1-20 of 53 Search Results for

mimesi

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
New German Critique (2013) 40 (1 (118)): 119–148.
Published: 01 February 2013
...Artemy Magun This article discusses the relationship between two philosophies of the twentieth century: those of Theodor W. Adorno and Philippe Lacoue-Labarthe. Both authors emphasize the notion of mimesis and see it as an ontological and an epistemological category and as the site...
Journal Article
New German Critique (2018) 45 (1 (133)): 111–154.
Published: 01 February 2018
...Michael McGillen The historiographical status of Erich Auerbach’s theory of figural interpretation, which he develops in “Figura” (1938) and Mimesis (1946), is complex. In its insistence on the fundamental historicity of its objects—of both the figure and its fulfillment—it carries forth...
Journal Article
New German Critique (2021) 48 (1 (142)): 71–102.
Published: 01 February 2021
... an unexamined alternative to philosophical anthropology’s revival. A reconstruction of Adorno’s position shows how Adorno displaces anthropological problems into his philosophy of art, where the principle of mimesis offers a potentially nonanthropological model of human potential. Yet it also reveals how...
Journal Article
New German Critique (2021) 48 (1 (142)): 41–70.
Published: 01 February 2021
... German Critique, Inc. 2021 Gotthold Ephraim Lessing aesthetics eighteenth century mimesis Laocoön Whence the narrow constipation of a strictly human attitude, the magisterial look of the face with a closed mouth , as beautiful as a safe. —Georges Bataille, “Mouth” The scream...
Journal Article
New German Critique (2007) 34 (1 (100)): 141–163.
Published: 01 February 2007
... mimesis of reconciliation, this undominated nature is made to resurface so it can again be seen as that which must be repressed. Thus the culture industry forces the masses to desire their own repression and reifi cation through its mimesis of a subject and object reconciled in undominated...
Journal Article
New German Critique (2010) 37 (1 (109)): 99–118.
Published: 01 February 2010
... real- ism, Mimesis, he claims that fi lm is the realistic medium par excellence, since it tends to explore the “resilient texture” of everyday life, “this matrix of all other modes of reality.”7 Here Kracauer emphasizes once again the signifi - cance of the ordinary. However, the nexus between...
Journal Article
New German Critique (2013) 40 (1 (118)): 29–41.
Published: 01 February 2013
... through mimesis, not through an increasing distance from the object” (DE, 7). Magic is a “bloody untruth” that deifies the natural. It needs to submit to rea- son, to be sure, but while myth is less bloody—in its drive toward abstraction and regularization, it escapes the fierce literalism of magic...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
... of innervation largely depends on the specific reading of “mimesis” given in critical theory.14 Mimesis here has less to do with visual resemblance than with a “becoming like” relation, a form of experience, of relating to and engaging the external world in which the distinction between subject...
Journal Article
New German Critique (2009) 36 (3 (108)): 85–108.
Published: 01 November 2009
... of reifi cation, and Benjamin’s of mimesis and constellation stimulated Adorno in signifi cant ways. To this should be added Adorno’s careful reading of Sig- mund Freud; his lifelong intensive concern with the “languages” of art, espe- cially music; his critical continuation and rethinking of idealist...
Journal Article
New German Critique (2021) 48 (2 (143)): 5–21.
Published: 01 August 2021
... into a coherent whole. Alongside form Adorno’s other key aesthetic categories are discussed in due course: mimesis, natural beauty, art as enigma, and the linguistic character of all art. Nonetheless, form clearly remains the organizing center of Wesche’s reconstruction of Adorno’s aesthetic theory...
Journal Article
New German Critique (2006) 33 (1 (97)): 119–135.
Published: 01 February 2006
.... When viewed in the larger context of Adorno’s work, his word Nachkonstruk­ tion is negatively charged in that it conjures a form of mimesis that he generally abhorred: the direct, reflective, and reproductive kind. As he argues through­ out Aesthetic Theory, what he wishes for in the work of art...
Journal Article
New German Critique (2016) 43 (3 (129)): 139–154.
Published: 01 November 2016
... of Nature: Images of Truth, Mortality, and Reconciliation in Adorno's Schubert Interpretation.” In Expression, Truth, and Authenticity: On Adorno's Theory of Music and Musical Performance , edited by de Carvalho Mário Vieira , 41 – 58 . Lisbon : Calibri . ———. 2010 . “Mimesis...
Journal Article
New German Critique (2018) 45 (3 (135)): 39–72.
Published: 01 November 2018
... and behaviourist psychology, physiological aesthetics, and acting theory, in particular the Soviet avant-garde discourse of biomechanics” ( CE , 140). Like Susan Buck-Morss, who similarly notes how Benjamin’s “theories of mimesis and innervation . . . resonate intriguingly with discussions of biorhythmics...
Journal Article
New German Critique (2021) 48 (2 (143)): 147–175.
Published: 01 August 2021
... of mimesis or imitation is not to be “repressed” but “maintained in the objectivation of the tension between itself and its antithesis” ( AT , 153). “Absolute construction” refers to this autonomous shaping of the material through technical manipulation, whereby the empirical object is not negated...
Journal Article
New German Critique (2015) 42 (1 (124)): 203–221.
Published: 01 February 2015
...: Consciousness-Raising or Rescuing Critique,” trans. Freder- ick G. Lawrence, in Philosophical-Political Profiles(Cambridge, MA: MIT Press, 1983), 144. 22. See also Richard Wolin, “Utopia, Mimesis, and Reconciliation: A Redemptive Critique of Adorno’s Aesthetic Theory,” Representations, no. 32 (1990...
Journal Article
New German Critique (2016) 43 (3 (129)): 53–72.
Published: 01 November 2016
.... Academic commentary on cultural habitus proffered by new media fre- quently deploys a standard anthropological approach to the subject of embod- ied knowledge. This approach organizes its argument around key categories, such as body techniques, mimesis, dressage, discipline, and so on. Following...
Journal Article
New German Critique (2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
..., Martin Jay argues that it is precisely the “historical hopes, which despite everything Adorno never lost, that most distinguish his meditations” from postmod- ernist defenses of “an endlessly oscillating mimesis that . . . steadfastly resists ontological stability, subjective integrity...
Journal Article
New German Critique (2018) 45 (2 (134)): 179–200.
Published: 01 August 2018
... reforms at large can be understood as a kind of cultural mimesis in that they tried to generate, rather than simply copy, European culture. In calling on Turks to identify as European, humanist reforms sought to produce a modern Turkish citizen who could replace the insufficiently westernized Ottoman...
Journal Article
New German Critique (2006) 33 (1 (97)): 137–158.
Published: 01 February 2006
... conception of reason, they have no other recourse than to fall back on a vague notion of mimesis—as a com- municative relation between subject and object—about which, nonetheless, I would like to thank John Abromeit, Ian Angus, Raj Gandesha, Christina Gerhardt, and Michael Palamarek...
Journal Article
New German Critique (2021) 48 (2 (143)): 63–84.
Published: 01 August 2021
... of such benign mimesis, which Adorno often contrasted with the subjective domination of nature serving self-preservation, meant that “aesthetic comportment contains what has been belligerently excised from civilization and repressed, as well as the human suffering under the loss, a suffering already expressed...