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Journal Article
New German Critique (2016) 43 (1 (127)): 59–89.
Published: 01 February 2016
... . Schriften zum Film , edited by Diederichs Helmut H. Gersch Wolfgang . 2 vols . Munich : Hanser . ———. 1984 . “Der Film arbeitet für uns!” In Schriften zum Film , 2 : 228 – 31 . ———. 1984 . “In Algier.” In Schriften zum Film , 2 : 358 – 59 . ———. 1984 . “Masse: Ein neues...
Journal Article
New German Critique (2018) 45 (1 (133)): 207–245.
Published: 01 February 2018
... portrayal of Berlin—eschewing mass tourist sites—was informed by his role as a prominent journalist among intellectual circles in the Romanisches Café. Instead of maps, advertisements, or photographs, the guidebook promoted caricatures by such artists as Rudolf Großmann and Benedikt Fred Dolbin and combined...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
..., unstable apprehension of the world. Characterized by a continuity of surface, these photomontages are bound into (and thus integral to) a mass-circulation journal, in critical dialogue with the photo-reportages that preceded and followed them—occasionally in content but primarily through imitating...
Journal Article
New German Critique (2009) 36 (3 (108)): 73–83.
Published: 01 November 2009
...Gertrud Koch To revive the question about film as mass medium, this essay turns to analyses of Samuel Beckett's Film by Theodor W. Adorno and Gilles Deleuze. Their readings are compared regarding the problem of self-knowledge—and how this epistemic motif is transferred into the cinematic medium...
Journal Article
New German Critique (2013) 40 (2 (119)): 53–75.
Published: 01 August 2013
...Stefan Jonsson In Mass Psychology and Analysis of the “I” (1921), Sigmund Freud opens a new chapter in the history of crowd psychology by arguing that masses are produced through processes of identification with authoritarian leadership. This essay asks how it is that Freud's mass theory has been...
Journal Article
New German Critique (2015) 42 (1 (124)): 163–188.
Published: 01 February 2015
... resonant with contemporary minority studies, The Revolt of the Fishermen constructs alternative representations of proletarian masses, social transformation, and gender. The story subtly undermines masculine visions of revolutionary agency and pays special attention to the role of working-class women...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
... analysis of the Verfremdungseffekt produced by montage, the alienating distanciation of unexpected juxtapositions, contributes to the construction of a true dialectical image of satire, which allows us to plot the oppositional axes of satire and to extrapolate the characteristics of other forms of mass...
Journal Article
New German Critique (2019) 46 (2 (137)): 197–220.
Published: 01 August 2019
... in motivating ordinary people to become mass murderers. Instead, political conformity—namely, self-adjustment to the ruling political order simply because it is the ruling order—becomes Arendt’s main explanation for the participation of “ordinary people” in the Nazi mass murder. This shift in Arendt’s...
Journal Article
New German Critique (2023) 50 (3 (150)): 93–107.
Published: 01 November 2023
... between the two circumstances. From inside a unit that the preeminent postwar psychoanalyst and critic Alexander Mitscherlich helped plan for the developer Neue Heimat Städtebau in Emmertsgrund, outside Heidelberg in Germany’s southwest, it articulates a critique of his pedagogical foray into mass housing...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
... photographic fragments in a montage might engage viewers in a new way. In addition, Moholy-Nagy's and Brandt's photomontages resituate the mass media's representations of New Women and frequently create representations of the figure of the constructor, a hybrid technician-artist that each artist sought...
Journal Article
New German Critique (2009) 36 (2 (107)): 207–230.
Published: 01 August 2009
... out to the viewer rests on a powerful realization of subjectivity that necessarily moves through a momentary consideration of uncomfortable questions regarding women, the mass-media image, and terrorism. I would like to thank the editors for their helpful comments. Gender and Terror in Gerhard...
Journal Article
New German Critique (2021) 48 (1 (142)): 153–180.
Published: 01 February 2021
... attempt to actualize the idea of world literature under the auspices of a social and political mass movement. This article develops and illustrates five theses about this internationalist world literature. It thereby sketches aspects of the history of internationalist world literature in Germany between...
Journal Article
New German Critique (2024) 51 (2 (152)): 51–78.
Published: 01 August 2024
... of “omnidirectional” disorientations in translation, the article argues that Petrowskaja’s entangled remembering of the mass violence and state terror of the twentieth century can be described as a translational transnationalism attentive to multiple localities, histories, and memory cultures in Europe...
Journal Article
New German Critique (2017) 44 (1 (130)): 169–203.
Published: 01 February 2017
... Kienholz). This essay explores Glöckner's miniature modernist monuments, contextualizing his practice in relation to the conflicted reception of modernism and the historical scant grade in the German Democratic Republic and its so-called niche society. It examines Glöckner's practice alongside the mass...
Journal Article
New German Critique (2025) 52 (1 (154)): 107–129.
Published: 01 February 2025
... for a mass audience. More recently, a crop of new films does something radically different. This essay tracks Jewish revenge plots in contemporary German film. Films such as Ende der Schonzeit ( Closed Season , dir. Franziska Schlotterer, 2012), Winterjagd ( Winter Hunt , dir. Astrid Schult, 2017), Masel Tov...
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Journal Article
New German Critique (2020) 47 (2 (140)): 81–106.
Published: 01 August 2020
... theoretical perspective on political phenomena. In the context of the Frankfurt School, Kirchheimer’s works present a countermodel to the interpretation of modern mass democracy as an integrative regime of instrumental reason. He refused to accept such a global interpretation. In his work at the Institute...
Journal Article
New German Critique (2009) 36 (3 (108)): 133–160.
Published: 01 November 2009
... while working in a medium that belonged historically to the internationalist conformism of the 1950s. His turn to figuration around 1999–2000, however, only compounded the problem: how dare he raise sensitive political issues—the war in the Balkans, mass unemployment, terrorist bombings, police drug...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
...Michael Cowan The Querschnittfilm (cross-section film) has long been recognized as a documentary genre appropriate to mass society that uses montage, not the narrative development of individual characters, to compare various people and phenomena. But the term and concept of Querschnitt had both...
Journal Article
New German Critique (2013) 40 (1 (118)): 43–64.
Published: 01 February 2013
...” was guilty of the same crime. The industrial production of images was designed to pacify and control the masses. For both Mann and Schoenberg, a return to the Bible through modernist aesthetics could help recuperate myth from its misuse and thus restore a healthy polity. © 2013 by New German Critique, Inc...
Journal Article
New German Critique (2015) 42 (1 (124)): 1–22.
Published: 01 February 2015
... embedded in an autobiographical narrative with the characteristic features of the Bildungsroman . He colludes with the party elite, however, over the heads of the masses (characterized as female), offering the former an exclusive compact among males that entices with its glimpse behind the scenes...
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