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motion pictures

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Journal Article
New German Critique (2006) 33 (3 (99)): 151–170.
Published: 01 November 2006
... in this motion picture was even more sen- sational because he himself had previously been violently opposed to being fi lmed or photographed. His biographer Julius Bab describes an “extremely unusual fanaticism in [Bassermannʼs] fi ght against being photographed”—an aversion to photography so intense...
Journal Article
New German Critique (2020) 47 (3 (141)): 1–5.
Published: 01 November 2020
... newspapers and journals, the diverse writers and texts discussed in this dossier retain their timeliness. Having once held a prominent place in wider debates over film theory and writing on motion pictures more generally, they now have, in their new guise and in an English-language venue, the chance...
Journal Article
New German Critique (2014) 41 (2 (122)): 47–65.
Published: 01 August 2014
... for the viewer to comprehend and appreciate subtleties of acting and intricacies of story lines in motion pictures. The method Sargent and Stockton employed in their study required some measuring and counting. How do shots (then called “scenes interti- tles (called “leaders and inserts (close views...
Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
... in the Motion Picture Conservation Center on the Wright-Patterson American Air Force base.”6 The additional material shows the footage being filmed. It includes outtakes that provide additional evidence of staging, as well as alterations in the camera position, all of which underscores the extent...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
... long time, noting that they appear to be under some kind of “speech prohibition” ( Redeverbot ). 15 This is because Seidl has his subjects emulate portrait sitters in the film—as though moving were anathema to motion pictures, as if motion would risk blurring the image, as it would do...
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Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
... for the early postwar years. © 2015 by New German Critique, Inc. 2015 motion pictures Weimar Germany 1950s Germany genre Nazism In the Horror Mode? Weimar Flashbacks and Generic Hybridity in 1950s West German Cinema Jaimey Fisher In her...
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
... (2011). See Orgeman, Lumia . 99. Symptomatically, Moholy-Nagy favored the cinematic imaginary. Unlike Ruttmann and Wilfred, Eggeling and Richter had not yet shown any of their films as projected, motion pictures. 100. Moholy-Nagy, “Produktion-Reproduktion,” 100 . 101. Crucially...
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Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... splendor of a shot by Sergei Eisenstein”). 34 Let us begin with Michaud’s correlation of Warburg’s early work on the ninfa fiorentina with problems of movement analysis addressed by Marey’s motion studies in the 1880s and by the invention of motion pictures shortly thereafter. “Warburg’s method...
Journal Article
New German Critique (2024) 51 (2 (152)): 1–26.
Published: 01 August 2024
..., “Film Is Promotion,” 545 ). Filmkleberin is no exception, though I would still argue that its narrative complexity is highly unusual, even for a culture film with a narrative plot. 33. After the Lichtspielgesetz , or motion picture law, was passed in 1920, all films screened in Germany were...
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Journal Article
New German Critique (2011) 38 (2 (113)): 129–157.
Published: 01 August 2011
... other aspects of the film. Critchley’s 54. Terry Malick, “Deadhead Miles” (manuscript at the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, CA, April 16, 1970), 112. 55. Marc Furstenau and Leslie MacAvoy, “Terrence Malick’s Heideggerian Cinema: War...
Journal Article
New German Critique (2007) 34 (3 (102)): 101–126.
Published: 01 November 2007
... lmmaker. According to Flanner, Riefenstahl presents an intensely absorbing image on the screen: “She was not only the sole motion- picture director, she was also the only woman on the great parade fi eld— one white linen skirt moving freely before fi fty-four thousand green-woollen, mechanical men...
Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
... of the Moving Picture . New York : Modern Library . Lukács Georg . 1911 . “ Gedanken zu einer Aesthetik des ‘Kino.’ ” Pester Lloyd , April 16 , 45 – 46 . Lukács Georg . 1971 . History and Class Consciousness: Studies in Marxist Dialectics , translated by Livingstone Rodney...
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Journal Article
New German Critique (2010) 37 (2 (110)): 31–47.
Published: 01 August 2010
... of compara- tive ease with a romantic facade covering up a decade of mass murder.”14 While the official American response from the Motion Picture Export Association (MPEA) kept A Foreign Affair from being shown on German soil until 1977 (in 1948 the film was a box-office and mostly critical...
Journal Article
New German Critique (2020) 47 (1 (139)): 141–172.
Published: 01 February 2020
... in ritually repeated screenings to the Hitler Youth so that its members could admire themselves, without the control of their will moving in a motion picture, an outer force entering the body, “inwards.” Outwards (Nazi Germany): While it is his media theory that frames the problem of static self...
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Journal Article
New German Critique (2023) 50 (1 (148)): 1–29.
Published: 01 February 2023
... and the disjunctive epistemology of the most influential neo-Kantians, Dialectics of Nature would outline an antireductive and pluralistic picture of a world constituted by, and knowable only through, its limitless interconnections. Engels refuses to identify the category of motion with merely mechanical...
FIGURES
Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... acrimonious. 11 Back in 1970 Enno Patalas found himself bemoaning the lackluster state of Viennese film criticism in the pages of his Munich-based journal Filmkritik . 12 Indeed, the magazine Meteor: Texte zum Laufbild ( Meteor: Writings on Motion Pictures , 1995–99), an initiative to mark “one...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
... for a greater specifi city: what were those effects that the public was seeking in fi lm and how did these properties link the cut- ting edge of art with the new technologies of motion pictures? Benjamin’s larger point, of course, lies in ideas and practices that he carefully observed in Soviet...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
... art is of course nowhere more evident than in the meteoric rise of video games,” the digital genre whose popularity had far out- stripped the popularity of motion pictures (CE, 202). She then concludes with a double wager that accompanies her interest in future game theorists putting...
Journal Article
New German Critique (2017) 44 (1 (130)): 109–123.
Published: 01 February 2017
.... 14. Ibid. 15. United States v. Portrait of Wally, 105 F. Supp. 2d 288 (S.D.N.Y. 2000), granting motion to dismiss; No. 99 Civ. 9940 (MBM), 2000 U.S. Dist. LEXIS 18713 (Dec. 28, 2000), permitting amend- ment of complaint; 2002 U.S. Dist. LEXIS 6645 (S.D.N.Y. 2002), denying motions to dismiss...
Journal Article
New German Critique (2019) 46 (1 (136)): 167–196.
Published: 01 February 2019
... in popular culture. In “Cult of Distraction,” his critique of Berlin’s motion-picture palaces, Kracauer suggests that the salutary effects of unpretentious entertainment are possible “only if distraction is not an end in itself.” 7 While the primary target of that essay is the tendency of the picture...