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montage
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Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
...Michael Cowan The Querschnittfilm (cross-section film) has long been recognized as a documentary genre appropriate to mass society that uses montage, not the narrative development of individual characters, to compare various people and phenomena. But the term and concept of Querschnitt had both...
Journal Article
New German Critique (2024) 51 (2 (152)): 1–26.
Published: 01 August 2024
... as Tragödie einer Uraufführung ( Tragedy of a World Premiere ). This film, about a distracted editor who mixes revue film and newsreel footage to produce an avant-garde montage film, hands authority over the film to the editor while suggesting that the film she has produced is simply a mistake. Situating...
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Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
... and illustrated magazines that imitated the AIZ or the graphic artists who reproduced Heartfield's montages in the name of pro-Soviet sympathy and antifascist solidarity. An overlooked detail in this story is the role that Heartfield's brother Wieland Herzfelde played in expanding the reception of Heartfield's...
Image
in The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema
> New German Critique
Published: 01 August 2024
Figure 5. An upside-down ballerina pirouettes in slow motion in the editor’s montage film.
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Journal Article
New German Critique (2017) 44 (2 (131)): 1–24.
Published: 01 August 2017
... contributed the image of Ernst Thälmann as a symbol of antifascism through montages for the AIZ in 1934 and 1936. The Comintern's critique of the April 1936 montage, which is understood to be aimed more at the AIZ 's publisher, Münzenberg, entangled him and the AIZ in a double-edged crisis in the Comintern...
Journal Article
New German Critique (2012) 39 (1 (115)): 169–197.
Published: 01 February 2012
... reproduction while uncoupling it from a claim to truthfulness. In tracing the reflection of key theorists of the visual (Siegfried Kracauer, Walter Benjamin, László Moholy-Nagy), McBride demonstrates how a montage aesthetics was key to harnessing the medium's exactness and evidentiary potential without...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
...Elizabeth Otto This essay focuses on the photomontages of László Moholy-Nagy and Marianne Brandt primarily during their time at the Bauhaus. Initially inspired by Berlin Dada's fragmentary montaged critiques, both of these photomonteurs quickly turned to a constructivist approach that placed...
Journal Article
New German Critique (2014) 41 (2 (122)): 47–65.
Published: 01 August 2014
... of continuity rules, the staple of classical Hollywood film narration. Soviet montage theory emerged in an attempt to adjust continuity rules from American screenwriting manuals in the 1910s to discontinuous and extranarrative experiments in filmmaking by avant-garde directors. Contrast rather than continuity...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... analysis of the Verfremdungseffekt produced by montage, the alienating distanciation of unexpected juxtapositions, contributes to the construction of a true dialectical image of satire, which allows us to plot the oppositional axes of satire and to extrapolate the characteristics of other forms of mass...
Journal Article
New German Critique (2020) 47 (1 (139)): 57–80.
Published: 01 February 2020
... to continue developing but also revise practices he first engaged in other media. The so-called white-cube exhibition space presents Kluge’s earlier works in terms of remediation and provides him with an opportunity to employ and reconceptualize his approach to montage techniques and reception aesthetics...
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Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... by film’s representational base and its inability to achieve a neutral standpoint through the use of montage, which arranges the material without dominating it. To answer these questions, Adorno considers two ways in which film could gain an “aesthetic” character: “abstract-subjective” or “formalist...
Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... of expression, or much enjoyed going to the movies. How, then, has it become a critical commonplace that Warburg’s late methods of ordering images resemble, especially, Soviet methods of film montage? The first two parts of this article show how such comparisons may be inaccurate or misleading. The third part...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
... their matter, their medium, their form. Heartfield's AIZ works offer a radical Left critique of the mass-circulated photograph and its production of political consciousness by internalizing and miming its very means through photomontage. Leftist critique in Heartfield's montages, I maintain, resides in suture...
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
... to have
invented Soviet photomontage and thus, by implication, the political-agitation
photomontage itself.4
Mentioning Heartfi eld just twice in his discussion, Klucis makes the fur-
ther and equally controversial assertion that the Soviet political-agitation photo-
montage has had a “decisive...
Journal Article
New German Critique (2018) 45 (3 (135)): 39–72.
Published: 01 November 2018
... free.” 22 Significantly, Eisenstein went on to develop these biomechanical techniques—in the context first of theater in “The Montage of Attractions” (1923) and then of cinema in “The Montage of Film Attractions” (1924)—into his own theory of the training of collective reflexes through...
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
... of the artist’s expressive
prerogative is thus for Adorno a gesture of rescue.
Protocol and Montage
So, montage is confl ict.
—Sergei Eisenstein
In his published writings Adorno never explicitly argues for his...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
..., in his few remarks on cinema, stays with characters—Betty
Boop, Greta Garbo, Daffy Duck—or provides gnomic pronouncements about
form, as in his advocacy of a “montage akin to writing” in his late essay on
cinema. This is technique divorced from its realization.5
Hansen is by no means immune...
Journal Article
New German Critique (2009) 36 (2 (107)): 231–252.
Published: 01 August 2009
... stories, Lebensläufe (Case
Histories, 1962). Most of his other works feature text-image confi gurations
and can be characterized as “multimediale Montage-Texte.”3
In Chronik der Gefühle (Chronicle of Feelings, 2000), a collection of his
narrative oeuvre from 1962 to 2000, the range of Kluge’s...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
..., En avant Dada: Eine Geschichte
des Dadaismus (Hannover: Steegemann, 1920), 26.
3. This reconstruction of Dada’s fi rst evening is taken from Goergen, Urlaute, and from Hanne
Bergius, Montage und Metamechanik: Dada Berlin—Artistik von Polaritäten (Berlin: Mann,
2000), 14–20.
4. Marinetti...
Journal Article
New German Critique (2021) 48 (1 (142)): 153–180.
Published: 01 February 2021
... classes, can be understood as a hybrid literature. It appropriated not only the bourgeois idea of world literature itself but also modernist devices and genres such as montage and reportage. In the form described here, this literary movement ended in the German nation-state in 1933 with the rise...
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