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Journal Article
New German Critique (2021) 48 (3 (144)): 165–198.
Published: 01 November 2021
...: there was no such thing as action. —Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge Giorgio Agamben opens his lapidary essay “Notes on Gesture” with a striking claim: “By the end of the nineteenth century the gestures of the Western bourgeoisie were irretrievably lost.” A little later we are presented...
Journal Article
New German Critique (2006) 33 (3 (99)): 121–149.
Published: 01 November 2006
... stay in Paris and in the pages of The Notebooks of Malte Laurids Brigge. Not only does Rilke draw on Baudelairean imagery in his own descriptions of the city—hospitals, death, masks, the elderly, the blind, the downtrodden—but further, the formal makeup of the text as “poems in prose” shows...
Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
..., 2001), by Claudia von Alemann; 2 oder 3 Dinge, die ich von ihm weiß (2 or 3 Things I Know about Him, 2004), by Malte Ludin; and Winterkinder—Die schweigende Generation (Winter’s Children—The Silent Generation, 2005), by Jens Schanze.24 Similarly to Blind Spot, the exposure of personal views...
Journal Article
New German Critique (2011) 38 (1 (112)): 115–134.
Published: 01 February 2011
.... 2011 Filming Familial Secrets: Approaching and Avoiding Legacies of Nazi Perpetration Susanne Luhmann “It is my right to see my father the way I want to see him.” Malte Ludin’s documentary 2 or 3 Things I Know about Him (2...
Journal Article
New German Critique (2006) 33 (3 (99)): 1–5.
Published: 01 November 2006
... surprisingly novel perspectives. Benno Wagner reads Franz Kafka as the “fi rst reader” of Fried- rich Nietzsche in relation to the biopolitics of risk and insurance, danger and uninsurability. Stefanie Harris explores Rainer Maria Rilkeʼs obsession with the visual in The Notebook of Malte Laurids Brigge...
Journal Article
New German Critique (2023) 50 (3 (150)): 149–161.
Published: 01 November 2023
... as sensory envelope, as perceptual membrane and material-mental interface, in relation to the cinematic image and to audiovisual perception, is . . . the ontological, epistemological and phenomenological ‘ground’ for the respective theories of film and cinema today,” write Thomas Elsaesser and Malte Hagener...
FIGURES
Journal Article
New German Critique (2020) 47 (3 (141)): 7–20.
Published: 01 November 2020
... Elsaesser and Malte Hagener, the spectator’s body in its relation to the moving image is a “key historical variable” whose significance has been regularly overlooked in film studies. The current resurgence of interest in Balázs can be read in this context as one response to that “exhaustion of the paradigms...
Journal Article
New German Critique (2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
... of “the death of death” is penetratingly explored in the twentieth century’s fi rst decade in Rilke’s Malte Laurids Brigge, whose nar- rator asks: Who is there today who still cares about a well-fi nished death? . . . When I think back to my home . . . it always seems to me that things must...
Journal Article
New German Critique (2020) 47 (1 (139)): 81–103.
Published: 01 February 2020
... be produced, as full and unitary, by embracing and strategically steering a technologically enhanced perception,” a logic that to some degree anticipates Walter Benjamin’s celebration of a technologically enhanced, tactile vision. 10 As Malte Hagener has summarized more specifically in relation to the city...
FIGURES
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... Institut Film/Fernsehen, is less about the perpetrators’ deeds than about the victims’ experiences. The fictionalized voice that Mitscherlich adopts becomes a way to confront his German audi- ence, and one might think of similar, subsequent attempts to confront that same audience such as Malte...
Journal Article
New German Critique (2015) 42 (1 (124)): 163–188.
Published: 01 February 2015
.... Modernity, Modernism, and the Epistemological Perspective of The Revolt of the Fishermen The literature of the workers’ movement and many major modernist texts— for example, Rainer Maria Rilke’s Notebooks of Malte Laurids Brigge (Die Aufzeichnungen des Malte Laurids Brigge, 1910) and Döblin’s Berlin...
Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
... in Crafton, Émile Cohl, Caricature, and Film , 142, 154–55, 355n56 . 66. For examples beyond Kafka and the avant-garde discussed above, see Polgar, “Die Dinge” ; Rilke, Die Aufzeichnungen des Malte Laurids Brigge , 581–84 ; and Bloch, “Der Rücken der Dinge.” Such texts, all from around 1910...
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Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
... Allgemeine Zeitung , June 19 , 2015 . Robnik Drehli . “ Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture .” In Cinephilia: Movies, Love, and Memory , edited by de Valck Marijke and Hagener Malte , 55 – 64 . Amsterdam : Amsterdam University Press...
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... of popularized knowledge within 13. See Jay Leyda, Films Beget Films (New York: Hill and Wang, 1964), 13–49; and Malte Hagener, Moving Forward, Looking Back: The European Avant-Garde and the Invention of Film Culture, 1919–1939 (Amsterdam: Amsterdam University Press, 2007), 113–19. In Germany...
Journal Article
New German Critique (2011) 38 (1 (112)): 65–84.
Published: 01 February 2011
... recognition of family memory within a rhetoric and logic of apology. There is a significant difference between the docudramas’ public mediation of the memory of national trauma and, for example, Malte Ludin’s 2 or 3 Things I Know about Him (2 oder 3 Dinge, die ich von ihm weiß, 2005), and it is impor...
Journal Article
New German Critique (2011) 38 (1 (112)): 85–113.
Published: 01 February 2011
... with the Enemy,” 126. 23. See also Susanne Vees-Gulani, “‘Phantomschmerzen’: Durs Grünbeins Porzellan und neue Wege in der Literatur über den Luftkrieg,” in Luftkrieg: Erinnerungen in Deutschland und Europa, ed. Jörg Arnold, Dietmar S and Malte Thießen (Göttingen: Wallstein, 2009), 277–96. This arti...
Journal Article
New German Critique (2012) 39 (1 (115)): 3–26.
Published: 01 February 2012
... the process whereby Austerlitz finds it within himself to live on and leave the frame of the reader’s attention. Back in Paris, Austerlitz suffers a second breakdown and is hospitalized in the famous Salpêtrière (the refuge, too, of Rainer Maria Rilke’s Malte Lau- rids Brigge, another scholar-hero...
Journal Article
New German Critique (2010) 37 (3 (111)): 1–26.
Published: 01 November 2010
.... Jacobson and Evelyn M. Jacobson (Chicago: University of Chicago Press, 1994), 118–23. 25. According to Scholem, Benjamin referred him to a Klagelied in Rilke’s Malte Laurids Brigge (Friendship, 65). In March 1918 Scholem also commented on Rilke’s “Klage um Jonathan” and Lasker-Schüler’s “David...
Journal Article
New German Critique (2009) 36 (3 (108)): 133–160.
Published: 01 November 2009
....” 42. Holger Liebs, “Grüner Star; Daniel Richter malt die Welt, wie sie ihm missfällt—eine Ausstellung in Düsseldorf,” Süddeutsche Zeitung, October 10, 2002. 152 Daniel Richter and Political Painting spoke out in 1998 about what he regarded as the technocratic manipulation of images...
Journal Article
New German Critique (2019) 46 (2 (137)): 117–149.
Published: 01 August 2019
... , 2008 . Herwig Malte . Die Flakhelfer: Wie aus Hitlers jüngsten Parteimitgliedern Deutschlands führende Demokraten wurden . Munich : Deutsche Verlags-Anstalt , 2013 . Honneth Axel . The Idea of Socialism: Towards a Renewal , translated by Ganahl Joseph . Cambridge, MA...