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Journal Article
New German Critique (2015) 42 (2 (125)): 97–113.
Published: 01 August 2015
...Stuart Taberner Many of Martin Walser's early works describe the triumph of conformity over subjectivity. From the early 1990s, however, Walser's characters begin to develop a stubborn insistence on self-expression, and this externalizes their author's “late style.” In a series of extraordinarily...
Journal Article
New German Critique (2015) 42 (2 (125)): 1–29.
Published: 01 August 2015
...Karen Leeder This introduction addresses the interrelated ideas of lateness, belatedness, anachronism, untimeliness, old age, and “late style” that run through this special issue. After a brief overview of recent thinking about time, especially in the transition from modernity to postmodernity...
Journal Article
New German Critique (2015) 42 (2 (125)): 65–80.
Published: 01 August 2015
...Joy H. Calico This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner...
Journal Article
New German Critique (2016) 43 (3 (129)): 155–173.
Published: 01 November 2016
... University Press . Goetschel Willi . 2015 . “Heine's Asthetics of Dissonance.” Germanic Review 90 : 304 – 34 . Gordon Peter . 2009 . “The Artwork beyond Itself: Adorno, Beethoven, and Late Style.” In The Modernist Imagination: Intellectual History and Critical Theory; Essays...
Journal Article
New German Critique (2016) 43 (3 (129)): 1–4.
Published: 01 November 2016
... method. The analogy became especially evident when Adorno turned his attention to what he called the “late style” in Beethoven. It could be argued that Adorno’s philosophical work itself, with its critical interest in the “cracks and fissures” of society and the unresolved negativity of thought...
Journal Article
New German Critique (2007) 34 (1 (100)): 111–139.
Published: 01 February 2007
... essay “Beethoven’s Late Style.”7 Within a few days they were meeting again to discuss Kretzschmar’s lectures further, and during this second discussion, as Mann recounts in the Emergence, “Adorno sat down at the piano and, while I stood by and watched, played for me the entire Sonata Opus...
Journal Article
New German Critique (2006) 33 (1 (97)): 53–72.
Published: 01 February 2006
... existence cannot be justified. In Beethoven’s late style, Adorno recog- nizes “the fragmentary ruins of convention” that depose creative subjectivity “touched by death.” Relating to suffering out of the subject’s own mortality and wandering deep into the memory of the ruins, Beethoven’s last works...
Journal Article
New German Critique (2021) 48 (2 (143)): 85–105.
Published: 01 August 2021
.... Mittelmeier, Adorno in Neapel , 85 . 34. Adorno, “Mascagnis Landschaft,” 271–72 . “Carmen” references Georges Bizet’s 1875 opera. 35. Adorno, “Late Style in Beethoven,” 567 . 36. Adorno, Letters to His Parents , 68–70 . 37. Adorno, Minima Moralia , 201 . 38. Adorno...
Journal Article
New German Critique (2022) 49 (1 (145)): 1–9.
Published: 01 February 2022
..., trans. 2010), a theory of the uses of metaphor that suggests a surplus content irreducible to mere concepts, as well as more literary, late-style volumes like Care Crosses the River (1987, trans. 2010) or St. Matthew Passion (1988, trans. 2021) that place Blumenberg into a lineage of aphoristic...
Journal Article
New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
...-nine years of age. Their work is not written “in the proximity of death,” at least not of their own death. While not models of “late style” in a narrow definition, Rabinovici’s Andernorts (Else- where) and Beyer’s Kaltenburg have the feel of postscripts in that they are written after...
Journal Article
New German Critique (2006) 33 (3 (99)): 63–82.
Published: 01 November 2006
... the backdrop for the ideological battles on American campuses during the late 1960s and early 1970s did not appear to have pen- etrated the disciplinary confi nes of architecture. Instead, according to Tafuri, under postmodernism the anguished public battle conducted by the modern avant-gardes against...
Journal Article
New German Critique (2007) 34 (2 (101)): 143–155.
Published: 01 August 2007
... in 1993 while working for a newspaper. With different voices, perspectives, and fig- ures, the thirty-three unconnected stories of the “Wild East” vary in style and tone. Some are satirical or border on the fantastic and the surreal; others are tragic. Stylistically, some are written like anecdotes...
Journal Article
New German Critique (2018) 45 (1 (133)): 79–109.
Published: 01 February 2018
... . Nuremberg : Stich . Schultze-Naumburg Paul . 1901–17 . Kulturarbeiten . Munich : Callwey im Kunstwart-Verlag . Schwartz Frederic J . 1999 . “ Cathedrals and Shoes: Concepts of Style in Wölfflin and Adorno .” New German Critique , no. 76 : 3 – 48 . Simmel Georg . 1902–3...
Journal Article
New German Critique (2018) 45 (3 (135)): 175–203.
Published: 01 November 2018
... . Riegl Alois . 1985 . Late Roman Art Industry , translated by Winkes Rolf . Rome : Bretschneider . Riegl Alois . 1992 . Problems of Style: Foundations for a History of Ornament , translated by Kain Evelyn . Princeton, NJ : Princeton University Press . Riegl Alois...
Journal Article
New German Critique (2014) 41 (2 (122)): 67–82.
Published: 01 August 2014
..., styles, and personnel; the influx of German directors and technicians throughout the late 1920s and early 1930s, for example, shaped the kind of cinema being made at studios like Universal—and, later, of postwar film noir. One might also look to the way that avant-garde films cite Hollywood films...
Journal Article
New German Critique (2012) 39 (3 (117)): 207–230.
Published: 01 November 2012
... alluding to Sagebiel’s affinity with Mendelsohn.18 In this context it may also be significant that the ceremonial courtyard on Wilhelmstraße was one of a num- ber of late revisions to Sagebiel’s design that brought it closer to the more conservative official style defined by Troost and Speer. Although...
Journal Article
New German Critique (2022) 49 (2 (146)): 161–186.
Published: 01 August 2022
... and reading of Lang and Adorno’s friendship, see Plass, “Dialectic of Regression.” Ulrich Plass and Thomas Schur have both ventured productive allegorical readings of Lang’s final West German films in relation to Adorno—in terms of late style and reflections on myth and homelessness, respectively—though...
FIGURES
Journal Article
New German Critique (2015) 42 (1 (124)): 23–44.
Published: 01 February 2015
... style” and evaluates the cur- rents of modern drama. In short, drama is defined as a specific form of literature designed to influence a wide audience through its transfer to the stage. Hence drama refers to the universal and the necessary, which can have a wide impact through images...
Journal Article
New German Critique (2021) 48 (1 (142)): 1–39.
Published: 01 February 2021
... for the present essay: Adorno had already made such a liberating case. Only coming to know this too late to influence what I wrote in the 1980s, I have been grappling with his views ever since. This essay presents Adorno’s case through the lens of my own thinking. It is a shared case leading to a striking...
Journal Article
New German Critique (2013) 40 (1 (118)): 65–92.
Published: 01 February 2013
... Adorno but also the culture of late capitalist modernity, which is too often still seen as, in Fredric Jameson's famous phrase, “bereft of all historicity.” In pursuing this future, Burges hopes to point toward a reinvigorated study of temporality and historicity for twenty-first-century critical...