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media archaeology

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Journal Article
New German Critique (2017) 44 (3 (132)): 205–224.
Published: 01 November 2017
... in his own writings as to particular dynamics in North American academe and beyond. It passes through several stages, extends into the domain of social media, and influences the subsequent—and ongoing—engagement with the German variants of media archaeology and the cultural techniques approach, both...
Journal Article
New German Critique (2023) 50 (3 (150)): 109–117.
Published: 01 November 2023
..., and its revival of the Turkish-language videotape culture in 1980s West Germany furthermore reanimate Benjamin’s commitment to media’s role in the archaeological processes of the archive, which set it loose. 25. Russell, Archiveology , 95 . 26. Chow, “Where Have All the Natives Gone?,” 139...
Journal Article
New German Critique (2023) 50 (3 (150)): 5–24.
Published: 01 November 2023
... .” In Proceedings of the Digital Arts and Culture Conference , 2009 . https://escholarship.org/uc/item/01r0k9br . Bolz Norbert . “ Farewell to the Gutenberg-Galaxy.” Translated by Michelle Mattson . New German Critique , no. 78 ( 1999 ): 109 – 31 . Born Erik . “ Media Archaeology, Cultural...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... discourses—function within media ecologies. They should not be univocal but polyphonic, and the less they favor tried-and-true formulas and foregone conclusions, the more they resemble something like art. As cinema history has repeatedly demonstrated, good and bad popular films can and do coexist with good...
Journal Article
New German Critique (2024) 51 (1 (151)): 33–76.
Published: 01 February 2024
...-first-century capitals like Amsterdam and New York, the litany of antecedents is meager (and in need of further scholarship). A true media archaeology could venture to late eighteenth-century phantasmagorias and beyond. A shorter avant-garde genealogy must be anchored in Weimar theater. 54 Moholy...
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Journal Article
New German Critique (2019) 46 (3 (138)): 103–124.
Published: 01 November 2019
... in early twentieth-century German history. By way of the figure of the storyteller, read intertextually with Walter Benjamin, this article explores Scheffner’s film as the site of the collision of history and media, where materials of the past come alive in the present through remediation, through which...
Journal Article
New German Critique (2009) 36 (2 (107)): 1–4.
Published: 01 August 2009
... techniques across geographic borders and across media, high and low. This special issue of New German Critique is dedicated to practices of photomontage in the era between the world wars. Not surprisingly, John Heartfi eld is a key fi gure whose work was infl uential far beyond the Weimar Republic...
Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... cinema montage media archaeology The final, unfinished project of the Hamburg art historian and Kulturwissenschaftler Aby M. Warburg (1866–1929)—the so-called Mnemosyne image atlas ( Bilderatlas ), whose last iteration consists of photographs of arrays of some 971 images of works of art, maps...
Journal Article
New German Critique (2014) 41 (2 (122)): 145–157.
Published: 01 August 2014
...Bill Brown Through archaeological, conceptual, and rhetorical insights, Miriam Hansen puts play ( Spiel ) to work in Cinema and Experience . When she engages Walter Benjamin's treatment of film in the “Artwork” essay, she retrieves Spiel from Spielraum , naturalizing a somewhat idiosyncratic...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... live telecasts of the 1936 Olympics in TV parlors throughout Berlin. See Zeutschner, Die braune Mattscheibe . In contrast to Zielinski’s media-archaeological reconstruction of audiovisual mobilities across the 1945 divide, more traditional histories of German TV stress a break with the Nazi past...
FIGURES
Journal Article
New German Critique (2009) 36 (2 (107)): 231–252.
Published: 01 August 2009
... and the Topography of Memory in Alexander Kluge Bernhard Malkmus W. G. Sebald referred to Alexander Kluge as one of the most important com- mentators on postwar German history. He felt particularly compelled by Kluge’s literary rendition of history as archaeology...
Journal Article
New German Critique (2016) 43 (1 (127)): 91–118.
Published: 01 February 2016
... and those from his publisher. Rudolf Much's 1937 edition of the Germania provides a telling contrast to Fehrle's. © 2016 by New German Critique, Inc. 2016 early German history Volkskunde classical scholarship References Arnold Bettina Hassmann Henning . 1995 . “Archaeology...
Journal Article
New German Critique (2023) 50 (3 (150)): 217–224.
Published: 01 November 2023
... lines of Herbert Marcuse’s thought. 7 Juxtaposing this with NGC , no. 146 (August 2022), Axel Honneth heads the bill with reflections on Jürgen Habermas’s notion of secular reason—a good genealogy-bearing piece. This issue emphasizes visual media: Karolina Watroba on the possibilities of a more...
Journal Article
New German Critique (2006) 33 (2 (98)): 15–47.
Published: 01 August 2006
... of Müllerʼs ever-elusive “true intentions” may desire, these inconsistencies invite an investigation of layers of meaning that Müller himself called “archaeological.” Müller used the term archaeological to describe the disinterring and reinterpreting of his fi rst “production play,” or Geschichte...
Journal Article
New German Critique (2022) 49 (1 (145)): 163–183.
Published: 01 February 2022
... and proposed a mode of thinking based on the reading of fables. This fabulistic turn amounts to a corpus of texts, many of them short and essayistic, that proposes a storytelling practice for philosophy, mostly by demonstrating in medias res how such a practice would newly ground thought in lived reality. Like...
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
... enabled his return to previous modes of cinema, performed as a Benjaminian “archaeology of genre,” to refunction them for his “aesthetic and political” purposes ( Christian Petzold , 15). Fisher and Wim Staat have shown how Phoenix similarly returns to the genres of earlier cinema—the melodrama...
Journal Article
New German Critique (2012) 39 (2 (116)): 103–118.
Published: 01 August 2012
... with their own experiences.”30 This focus on what can be retrieved through patient excavation of deeper layers of the past is linked with the “archaeological processes” sketched out in Braun’s Leipzig lecture of 1989 and enacted most clearly in Tumulus.31 But digging down into the past...
Journal Article
New German Critique (2019) 46 (3 (138)): 181–205.
Published: 01 November 2019
... that takes stock of the state of German cities, German media, and German society from the viewpoint of their “end.” In reading these three variations of his essay films as “architectures of images,” the article presents Graf and his collaborators as “collectors” and “combiners,” who not only (re)construct...
Journal Article
New German Critique (2020) 47 (1 (139)): 25–56.
Published: 01 February 2020
... Because of this relational logic, Fredric Jameson has described History and Obstinacy quite fittingly as “something of a theoretical film.” 22 He points to the book’s impressive collection of material from different disciplines, genres, and media: it includes notes on Marx’s “mode of production...
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Journal Article
New German Critique (2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
..., 1995); Huyssen, “Present Pasts: Media, Politics, Amnesia,” Public Culture 12, no. 1 (2000): 21, repr. in Present Pasts: Urban Palimpsests and the Politics of Memory (Stanford, CA: Stanford University Press, 2003), 11. Huyssen’s Present Pasts is hereafter cited as PP...