranny
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Journal Article
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television
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New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... and historically layered spaces and infrastructure of 1950s Berlin, a representation informed by Lang’s exile experience and Hollywood film noir. By newly contextualizing the film in relation to the history of Nazi television, as well as Siegfried Kracauer’s and Theodor W. Adorno’s early postwar writings...
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Journal Article
Shameful Exposures: Ordinary Germans and the Nazi Past in Contemporary German Documentary Film
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New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
...Axel Bangert This article examines how documentary film in reunified Germany has engaged with the Nazi past of “ordinary Germans” and their descendants. It analyzes films produced since 1990 that portray personal views of the period, including those of World War II veterans, Hitler's secretary...
View articletitled, Shameful Exposures: Ordinary Germans and the <span class="search-highlight">Nazi</span> Past in Contemporary German Documentary Film
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Journal Article
Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s
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New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
...Ursula von Keitz New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Between Dramatization and Epicization:
The Portrayal of Nazi Crimes in Exemplary
German Films from the Late 1940s to the 1970s
Ursula...
View articletitled, Between Dramatization and Epicization: The Portrayal of <span class="search-highlight">Nazi</span> Crimes in Exemplary German Films from the Late 1940s to the 1970s
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Journal Article
Filming Familial Secrets: Approaching and Avoiding Legacies of Nazi Perpetration
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New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
...Susanne Luhmann Literary and cinematic representations of private and familial histories of Nazi perpetration, collaboration, and support have proliferated since reunification. Three recent German documentary films each turn the lens on the filmmaker and his family in an effort to grapple publicly...
Journal Article
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust
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New German Critique (2024) 51 (1 (151)): 173–205.
Published: 01 February 2024
... of Austrian Resistance, established in 1963. Even though its name suggests that it focuses mainly on the resistance between 1938 and 1945, it also encompasses the documentation of Nazi crimes. This essay analyzes the permanent exhibition of the center existing in its current form since 2005 and claims...
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View articletitled, The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the <span class="search-highlight">Nazi</span> Past and the Holocaust
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Numerous captions name Nazi propaganda as one of the crucial factors leadin...
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in The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust
> New German Critique
Published: 01 February 2024
Figure 3. Numerous captions name Nazi propaganda as one of the crucial factors leading to the country’s annexation. Photograph by the author, courtesy of the DÖW.
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Journal Article
New German Critique (2017) 44 (1 (130)): 1–7.
Published: 01 February 2017
... . Reinbek bei Hamburg : Rowohlt . Dellheim Charles . 2008 . “Framing Nazi Art Loot.” In The Art of Being Jewish in Modern Times , edited by Kirshenblatt-Gimblett Barbara Karp Jonathan , 319 – 34 . Philadelphia : University of Pennsylvania Press . Hinz Berthold . 1974...
Journal Article
Nazi Ideology and Tacitus's Dangerous Book: Eugen Fehrle's Editions of the Germania
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New German Critique (2016) 43 (1 (127)): 91–118.
Published: 01 February 2016
... ) Eugen Fehrle are particularly revealing as a case of ideological appropriation of Tacitus in Nazi Germany. Fehrle's first version (1929) presaged what was to come in the updated editions he published during the Third Reich (1935, 1939, 1944). A posthumous edition (1959) is instructive about the process...
View articletitled, <span class="search-highlight">Nazi</span> Ideology and Tacitus's Dangerous Book: Eugen Fehrle's Editions of the Germania
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Journal Article
The Restitution of Nazi-Looted Art and Other Cultural Property: Have We Gone Too Far or Not Far Enough?
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New German Critique (2017) 44 (1 (130)): 109–123.
Published: 01 February 2017
...Lawrence M. Kaye This article examines the problems associated with the restitution of Nazi-looted art in the United States by focusing on some of the leading cases. Although some legal battles have been won by the heirs of Holocaust victims and others are ongoing, many have been unsuccessful...
View articletitled, The Restitution of <span class="search-highlight">Nazi</span>-Looted Art and Other Cultural Property: Have We Gone Too Far or Not Far Enough?
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Journal Article
Five Uncomfortable and Difficult Topics Relating to the Restitution of Nazi-Looted Art
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New German Critique (2017) 44 (1 (130)): 125–142.
Published: 01 February 2017
..., behaved in ways that raise ethical questions. This article argues for a more-nuanced and balanced appraisal of those involved in the response to Nazi art looting—one that counters hagiographical tendencies both in the scholarly realm and in popular culture. © 2017 by New German Critique, Inc. 2017...
Journal Article
An Institution of Nazi Statesmanship: Friedrich Pollock's Theoretical Contribution to the Study of Anti-Semitism
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New German Critique (2016) 43 (1 (127)): 195–214.
Published: 01 February 2016
... of a political anti-Semitism that he distinguishes not only from premodern Christian anti-Judaism but also from nineteenth-century racialist discourse. Under National Socialism, anti-Semitism was transformed from an attitude, based on personal convictions, to an “institution of Nazi statesmanship.” For Pollock...
View articletitled, An Institution of <span class="search-highlight">Nazi</span> Statesmanship: Friedrich Pollock's Theoretical Contribution to the Study of Anti-Semitism
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Journal Article
Leaving a Life of Political Violence: A Neo-Nazi Steigt Aus
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New German Critique (2012) 39 (1 (115)): 139–167.
Published: 01 February 2012
...William Little This article examines the ethical and political process of taking leave of violent neo-Nazi groups from the viewpoint of the relationship to the self and the strategies of self-transformation that are deployed. The autobiographical accounts of Ingo Hasselbach, a former East German...
Journal Article
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture
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New German Critique (2021) 48 (3 (144)): 65–98.
Published: 01 November 2021
...Dina Khapaeva While some critics praise these portrayals of Nazi perpetrators and supporters as the series’ major accomplishment—“But slowly, The Man in the High Castle humanizes even some Nazis” 11 —for other reviewers there was still not enough empathy and “complexity” in the show’s...
Journal Article
Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar
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New German Critique (2007) 34 (3 (102)): 75–86.
Published: 01 November 2007
...Margrit Frölich New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Perpetrator Research through the Camera Lens:
Nazis and Their Crimes in the Films of
Romuald Karmakar
Margrit Frölich
Talking...
View articletitled, Perpetrator Research through the Camera Lens: <span class="search-highlight">Nazis</span> and Their Crimes in the Films of Romuald Karmakar
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Journal Article
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis
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New German Critique (2024) 51 (1 (151)): 143–171.
Published: 01 February 2024
...Daniel H. Magilow In The Nazis (1998) and its sequel, Real Nazis (2017), the Polish American artist Piotr Uklański creates glossy photographic assemblages of real and fictional Nazis, which critics have generally interpreted by turns as critiquing or participating in the culture industry’s...
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Journal Article
A Persian Tapestry Looted by the Nazis from the Princes Czartoryski Museum, Kraków
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New German Critique (2017) 44 (1 (130)): 87–107.
Published: 01 February 2017
...Amy Walsh This article traces the unusual story of a non-Western work of art stolen from a Polish noble, rather than Jewish, family during the German occupation. It illustrates the range of Nazi looting and the necessity of scrutinizing the provenance of every object, not only paintings. The story...
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Published: 01 February 2024
Figure 1. Piotr Uklański, The Nazis (1998). Chromogenic black-and-white and color photographs mounted on panels, in 164 parts, 14 × 10 in (35.56 × 25.4 cm). The Broad, Los Angeles.
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Published: 01 February 2024
Figure 2. Piotr Uklański, Real Nazis (2017). Chromogenic black-and-white and color photographs mounted on panels, in 203 parts, 19.17 × 13.12 in (48.7 × 33.4 cm). Neue Galerie, Kassel.
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Journal Article
The Phenomenology of the German People's Body (Volkskörper) and the Extermination of the Jewish Body
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New German Critique (2009) 36 (1 (106)): 149–181.
Published: 01 February 2009
...Boaz Neumann While the Nazi politics of the body have been studied at length, the historiographical literature has largely failed to address the role of the Volkskörper , or the German people's body, in the Nazi worldview. As I attempt to explain, it was not the individual bodies of Germans...
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