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lateness

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Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 31–48.
Published: 01 August 2015
...Anne Fuchs As the flip side of acceleration, lateness and slowness disrupt the relentless logic of the modernizing project by critiquing the harnessing of attention that is a hallmark of modernity's high-speed society. This article debates three prominent modes of lateness around 1900 that...
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
...Karen Leeder This introduction addresses the interrelated ideas of lateness, belatedness, anachronism, untimeliness, old age, and “late style” that run through this special issue. After a brief overview of recent thinking about time, especially in the transition from modernity to postmodernity, it...
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 115–135.
Published: 01 August 2015
... particular past (e.g., National Socialism or the German Democratic Republic), or can it be understood in terms of a relationship to past time as such? This article argues that the productivity of “lateness” becomes evident in artistic framings of remnants, which interrogate memory in this “late” city. Works...
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
...Kirstin Gwyer Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent—postmodern(ist), posthistorical, posttraumatic—times has been revaluated. No...
Journal Article
New German Critique (1 November 2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
...Ursula von Keitz New German Critique, Inc. 2007 Translated from the German by Rachel Leah MagShamhráin Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s Ursula...
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 97–113.
Published: 01 August 2015
...Stuart Taberner Many of Martin Walser's early works describe the triumph of conformity over subjectivity. From the early 1990s, however, Walser's characters begin to develop a stubborn insistence on self-expression, and this externalizes their author's “late style.” In a series of extraordinarily...
Journal Article
New German Critique (1 February 2018) 45 (1 (133)): 23–47.
Published: 01 February 2018
... Technological Reproducibility .” Monatshefte 104 , no. 1 : 70 – 85 . Ziolkowski Theodore . 1993 . Virgil and the Moderns . Princeton, NJ : Princeton University Press . Word Creatures: Theodor Haecker and Walter Benjamin between Geschwätz and Pure Language in the Late Weimar Republic...
Journal Article
New German Critique (1 August 2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...Joy H. Calico This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner), and...
Journal Article
New German Critique (1 November 2012) 39 (3 (117)): 165–187.
Published: 01 November 2012
..., which—irreproducible for uninitiated outsiders and renationalized postwar readerships—were cleansed and redacted throughout the late 1940s and 1950s to fit the monolingual norms of national reconstitution. Gramling turns to Primo Levi's writings in The Truce for traces of this multiple-language hypotext...
Journal Article
New German Critique (1 February 2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
... Adorno but also the culture of late capitalist modernity, which is too often still seen as, in Fredric Jameson's famous phrase, “bereft of all historicity.” In pursuing this future, Burges hopes to point toward a reinvigorated study of temporality and historicity for twenty-first-century critical...
Journal Article
New German Critique (1 February 2013) 40 (1 (118)): 175–198.
Published: 01 February 2013
... disfigurement of social relations in late capitalist society. © 2013 by New German Critique, Inc. 2013 Adorno on Kafka: Interpreting the Grimace on the Face of Truth Roger Foster Anyone who cannot come to terms with this life while...
Journal Article
New German Critique (1 August 2016) 43 (2 (128)): 1–20.
Published: 01 August 2016
...Heather I. Sullivan; Bernhard F. Malkmus The introduction to The Challenge of Ecology to the Humanities: Posthumanism or Humanism? sketches out the ambiguous response of the humanities to the long-term anthropological thinking about the human as an ecological being from the late nineteenth and...
Journal Article
New German Critique (1 November 2016) 43 (3 (129)): 5–26.
Published: 01 November 2016
... characteristics of its own. In his late embrace of musique informelle , he admired a music that eschewed both reified categories and subjective domination of the apparent contingency of the material world, a music that expressed a nominalism that might better be called “magical” than “conventional.” © 2016 by...
Journal Article
New German Critique (1 November 2016) 43 (3 (129)): 139–154.
Published: 01 November 2016
... ( Deutung ), and image ( Bild ) in Adorno's philosophical and musical texts from the early 1930s to the late 1960s and material from the Nachlass , the case is made that his conception of interpretation involves not only the decipherment of the riddle-character of art but also the construction of further...
Journal Article
New German Critique (1 February 2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
...Meike Hoffmann With the unexpected discovery of the “Munich Art Trove” in November 2013, the name of Hildebrand Gurlitt became famous overnight through media stories around the world. Spanning four periods of German history, Gurlitt started as an art historian in the late-period German Reich...
Journal Article
New German Critique (1 August 2008) 35 (2 (104)): 33–53.
Published: 01 August 2008
... itself. Paradoxically, such events are obscured in J. M. Bernstein's account, in Adorno: Disenchantment and Ethics, of Adorno's “exemplary first-person experience” of unredeemable guilt after Auschwitz. Fredric Jameson's Late Marxism argues from an opposing perspective to a similar effect, construing...
Journal Article
New German Critique (1 August 2008) 35 (2 (104)): 71–102.
Published: 01 August 2008
... National Socialism and World War II, and the rise of musical “authenticism” as part of a general movement toward postwar reconstruction of an allegedly unsullied past. While there remain undeniable differences between Furtwängler's late Romanticism and Adorno's Marxist modernism, their conceptions of a...
Journal Article
New German Critique (1 August 2008) 35 (2 (104)): 171–189.
Published: 01 August 2008
..., were still intact in late-nineteenth- and early-twentieth-century Germany. © 2008 by New German Critique, Inc. 2008 The Schreber Case Revisited: Realpolitik and Writing in the Asylum Erik Butler Analyses of Denkwürdigkeiten eines...
Journal Article
New German Critique (1 November 2008) 35 (3 (105)): 97–120.
Published: 01 November 2008
...Nitzan Lebovic This article addresses the strange reappearance of Carl Schmitt in the context of German Jewish thought after 1940. The focus is on the role political theology played in the work of Martin Buber, Hugo Bergman, and Jacob Taubes, three men who met in Jerusalem during the late 1940s and...
Journal Article
New German Critique (1 February 2010) 37 (1 (109)): 1–25.
Published: 01 February 2010
... image of modern Berlin promoted in the daily press, in films, and in advertising during the Weimar Republic. This was done to display the German capital as a “human” city in which the urban dweller could feel at home. Although the late 1920s are mostly considered a period of medium optimism, Stone's...