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musique informelle

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Journal Article
New German Critique (2016) 43 (3 (129)): 5–26.
Published: 01 November 2016
... of its own. In his late embrace of musique informelle , he admired a music that eschewed both reified categories and subjective domination of the apparent contingency of the material world, a music that expressed a nominalism that might better be called “magical” than “conventional.” © 2016 by New...
Journal Article
New German Critique (2016) 43 (3 (129)): 139–154.
Published: 01 November 2016
... utopia today is: to make things of which we do not know what they are.”1 So reads the final line of Theodor W. Adorno’s essay “Vers une musique informelle” (1961). This idea, which occurs in almost iden- tical form in several places in his late writings, is one I want to revisit here under...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... potential of the techniques contained in its products” ( “Culture Industry Reconsidered,” 14 ). 22. Hulatt, “Critique through Autonomy,” 174 . 23. Paddison, Adorno’s Aesthetics of Music , 267 . 24. Adorno, “Vers une musique informelle,” 275 . 25. Kracauer, Theory of Film...