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Journal Article
Aging, Late Style, and Untimeliness in Recent Literary Fiction by Martin Walser
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New German Critique (2015) 42 (2 (125)): 97–113.
Published: 01 August 2015
...Stuart Taberner Many of Martin Walser's early works describe the triumph of conformity over subjectivity. From the early 1990s, however, Walser's characters begin to develop a stubborn insistence on self-expression, and this externalizes their author's “late style.” In a series of extraordinarily...
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Journal Article
New German Critique (2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
...Karen Leeder This introduction addresses the interrelated ideas of lateness, belatedness, anachronism, untimeliness, old age, and “late style” that run through this special issue. After a brief overview of recent thinking about time, especially in the transition from modernity to postmodernity...
Journal Article
Old-Age Style: The Case of Arnold Schoenberg (1874–1951)
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New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...Joy H. Calico This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner...
Journal Article
Wounded Modernism: Adorno on Wagner
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New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... in Wagner’s work gradually dis-
placed the more censorious tone of the earlier writing.
The Program Notes to Parsifal
The new generosity is most evident in the 1956 program note on Parsifal in
which Adorno goes so far as to identify a “late style” or Altersstil in Wagner’s
work that implicitly...
Journal Article
New German Critique (2016) 43 (3 (129)): 1–4.
Published: 01 November 2016
... procedures of Beethoven’s music, based on gradual motivic
development, he found important structural analogies to his own philosophical
method. The analogy became especially evident when Adorno turned his
attention to what he called the “late style” in Beethoven. It could be argued
that Adorno’s...
Journal Article
Der Fall Faustus: Continuity and Displacement in Theodor Wiesengrund Adorno and Thomas Mann's Californian Exile
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New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
... of
the chapter to Adorno, who commented on it and in return provided Mann
with a copy of his 1934 essay “Beethoven’s Late Style.”7
Within a few days they were meeting again to discuss Kretzschmar’s
lectures further, and during this second discussion, as Mann recounts in the
Emergence, “Adorno sat...
Journal Article
Minima Patientia : Reflections on the Subject of Suffering
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New German Critique (2006) 33 (1 (97)): 53–72.
Published: 01 February 2006
... existence cannot be justified. In Beethoven’s late style, Adorno recog-
nizes “the fragmentary ruins of convention” that depose creative subjectivity
“touched by death.” Relating to suffering out of the subject’s own mortality
and wandering deep into the memory of the ruins, Beethoven’s last works...
Journal Article
Teddie’s Landschaft
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New German Critique (2021) 48 (2 (143)): 85–105.
Published: 01 August 2021
... . Adorno Theodor W. “ In Memory of Eichendorff .” In vol. 1 of Notes to Literature , translated by Nicholsen Shierry Weber , 55 – 79 . New York : Columbia University Press , 1991 . Adorno Theodor W. “ Late Style in Beethoven ,” translated by Gillespie Susan . In Essays...
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
... as more literary, late-style volumes like Care Crosses the River (1987, trans. 2010) or St. Matthew Passion (1988, trans. 2021) that place Blumenberg into a lineage of aphoristic philosophers such as Friedrich Nietzsche or Walter Benjamin. 2 The philosopher Hans Blumenberg (1920–96) must count...
Journal Article
Beyond Lateness? “Postmemory” and the Late(st) German-Language Family Novel
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New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
...-nine years of age. Their work is not
written “in the proximity of death,” at least not of their own death. While not
models of “late style” in a narrow definition, Rabinovici’s Andernorts (Else-
where) and Beyer’s Kaltenburg have the feel of postscripts in that they are
written after...
View articletitled, Beyond <span class="search-highlight">Lateness</span>? “Postmemory” and the <span class="search-highlight">Late</span>(st) German-Language Family Novel
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Journal Article
The Last War: Architecture and Postmodernism, Again
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New German Critique (2006) 33 (3 (99)): 63–82.
Published: 01 November 2006
..., the
actual war that formed the backdrop for the ideological battles on American
campuses during the late 1960s and early 1970s did not appear to have pen-
etrated the disciplinary confi nes of architecture. Instead, according to Tafuri,
under postmodernism the anguished public battle conducted...
Journal Article
“Only in the 1990s Did I Become East German”: A Conversation with Ingo Schulze about Remembering the GDR, Simple Storys , and 33 Moments of Happiness ; with an Introduction to His Work
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New German Critique (2007) 34 (2 (101)): 143–155.
Published: 01 August 2007
... in 1993
while working for a newspaper. With different voices, perspectives, and fig-
ures, the thirty-three unconnected stories of the “Wild East” vary in style
and tone. Some are satirical or border on the fantastic and the surreal; others
are tragic. Stylistically, some are written like anecdotes...
View articletitled, “Only in the 1990s Did I Become East German”: A Conversation with Ingo Schulze about Remembering the GDR, Simple Storys , and 33 Moments of Happiness ; with an Introduction to His Work
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for article titled, “Only in the 1990s Did I Become East German”: A Conversation with Ingo Schulze about Remembering the GDR, Simple Storys , and 33 Moments of Happiness ; with an Introduction to His Work
Journal Article
Spectator and Society: Lukács, Riegl, and the Phenomenology of the Individual Subject
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New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... . Riegl Alois . 1985 . Late Roman Art Industry , translated by Winkes Rolf . Rome : Bretschneider . Riegl Alois . 1992 . Problems of Style: Foundations for a History of Ornament , translated by Kain Evelyn . Princeton, NJ : Princeton University Press . Riegl Alois...
Journal Article
Baroque out of Focus: The Question of Mediation in Wölfflin
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New German Critique (2018) 45 (1 (133)): 79–109.
Published: 01 February 2018
... . Nuremberg : Stich . Schultze-Naumburg Paul . 1901–17 . Kulturarbeiten . Munich : Callwey im Kunstwart-Verlag . Schwartz Frederic J . 1999 . “ Cathedrals and Shoes: Concepts of Style in Wölfflin and Adorno .” New German Critique , no. 76 : 3 – 48 . Simmel Georg . 1902–3...
Journal Article
“Play with Danger”: Vernacular Modernism and the Problem of Criticism
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New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
..., styles, and personnel; the influx of German directors and technicians
throughout the late 1920s and early 1930s, for example, shaped the kind of
cinema being made at studios like Universal—and, later, of postwar film noir.
One might also look to the way that avant-garde films cite Hollywood films...
Journal Article
Cultural-Political Palimpsests: The Reich Aviation Ministry and the Multiple Temporalities of Dictatorship
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New German Critique (2012) 39 (3 (117)): 207–230.
Published: 01 November 2012
...
alluding to Sagebiel’s affinity with Mendelsohn.18 In this context it may also be
significant that the ceremonial courtyard on Wilhelmstraße was one of a num-
ber of late revisions to Sagebiel’s design that brought it closer to the more
conservative official style defined by Troost and Speer. Although...
Journal Article
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television
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New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... and reading of Lang and Adorno’s friendship, see Plass, “Dialectic of Regression.” Ulrich Plass and Thomas Schur have both ventured productive allegorical readings of Lang’s final West German films in relation to Adorno—in terms of late style and reflections on myth and homelessness, respectively—though...
FIGURES
Journal Article
Adorno's Mimeograph: The Uses of Obsolescence in Minima Moralia
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New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
... Adorno but also the culture of late capitalist modernity, which is too often still seen as, in Fredric Jameson's famous phrase, “bereft of all historicity.” In pursuing this future, Burges hopes to point toward a reinvigorated study of temporality and historicity for twenty-first-century critical...
Journal Article
The Drama in an Age of Fragmentation: Toward a New Reading of Georg Lukács's Evolutionary History of the Modern Drama
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New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
... style” and evaluates the cur-
rents of modern drama.
In short, drama is defined as a specific form of literature designed to
influence a wide audience through its transfer to the stage. Hence drama refers
to the universal and the necessary, which can have a wide impact through
images...
Journal Article
Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility
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New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
... his head as a sign to be set free from his bonds; but it is too late,” as epigraph for my “Dissonant Works and the Listening Public.” 4. My first approach to Adorno on possibility is in Elective Affinities . But see Macdonald, What Would Be Different , for the working out...
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